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The Great Gatsby is a short novel written by Scott Fitzgerald. It is set in the 1920’s, and like Fitzgerald, the novel is fervently identified with the Jazz age. The Jazz age was a time of self- indulgence squeezed between World War I and the Great Depression. The theme throughout the novel is recognized as the prestigious “American Dream” which holds a strong and honored place in American history. In The Great Gatsby, F. Scott Fitzgerald uses Gatsby’s parties, the valley of ashes, and love to show that the ideals of the American dream are deteriorating.
In the West Egg, Gatsby threw huge and extravagant parties hoping one day the love of his life, Daisy from East Egg, would come strolling through the door. Fitzgerald satirizes these parties in order to create a larger picture about the “roaring twenties” (Slater 54). The large parties were a place that was teeming with contradictions displayed. These huge parties were contained with people who were never officially invited and stayed until they were kicked out. The people who showed up were all examples of moral corruption and cared for nothing but the material of goods. People came, trashed Gatsby’s home and then left. The guest treated each other as if they were disposable, just like the money they spent so vigorously. This is the complete opposite of what the American Dream is supposed to be, people were just partying their lives away. Fitzgerald deliberately contributed to the God-like image of Gatsby by withholding him from the novel, which surrounds him with a mythical aura. Rumors would spread about Gatsby because no one has actually seen him." 'I'll tell you a family secret . . . . he used to be the silver polisher . . . in New York that had a si...
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...f others to reach their own personal goals.
Works Cited
Baker, Robert J. “Maecenas and Horace ‘Satires II.8.’” The Classical Journal 83.3 (1988): 212-232. JSTOR. Web. Feb. 17 May. 2014.
Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner, 1925. Print.
Fraser, John. “Dust and Dreams and the Great Gatsby.” The John Hopkins University Press 32.4 (1965): 554-564. JSTOR. Web. Dec. 17 May. 2014.
McAdams, Tony. “The Great Gatsby as Business Ethics Inquiry.” Journal of Business Ethics 12.8 (1993): 653-660. JSTOR. Web. 20 May. 2014.
Pearson, Roger L. “Gatsby: False Prophet of the American Dream.” The English Journal 59.5 (1970): 638-645. JSTOR. Web. 17 May. 2014
Slater, Gregg P. “Ethnicity in the Great Gatsby” Twentieth Century Literature 19.1 (1973): 53-62. JSTOR. Web. Jan. 18 May. 2014.
"Trimalchio." Princeton University. N.p., n.d. Web. 20 May 2014.
In The Great Gatsby by F. Scott Fitzgerald and Daisy Miller by Henry James, most of the characters are under illusions during the majority of the plot. The plots are carried out with the characters living under these illusions, which are mainly overcome by the ends of the stories. The disillusionment of most of the characters completely diminishes the foundation in which the plots were built upon, leading to the downfall of some of the main characters and the altering of the other characters.
Samuels, Charles T. "The Greatness of ‘Gatsby'." Fitzgerald's The Great Gatsby: The Novel, The Critics, The Background. Ed. Henry D. Piper. Charles Schribner's Sons, New York: 1970.
In F. Scott Fitzgerald's, The Great Gatsby, the pursuit of the American dream in a corrupt period is a central theme. This theme exemplifies itself in the downfall of Gatsby. In a time of disillusionment the ideals of the American dream are lost. The classic American dream is one of materialism and when Gatsby incorporates Daisy, a human being, into the dream he is doomed to fail.
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner, 1996. Print.
As depicted by Scott F. Fitzgerald, the 1920s is an era of a great downfall both socially and morally. As the rich get richer, the poor remain to fend for themselves, with no help of any kind coming their way. Throughout Fitzgerald’s, The Great Gatsby, the two “breeds” of wealthier folk consistently butt heads in an ongoing battle of varying lifestyles. The West Eggers, best represented by Jay Gatsby, are the newly rich, with little to no sense of class or taste. Their polar opposites, the East Eggers, are signified by Tom and Daisy Buchanan; these people have inherited their riches from the country’s wealthiest old families and treat their money with dignity and social grace. Money, a mere object in the hands of the newly wealthy, is unconscientiously squandered by Gatsby in an effort to bring his only source of happiness, Daisy, into his life once again. Over the course of his countless wild parties, he dissipates thousands upon thousands of dollars in unsuccessful attempts to attract Daisy’s attention. For Gatsby, the only way he could capture this happiness is to achieve his personal “American Dream” and end up with Daisy in his arms. Gatsby’s obsession with Daisy is somewhat detrimental to himself and the ones around him; his actions destroy relationships and ultimately get two people killed.
During Fitzgerald's The Great Gatsby, it is apparent to be an absurd time for the wealthy. The shallowness of money, riches, and a place in a higher social class were probably the most important components in most lives at that period of time. This is expressed clearly by Fitzgerald, especially through his characters, which include Myrtle Wilson, Tom and Daisy Buchanan, and of course, Jay Gatsby. This novel was obviously written to criticize and condemn the ethics of the rich.
“When it comes to cars, only two varieties of people are possible - cowards and fools.” This quote by Russel Baker perfectly exemplifies the meaning of cars in the novel The Great Gatsby, written by F. Scott Fitzgerald. Careless driving is a common symbol throughout the book representing the aloofness of the wealthy characters and their inability to establish control in their lives. The characters in this story are constantly “driving”, trying to convince the world that wealth is all that it’s cracked up to be. Cars are, in this situation, both the figurative and literal driving force of life. When the characters climb into the wrong seat of the car, they are surely headed for trouble By comparing those born into money and power and those that had to work for their status, Fitzgerald shows us the carelessness and the inability to establish control in life that comes along with predetermined wealth.
Through out history, laws have been established with the intentions of making societies better. Instead of following these laws in fear of government punishment, the citizens followed them because they saw how they made improvements to their society. However, there have been times when laws did not have enough input from the citizens and were passed quickly. When this occurred the laws backfired on the government and the citizens went against them. That is what happened in the 1920’s when the 18th amendment passed to end sales, production, and distribution of alcohol. During WWI, the government came quickly to pass prohibition to decrease the alcohol consumption, but with little enforcement there were higher organized crimes for wealth, as portrayed by Jay Gatsby in Fitzgerald’s novel The Great Gatsby.
curious way, and as far as I [Nick Carraway] was from him I could have
Fitzgerald, F. Scott, and Matthew J. Bruccoli. The Great Gatsby. New York, NY: Scribner, 1996. Print.
The Great Gatsby by F. Scott Fitzgerald ‘He paid a high price for living too long with a single dream’.
The Great Gatsby is an American novel of hope and longing, and is one of the very few novels in which “American history finds its figurative form (Churchwell 292).” Gatsby’s “greatness” involves his idealism and optimism for the world, making him a dreamer of sorts. Yet, although the foreground of Fitzgerald’s novel is packed with the sophisticated lives of the rich and the vibrant colors of the Jazz Age, the background consists of the Meyer Wolfsheims, the Rosy Rosenthals, the Al Capones, and others in the vicious hunt for money and the easy life. Both worlds share the universal desire for the right “business gonnegtion,” and where the two worlds meet at the borders, these “gonnegtions” are continually negotiated and followed (James E. Miller). Gatsby was a character meant to fall at the hands of the man meant to be a reality check to the disillusions of the era.
The Roaring 20's was a time of celebration, but to many the 20's were instead
SparkNotes Editors. “SparkNote on The Great Gatsby.” SparkNotes.com. SparkNotes LLC. 2002. Web. 9 Apr. 2014.
The Great Gatsby, written by F. Scott Fitzgerald, perfectly symbolizes many emerging trends of the 1920’s. More importantly, the character of Jay Gatsby is depicted as a man amongst his American dreams and the trials he faces in the pursuit of its complete achievement. His drive to acquire the girl of his dreams, Daisy Buchanan, through gaining status and wealth shows many aspects of the author's view on the American dream. Through this, one can hope to disassemble the complex picture that is Fitzgerald’s view of this through the novel. Fitzgerald believes, through his experiences during the 1920’s, that only fractions of the American Dream are attainable, and he demonstrates this through three distinct images in The Great Gastby.