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To what extent is Edith Wharton "House of Mirth is a work of realism
To what extent is Edith Wharton "House of Mirth is a work of realism
To what extent is Edith Wharton "House of Mirth is a work of realism
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Motifs and Symbols Found in The House of Mirth and The Good Soldier Edith Wharton’s The House of Mirth and Ford Madox Ford’s The Good Soldier contain strong motifs and symbols, which are used successfully in the conveying of an idea or belief in each novel. Both authors are successful in using these literary devices by relating and making events represented by each symbol and motif dependent on one another - this can be found in both Ford and Wharton’s novel. The Good Soldier ecompasses motifs that are closely related to the act of lying. This can be observed with August 4th. Ford associates this date with important events of the novel. Therefore, anything that occurs on this date has great significance to the plot. Ford’s use of this motif …show more content…
Wharton’s use of this motif reveals information concerning Lily Bart’s character and how frivolous and incautious she is. Throughout the novel, Lily not only gambles away her money, but she gambles with respect to her love life as well. This can be seen in Book I of the novel - in order to be accepted and belong in her “circle” of wealthy individuals, Lily gambles away most of her money by playing bridge. Due to the fact that Lily is not as wealthy as the others within her circle, she cannot afford to lose the amount of money she has lost. This results in her downwards spiral, which she does not have the ability to recover from. The motif of gambling is also present in Lily’s love love. This is seen by her never accepting any of the bachelors that are interested in her - she is continuously waiting for a better and wealthier option. This motif is present throughout the novel, especially in Book I. This is due to the fact that Lily is wealthier in the first book than she is in the second book, and it is due to Lily’s belief that there is a better bachelor available. Lily’s belief is more prominent in the first book than it is in the second book due to the results of her gambling and her desperation for marriage in the second book. Lily’s loss of money results in her gambling on the stock market. However, this gamble results in her further loss of money and her eventual desperation to marry a wealthy bachelor. The act of gambling is found often throughout The House of Mirth and is closely related to Lily. The occurrences of this motif are all dependent on Lily’s initial act of
The great carmaker himself witnessed none of this. He never set foot in the town that bore his name, yet his powerful, contradictory personality influenced every aspect of the project. As disaster after disaster struck, Ford continued to pour money into the project. Not one drop of latex from Fordlandia ever made it into a Ford car. But the more it failed, the more Ford justified the project in idealistic terms. "It increasingly was justified as a work of civilization, or as a sociological experiment," Grandin says. Despite the obstacles faced, Fordlandia did establish some brief success. The area had red fire hydrants on neat streets, running water, a sawmill, a water tower and weekly square dancing. However, the complexity of a jungle, changes in world economy and ongoing war entrenched Fordlandia’s failure as inevitable.
Bart called ‘decently dressed’” (Wharton 23), and Mrs. Bart’s aptitude is described as being able to “live as though one were much richer than one’s bankbook denoted” (Wharton 23). Because of this, Lily was raised in a setting where seeming of a higher class was important regardless of how much money one had. After her father’s passing, Lily and her mother experienced a loss of money. During this time, Mrs. Bart tells Lily “But you’ll get it all back – you’ll get it all back, with your face” (Wharton 28) with “it” being their past wealth, and Lily using her face as in using her beauty to find a wealthy man to marry. Soon after, Mrs. Bart dies, and Lily is send to live with the rich family members “whom she had been
In Hector Tobar’s The Tattooed Soldier, Antonio migrated from Guatemala saw Longoria in the L.A. who killed Elena and Carlitos, who are Antonio’s spouse and son. People lived in Los Angles were frustrated with the government and power system at the time. Consequently, Antonio got revenge against Longoria for Antonio’s family, others who were murdered by Longoria in Guatemala, and his justice. Justice is based on an absolute human right: the right to life, and whatever violates that right is unjust. If the power system is allowed to violate vulnerable people, the weak have a choice to use violence to attempt to reveal the responsibility of those who abused power. However, seeking violent revenge is also unjust because it violates the right to life. Nonviolent resistance can be further power to save the victims without contravening the right to life.
Over the course of several months, August guides, teaches, and helps Lily to accept and forgive herself. August once knew Deborah, and she knows that Lily is her daughter, but she does not confront Lily about the issue. Instead, she waits until Lily puts the puzzle pieces together and discovers for herself the relationship between her mother and August. August knows she is not ready to learn the truth about her mother when she and Lily first meet, so she waits for Lily to come to her. When Lily finally realizes the truth, she comes to August and they have a long discussion about Deborah. During this discussion, Lily learns the truth about her mother; that her mother only married T. Ray because she was pregnant with Lily, then after several years she had enough of living and dealing with T. Ray, so she left. Lily is disgusted by the fact that her mother would've done something like this, she did not want to let go of the romantic image of her mother she had painted in her mind (“‘The Secret Life of Bees’ Themes and Symbols of The Secret Life of Bees). Lily struggles to stomach the fact the her mother truly did leave her and she spends some time feeling hurt and angry, but one day, August shows her a picture of Lily and her mother. As Lily looks at the picture she is comforted and thinks, “May must’ve made it to heaven and explained to my mother about the sign I wanted. The one that would let me know I was loved” (Kidd 276). Seeing
The Red Badge of Courage, by Steven Crane, has been proclaimed one of the greatest war novels of all time. It is a story that realistically depicts the American Civil War through the eyes of Henry Fleming, an ordinary farm boy who decides to become a soldier. Henry, who is fighting for the Union, is very determined to become a hero, and the story depicts Henrys voyage from being a young coward, to a brave man. This voyage is the classic trip from innocence to experience. The soldier story, The Red Badge of Courage, was used to reflect the harsh Civil War realities. Cranes style of writing to portray these realities included the technique of symbolism. In this technique, symbols are hidden within certain objects throughout the story to help express the theme. Henry, Jim Conklin, and Wilson all symbolized a specific aspect of mankind.
Both Isabel Allende and Edith Wharton use symbolism to convey subtle ideas about the mentality of the main characters and also the issues that greatly affect them. Without the use of symbolism, much of the meaning would be completely lost to the reader. In both of these novels, the author’s use of symbolism added a new dimension to the thought process as the reader continues these novels. The motifs of rebirth, of death, and of repression were expressed through the symbolic acts of the characters in both novels.
... lavishness now seemed to beckon her with open arms to a life a where she could live expensively. Despite she sadness she was facing Lily knew she could not return to the realm of elites, “it was happiness she still wanted and the glimpse she had caught of it made everything else of no account” (449). At this stage of the novel, the demise of the Lily whose most ardent desire was money, power and prestige was complete. Lily’s loneliness and lack in what Lawrence show Lily that there is a fate that will cause greater pain than lack of wealth. Near her tragic end, Lily finds herself without both of her competing desires. It is then she finally understand that a life without love, happiness and freedom causes greater misfortune that a life without wealth.
Ernest Hemingway used an abundant amount of imagery in his War World I novel, A Farewell to Arms. In the five books that the novel is composed of, the mind is a witness to the senses of sight, touch, smell, hearing, and taste. All of the these senses in a way connects to the themes that run through the novel. We get to view Hemingway’s writing style in a greater depth and almost feel, or mentally view World War I and the affects it generates through Lieutenant Henry’s eyes.
Pizer, Donald. "The Naturalism of Edith Wharton's The House of Mirth." Twentieth Century Literature 41.2 (1995): 241-8.
John Ford was an American motion-picture director. Winner of four Academy Awards, and is known as one of America’s great film directors. He began his career in the film industry around 1913. According to Ellis, Ford’s style is evident in both the themes he is drawn toward and the visual treatment of those themes, in his direction of the camera and in what’s in front of it. Although he began his career in the silent film area and continued to work fruitfully for decades after the thirties, Ford reached creative maturity in the thirties. Ford, unlike other directors continued to do some of his finest work after the nineteen thirties. Nevertheless, he shaped his art into personal and full expression during those precedent-setting years. (Pg.200)
Numerous of undocumented people that come from around the world such as Central America, South America, and many more believe that moving to the United States will improve their lifestyle. However, that is a common misconception within the immigrants because the majority of the immigrants will not be able to achieve the American dream due to their immigration status. For example, without any documents such as social security, or a green card it will be tough for the immigrants to get hired by an employer because mostly all the jobs in the U.S require for the employee to provide documents to the employer. This topic is brought up in a novel called, “The Tattooed Soldier,” written by Hector Tobar. In the book, the author demonstrates numerous
Throughout the poem the sentences are structured so that every other sentence is indented, with exception to the first two and the last four. In those sentences not indented the author chose to make every other sentence shorter so that the ends were uneven. This syntax structure gives the reader the feeling of something hard to catch or control. The author did this because money, as it is depicted in the poem, is something this person can't handle. In other words this person can't get control of money, instead the want of money is controlling them. This introduces the idea of gambling into the poem. In the poem it says, '…I swore to my companions that certainly you were harmless!';, which is the typical statement of people addicted to gambling. Once again there is the control factor. This person can not control their desire for money and, the means of getting the money, gambling. Another important syntax technique can be seen in line 12. The poem says '…for that joy, which left a long wake of pleasure…'; The words 'which left'; are put on a line alone to draw attention to them. When read without stopping, the words make it seem as if, '…a wake of pleasure…';, was left. However, if the line is read again slowly, the line seems to say, '…that joy…';, left. The author did this to show that even though the joy left, the memory of pleasure was still there, which is why this person continues to gamble. `
There are many characteristics in Crane’s novel that would more readily fit within the category of realism: the ordinariness of his characters, the use of dialect, the portrayal of protagonist Henry Fleming as a complex individual, the description of nature as disinterested in human affairs, and the positive ending of the story. Realism, often described as "slice of life" or "photographic" writing, attempts to portray life exactly as it is, without twisting it or reworking it to fit it into preconceived notions of what is appropriate or what is aesthetically pleasing. In this book, Crane relies on neither the oversimplified rationalism of classicist literature nor the emotional idealism of romantic prose. Instead, he offers realistic, believable characters with average abilities. The soldiers are presented neither as epic heroes nor as bloodthirsty killers; rather, their most noticeable trait is their overwhelming normalcy. The soldiers of Henry’s regiment curse, fight, and argue just like normal people. This down-to-earth, gritty, everyday style is characteristic of realism. A particular convention used by Crane in convincing the reader of his characters’ existence is dialect. The distinctive speech of the soldiers enhances the photographic effect of the novel, lending it authenticity. Another distinctive trait of realism is complexity of character – a trait readily evident in Henry Fleming. As he switches between cowardice and heroism, compassion and contempt, and optimism and pessimism, the reader observes that he is more than just a stereotype. He is a person with fears, hopes, dreams, and foibles.
Cain, William. “Editha” Pearson Education Inc., American Literature Volume 11. 25 April 2004. 21 March 2014.
She has to choose between the desires of her heart and loss of luxurious life. Her inability to bestow good marriage proposals is because of whimsicality and contempt for the prize she has been trained to work for. Lily can be identified with the girls who “marry merely to better themselves, to borrow a significant vulgar phrase, and have such perfect power over their hearts as not to permit themselves to fall in love till a man with a superior fortune offers. ”(Wollstonecraft, Mary. 76). The interest in Lily grows as she blooms losing interest in luxury and materialism, giving an insight into herself and the world.