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The Harlem Renaissance
Brief summary of harlem renaissance
Brief summary of harlem renaissance
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The Harlem Renaissance The Harlem Renaissance refers to a prolific period of unique works of African-American expression from about the end of World War I to the beginning of the Great Depression. Although it is most commonly associated with the literary works produced during those years, the Harlem Renaissance was much more than a literary movement; similarly, it was not simply a reaction against and criticism of racism. The Harlem Renaissance inspired, cultivated, and, most importantly, legitimated the very idea of an African-American cultural consciousness. Concerned with a wide range of issues and possessing different interpretations and solutions of these issues affecting the Black population, the writers, artists, performers and musicians of the Harlem Renaissance had one important commonality: "they dealt with Black life from a Black perspective." This included the use of Black folklore in fiction, the use of African-inspired iconography in visual arts, and the introduction of jazz to the North.[i] In order to fully understand the lasting legacies of the Harlem Renaissance, it is important to examine the key events that led to its beginnings as well as the diversity of influences that flourished during its time. Beginning in the 1919 and lasting through about 1926 thousands of Blacks began to migrate from the southern United States to the North; an estimated 1 million people participated in what has come to be called the Great Migration.[1] The reasons for this mass movement are complicated and numerous, but they include search for better work, which was fueled by a new demand for labor in the North (particularly from the railroad industry) and the destruction of many cotton harvests by the infectious boll weevil ... ... middle of paper ... ...hose dogged strength alone keeps it from being torn asunder.” http://www.csustan.edu/english/reuben/pal/chap9/9intro.htm [4] For example, some point out that “the U.S. Government’s Works Progress Administration cultural program fueled an abundance of African American literary works, performance art, and visual expression well into the early 1940s.” As mentioned, however, the 1930’s is the general end marker because of the Great Depression. http://www.pbs.org/newshour/forum/february98/harlem_2-20.html [i] http://www.fatherryan.org/harlemrenaissance/ [ii] http://afroamhistory.about.com/ [iii] http://www.csustan.edu/english/reuben/pal/chap9/9intro.html [iv] http://www.pbs.org/newshour/forum/february98/harlem_2-20.html [v] http://www.csustan.edu/english/reuben/pal/chap9/9intro.htm [vi] http://www.csustan.edu/english/reuben/pal/chap9/9intro.htm
Between 1910 and 1930, Harlem began thriving with African- American arts such as literature, theatre and painting, and music. This era was soon known as the Harlem Renaissance. During this time racial pride became a very big thing among African- American artists, but the only problem was how to best show this pride. Both high art and folk art can give a good expression of racial pride.
In the Voodoo religion, a priestess hosts a number of different ceremonies each year. During these ceremonies, one of the people present (usually the priestess herself) is supposedly possessed by one or more spirit(s) who then communicates with the rest of the people present. A typical example of a Voodoo ceremony is that described in the book Mama Lola by Karin McCarthy Brown. Here, Mama Lola, as this voodoo priestess is known, lives in Brooklyn and does all she can to stay faithful to her Haitian religion. After inviting her voodoo ‘family’ for what will be the birthday celebration of the spirit Azaka, all members, important and close gather to help set up the intricate and festive alter in the basement of Mama...
Voodoo (also known as Vodun, Vodou, Umbanda, Quimbanda, and Candomble) originated as an amalgam of African religions during the slave trade. As slaves were shipped from Africa to the Caribbean
These are the words of anthropologist and religious historian Vittorio Lanternari. Through the lens of Lanternari Haitian Vodou can be examined. Throughout history political and ideological considerations of the West have given rise to many misinterpretations concerning the nature of Haitian Vodun. Vodun has received a reputation for being superstitious “Black magic”. Practitioners of Haitian Vodou have historically not objectified the religion as such but rather said that they “serve the spirits.” This connects to the way Vodou challenges the boundaries that the concept of “religion” seems to presume, from transformative assimilating aspects of Roman Catholicism to centrally incorporating healing processes. The ascribed identity of Vodou reflects a great deal more about Haiti’s place in the geopolitical order over the past two centuries than about the set of complex of beliefs and rituals. Due to a colonial mentality that dismisses all non-Western cultures as barbarous...
“Poetry, like jazz, is one of those dazzling diamonds of creative industry that help human beings make sense out of the comedies and tragedies that contextualize our lives” This was said by Aberjhani in the book Journey through the Power of the Rainbow: Quotation from a Life Made Out of Poetry. Poetry during the Harlem Renaissance was the way that African Americans made sense out of everything, good or bad, that “contextualized” their lives. The Harlem Renaissance, also known as the Black Renaissance or New Negro Movement, was a cultural movement among African Americans. It began roughly after the end of World War 1 in 1918. Blacks were considered second class citizens and were treated as such. Frustrated, African Americans moved North to escape Jim Crow laws and for more opportunities. This was known as the Great Migration. They migrated to East St. Louis, Illinois, Chicago 's south side, and Washington, D.C., but another place they migrated to and the main place they focused on in the renaissance is Harlem. The Harlem Renaissance created two goals. “The first was that black authors tried to point out the injustices of racism in American life. The second was to promote a more unified and positive culture among African Americans"(Charles Scribner 's Sons). The Harlem Renaissance is a period
...white people were the change-makers and shapers of Vodun, when actually black people adapted their religion to suite oppressive conditions. As time went on “Voodoo had become less of a religion than a political association [which was] and inherent characteristic of black religion from the slave period” (46). This happened not only in America, but in Haiti as well. This not only highlights the evolution of Vodun from religion, to a political force, but also the adaptability of Vodun as well.
The Great Migration was a time where more then 6 million African Americans migrated North of the United States during 1910-1920. The Northern Parts of the United States, where African Americans mainly moved to was Chicago, Detroit, New York, Philadelphia and Cleveland. They migrated because of the work on railroads and the labor movement in factories. They wanted a better life style and felt that by moving across the United States, they would live in better living conditions and have more job opportunities. Not only did they chose to migrate for a better lifestyle but they were also forced out of their homes by unsatisfactory economic opportunities and harsh segregation laws. They were forced to work in poor working conditions and compete for
Voodooism is a fascinating way of life. Ever since living in Haiti in the early 1980's, the constant thumping of drums in the twilight has intrigued me. Their melody and rhythm seemed to consume the moist evening air like a pungent odor that will not dissipate. Life is very different in Haiti than it is in the United States, and however odd it seems to Western mentality, I could feel the presence of spirits in and around almost every aspect of life in Haiti.
Voodoo has evolved from the time it was first practiced in the United States by both male and female slaves, into a religion synonymous with the “Voodoo Queen”, Marie Laveau and her primarily female followers. Marie was herself a creole, born in the late 1700s to “an old slave woman on her mother’s side, and on the other hand the best French blood of Louisiana coursed in her veins.” Marie’s rise to “queen” coincided with voodoo’s shift towards being known as female dominant and gained the legacy of being primarily practiced by women . She was so famous and trusted that white “celebrities of the day” (lawyers, merchants, and legislat...
Voodoo is a religion that is different from most traditional religions such as Christianity. The origination of the Voodoo religion came from Africa, however it is said to be a collective combination of Catholic and Native American practices as well. This paper will discuss varies topics of Voodoo such as what it is not, the beliefs and practices that surround death and afterlife, the myth of the Voodoo creation and compare the religion of Voodoo to that of Christianity.
The Harlem Renaissance was a period of great rebirth for African American people and according to the online encyclopedia Wikipedia, the “Harlem Renaissance was a cultural movement that spanned the 1920s and 1930s.” Wikipedia also indicates that it was also known as the “Negro Movement, named after the 1925 Anthology by Alan Locke.” Blacks from all over America and the Caribbean and flocked to Harlem, New York. Harlem became a sort of “melting pot” for Black America. Writers, artists, poets, musicians and dancers converged there spanning a renaissance. The Harlem Renaissance was also one of the most important chapters in the era of African American literature. This literary period gave way to a new type of writing style. This style is known as “creative literature.” Creative literature enabled writers to express their thoughts and feelings about various issues that were of importance to African Americans. These issues include racism, gender and identity, and others that we...
Vodou is an actual religion and not something that should be demonized. The spelling of Vodou as Voodoo in itself is demonizing the actual religion with another belief by associating the system known as hoodoo, due to ignorance. It should actually be said and spelled Vodou (Voe-dou). Vodou has been a source of intrigue and fear for many since it’s first mentionings in the texts of 1800th century missionaries. For most people the first time hearing about the religion comes from hollywood movies. Unluckily these films portray the religion as a barbaric practice involved with witchcraft and devil worship. In reality Vodou is steeped in the history of the Caribbean and its origin country of Haiti. The religion tells the story of its home country,
Voudon is the religion that was practiced that involved several cultural elements to make up the religion. There are personal creeds and practices that make up the Voudon religion. Along with these creeds and practices, Voudon also involves folk medicine that is used to aide in the healing of the believers. The believers of the Voudon religion use songs, folklore, proverbs, and stories to pass down the beliefs of their religion to their future generations of believers. The Voudon religions origins are not exactly known but it is believed to have originated from West Africa. According to the article Voodoo a Legitimate Religion, Anthropologist Says "Voodoo beliefs spread from Africa's shores to America on slave ships"( http://news.nationalgeographic.com). As the Voudon religion grew and cross the seas it began to change. This change occurred because of different beliefs from the different people from different parts of the world. "Voodoo is a fusion of religious practices from Africa that often takes on different characteristics and emphases when practiced in various locations"(http://www.religionfacts.com). There many influences to include other religions like Christianity and Catholism that had some influence on the Voudon
This version however is different that the Vodou practiced in Haiti. Here we will switch from Vodou to Voodoo, which was highly popular in the New Orleans area in the United States. Voodoo refers to “any form of spiritual beliefs and practices remotely associated with the Black continent.” This Voodoo is particularly limited to the making of potions, dolls, spell, curses, etc. It is less religious based and more about magic and the supernatural and over the years has become a more a profit-based practice as it fed on people stereotypes to voodoo. Osbey backs this up as well in her journal, We Can’t Talk to You About Voodoo, “First of all there are no dolls in Voodoo. That’s a gimmick borrowed from European witchcraft to cheat the real tourists…Voodoo dolls have been built into the local tourism trade.” Historic New Orleans Voodoo Museum for example is a popular attraction, owned by a “Voodoo” practitioner offers visitors an education and background on voodooism as well as articrafts and various other objects available for sale. Charles Gandolfo founded this museum in 1972; He saw an opportunity and seized it to capitalize on New Orleans legendary Voodoo past. The museum is still up and running and visitors are welcome today which the catch of an entry fee. Voodoo like the Vodou in Haiti made its way to the United States in a similar fashion, through the African diaspora via the Transatlantic Slave
Bowen, J. R. 1998. Explaining misfortune: witchcraft and sorcery. Chapter 5 of J.R. Bowen Religions in Practice: An Approach to the Anthropology of Religion. Allyn and Bacon.