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Mental abuse in jane eyre
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During the story, the governess, who is hired to care for two young children, exhibits signs of mental illness as she tends to the estate, the servants, and her own sexual frustration. During the story she claims to see Peter Quint and Miss Jessel, who had close ties with Flora and Miles. The governess shows great benevolence and protection over the niece and nephew as well displays great loneliness and in return she may be fantasizing these characters so the governess can fill the need of protecting the two children and being able to put her focus on something to keep occupied. Doctors claim there are many illnesses in which cause hallucinogens and can obtain the difficulty of being able to differentiate real from imaginary. The governess …show more content…
The governess who has shown a great fondness of Flora and they spend a great deal of time together. The two of them on many occasions take trips to the so- called lake at Bly. The governess, finds herself watching out for the children more than ever due to her strange encounters with the strange man known as Peter Quint. The governess allows Flora to play with the water as she takes her eyes off of the young girl she feel a third presence. The Governess sees a woman on the other side of the lake the governess says "Then again I shifted my eyes-I faced what I had to face." she feels as though she knows that the women is there and is positive Flora can see her as well. She immediately looks to see Flora, who is attempting to make a small wooden boat, unaware of anything out of the norm. The governess later that afternoon proceeds to tell Mrs Grose about the sighting of the strange woman, she then explains as though she feels that the children know about the ghost. She explains to Mrs. Grose that Flora saw that woman there because she was looking right at her but said nothing to the governess. Mrs. Grose tells the governess that the woman is Miss Jessel, who had a great bond with young Flora and Peter Quint and Miss Jessel were known to have had a connection. The …show more content…
She shows great remorse for Miles with his expulsion from school and the two of them talk over dinner while Mrs. Grose and Flora are in route to London. The governess and Miles have a connection over their dinner Miles explains that if she stays in Bly, she will be more alone than he is now. The governess expresses that he loves his company and he is the reason she has stayed in Bly and she is nervous for him to go back to school because she will miss having him around. They both know that they must talk about the reason that Miles was expelled and Miles confesses that he will tell the governess everything that had happened, but he must first confide in his friend Luke before he does so. During this the governess is taken back by seeing Peter Quint looking in on her and Miles through the window. In her over protective way she's grabbing Miles and pulls him in close to her. In the midst of the action Miles confesses that he stole the governess letter to the uncle only to read what it had said about him. She holds him in closer and he proceeds to ask is “she” is here the governess responding with the “coward horror” is here. Miles screams “Peter Quint You Devil!” Directly after the young Miles heart is found to have stopped in the governess arms! In her overprotective ways she has strangled the boy hoping to protect him from the ghost Peter Quint within her developing stages of thought to
Miles Pruitt is the center of this story; he is going through life in attempt to avoid the hardships it throws at him. He has to cope with the misfortunes that come with love, and by the end of the story, Miles will finally come to realize that his decisions to go through life untouched will not pay off.
In restless sleep and longing for contact with those outside of Bly-- particularly her employer-- the governess placed hope in chance meetings of random individuals. In her walk in the yard, the governess began to wish for the sight of her employer who she was still madly in love with. The governess's desire to see him and receive his reassuring approval conceived the ghost of what was later revealed to be Peter Quint she believed she had seen. Later in her climax of interaction with her ghosts, the governess is afraid that the master will come home, for she is fearful of what he will think of her.
...y the governess brings him up, but also to “all the rest.” These equivocal words refer to the initiation to sex by the governess, which is reinforced by Mile’s pointing out that she “knows what a boy wants!” After Mrs. Grose and Flora leave Bly, the two are once again alone, faced with a tyrannical and silent environment leaving the governess thinking they epitomize “some young couple…on their wedding night.”
The main character, the Governess, is the perfect example of a morally ambiguous character. It is impossible to label her as purely good or evil, and much debate of this novel is on the trustworthiness of her narration. The Governess is a twenty year old daughter of a country parson who accepted the job of caretaker of two children. She's something of a romantic, being swept off her feet by her employer and viewing her job as a kind of calling. However, behind the innocent young woman, there are two ways of viewing her character. Some defend her as a sane heroine, while others claim she is an insane anti-hero...
In conclusion, it is not the ghosts, as the governess suspected, that are corrupting the children, but the governess herself, through her continually worsening hysteria that is corrupting the children. Both Peter Quint and Miss Jessel are not real ghosts that have the peculiar habit of appearing before the governess and the governess alone but they are merely the signs of the fragmenting mental state of the governess.
with Mrs. Grose, she learns that they are ghosts and former employees of the Gentleman
The governess sees a woman on the other side of the lake and jumps to the conclusion that Flora has seen her and is choosing to act like she didn’t. The child was playing with a boat and had her back turned to the lake. Why would she think that she had to have seen her? There is no proof and does not even ask the child if she saw anything. She automatically assumes it’s Miss Jessel, the previous governess who died and that she is after Flora. She tells her story to Mrs. Grose drawing her in more deeply into believing her crazy hallucinations and Mrs. Grose asks her if she is sure its Miss Jessel and the governess replies “Then ask Flora—she’s sure!” and then immediately comes back to say “no, for God’s sake don’t! She’ll say she isn’t—she’ll lie” ((James 30). She comes to the conclusion that the child will lie about it when there is no reason to suspect that she would. Again, this is her jumping to conclusions, because there is not any proof to say that the children have seen or know anything about the ghost’s. “Thus a very odd relationship develops between the governess and the children, for the more she loves them and pities them and desires to save them, the more she begins to suspect them of treachery, until at last she is convinced that they, in league with the ghosts, are ingeniously tormenting her’ (Bontly 726). “The ghosts appear, thus, when the governess is both aware of the corruption which threatens the children and convinced of her own power to preserve them untainted” (Aswell 53). It’s the governess fabricating all this up in her mind again so she can play the part of
...t want to be the only one who does. It is another feeble attempt to prove her sanity to herself and to others. However, because she “is so easily carried away”, she soon believes that the children do in fact see the ghosts by reading into their every remark and behavior. By piecing all of this together, the governess proves to herself that she is not insane. The governess in The Turn of the Screw, is a highly unreliable narrator. From the beginning of the story, her energetic imagination is displayed to the reader. With this knowledge alone, it would not be irrational to conclude that she had imagined the appearances of Peter Quint and Miss Jessel. However, these facts in addition to her unsubstantiated inferences allow the reader to intelligently label the governess as an unreliable narrator. Works Cited Poupard, Dennis. “Henry James.” Twentieth-Century Literary Criticism: Volume 24. Ed. Paula Kepos. Detroit: Gale research.; 1990. 313-315.
In The turn of the Screw, the characters often communicated very indirectly with one another, hinting toward certain situations but never explaining them fully. At the beginning of this story, one of the first vague quotes, “he had been left, by the death of their parents in India, guardian to a small nephew and a small niece” depicts that Miles and Flora’s parents died in India (James 158). However, the details around their death are unknown and mysterious.
This climaxes in Flora's exit to London with Mrs Grose and Miles' death. The role of the governess in Miles' death is not clear, was he smothered by his affection? Or did he die of another cause? This story twists the truth to the extent that the true answer to what is going on is never actually revealed. All traditional aspects of this story are contorted, making it seem far more untraditional, the storyline is designed to make the reader think and ask themselves questions to which there is no clear answers.
In his 1948 essay, Robert Heilman explores the suggestion that The Turn of the Screw is a symbolic representation of the conflict between good and evil. Heilman interprets the apparitions of Peter Quint and Miss Jessel as evil forces. He explains that the ghosts only appear to the governess because evil lurks in subtlety before it strikes. It is the duty of the governess to "detect and ward off evil." She must protect the children from the awful ghosts. The governess describes Miles and Flora as beautiful little cherubs whose only fault is their gentleness (James, 18-19). Heilman views the children's beauty as a "symbol of the spiritual perfection of which man is capable." Heilman explains the ghosts' attempts to reach the children by explaining that evil forces will always try to conquer and possess the human soul. Heilman continues to draw from the descriptions of Miles and Flora to support his theories. He points out that the two children are described as having an "angelic beauty" and a "positive fragrance of purity" (James 9, 13). The governess describes them as if they are perfect and beautiful in every way. This repeated vision of beauty, radiance, and innocence parallels the image of Eden. The house at Bly also resembles this image, "I remember the lawn and the bright flowers..." (James 7). The governess makes mention of the "golden sky" and of Flora's "hair of gold," which Heilman believes connects Bly and Flora with these images of golden hues (James 7, 9).
At first, the governess believes the ghosts want to take the children so she confronts them. When she confronts Flora, she does so rudely and does not speak to her ahs she should speak to a child of eight. Flora becomes greatly distressed and then suddenly falls ill. She stops talking to the governess and tells her she hates her. The governess sends her away with Mrs. Grose, the housekeeper so she can be alone with Miles.
While it is true that Mrs. Grose never actually saw either Peter Quint or Miss Jessel, she did match their descriptions to the figures the Governess saw. Not only that, but the two ghostly figures are those of the two most recently deceased members of Bly. As for the governess being the only one to ever see them, perhaps that is just a supernatural element of the story. Finally, some critics also hold the Governess accountable for Miles’s death by accidentally suffocating him in an embrace. However, this explanation of the young boy’s death does not quite make sense.
Young Miles, who stays with the governess after Flora departs, has also been affected by the emotional governess. The physical state of Miles throughout the final scene suggests to the reader that the governess's behavior is having a dangerous effect on the boy. The sweating, hard breathing, and weakness she describes begin even before she tells the boy that Quint is present. When Quint shows up the final time, the governess shrieks when he appears in the window. She tells Miles that he is at the window, but like his sister and Mrs. Grose, Miles cannot see the ghost either.
In one of her encounter later encounters with Mrs. Jessel, who spent most of her time around Flora when she resided at the house, was an intense one. Miss Jessel could have had a racy relationship with Peter Quaint, and while she was writing a love letter in the schoolroom The Governess thought she’d been using her pen in her desk. Angered by that and because she, Mrs. Jessel, was doing something The Governess wanted to do only she wanted to send her letter to the uncle. The Governess did not enjoy the thought of becoming like Miss Jessel as seen when she quickly climbed off the stairs because she was in a similar physical position as she envisioned Miss Jessel in earlier. Miss Jessel also had evil implications such as wearing all black and possed the appearance of being weighed down by something, so naturally as a heroine would do The Governess tried to keep Flora away from Miss Jessel which could have upset her.