The Golden Age of Japanese cinema was the product of postwar Allied occupation, a classical vertically integrated studio system, technical innovations in cinematography, and ingenious directors, set against a backdrop of 1950s political and cultural realignment. Following the unprecedented destruction of the cities of Hiroshima and Nagasaki, and the surrender of the Empire of Japan to Allied forces in September, 1945, the Japanese government came under control of Allied Occupation Forces from 1945-52, with General Douglas MacArthur serving as Supreme Commander of the Allied Powers (SCAP). Under MacArthur’s office, also known as SCAP, Japan was designated as, “the bulwark of Asia’s capitalism and democracy” (Thompson & Bordwell, 2009, p. 462), making the nation ripe for political and economic …show more content…
Drawing on pictorial traditions as venerable as sumi-e (black and white ink brush painting), yamato-e (landscape painting in the Japanese style), and emaki-mono (narrative picture scrolls), the Japanese cinema was characterized by a pictorial elegance not seen anywhere else in the world. A propensity for long takes and long shots gave many of the films a stately, leisurely, contemplative pacing that appealed to many young film critics and filmmakers. The creation of mood, of tone, was similarly a unique property of the Japanese cinema. Combined with many theatrical elements, the films presented themselves as the product of a culture that seemed far from the one that waged fierce war on the world. The stylistic experiments of Kurosawa (one of the rare directors who were as comfortable with dynamic montage as he was with long takes) and Ozu (a filmmaker virtually unique, but not sui generis, with his graphic matches, narrative ellipses, dramatic de-emphasis, and singular thematic concern) grew out of a prolific, varied, and exciting cinematic period. (Grant p.
Japan led a ruthless assault in the Pacific for fifteen years. This small island was able to spread imperialism and terror to neighboring countries through means of force and brutality. Japan even attempted to combat and overcome European and Western countries such as Russia and the United States. Even with an extreme militaristic government, Japan was unable to achieve the glory it was promised and hoped for. The Pacific War analyzes Japan’s part in the war and what the country could have done to prevent such a tragedy.
The Japanese government believed that the only way to solve its economic and demographic problems was to expand into its neighbor’s territory and take over its import market, mostly pointed at China. To put an end on that the United States put economic sanctions and trade embargoes. We believed that if we cut off their resources and their source of federal income than they would have no choice but to pull back and surrender. But the
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
In 1900 Britain was in many respects the world’s leading nation, enjoying a large share of world trade, a dominant position in the international money market, and possessing a far flung empire supported by the world’s most powerful navy. Japan was a complete contrast, sharing with Britain only the fact that it too was a nation of islands lying off the shore of a major continent. Until the 1860s it had possessed a social and economic structure more akin to that of feudal, rather than twentieth century, Europe. By the 1990s, the positions were almost reversed. This paper sets out to examine the contrasting democratic political systems of the two nations and to explore the social and democratic consequences of the changes that have occurred.
General Douglas MacArthur, the Supreme Commander of the Allied Power (otherwise known as SCAP), from day one became, except in name, dictator of Japan. No aspect of the Japanese nation was untouched, with special attention directed to the areas military, government, and the economy. While most revolutions throughout history have emanated from below, starting from the people, the social and political changes forthcoming was truly a "revolution from above." Within a month of landing numerous measures were enacted, either to dissolve e...
Jacobs, Lewis. “Refinements in Technique.” The Rise of the American Film. New York: Teachers College Press, 1974. 433-452. Print.
Had it not been for Hirohito’s decision to surrender Japan to its allies during World War II in 1945, Japan would have been given the opportunity to thrive both economically and socially as it has to this very day. Hirohito put his people as his foremost priority, and this undivided care led him to make the best decisions for Japan. His military tactics and thought process brought Japan to its success and it is thus why Japan is now one of the most recognized and distinguished countries of the modern-day.
...feat of Japan in World War 2). With the changes of the nature of power, Japan by balancing out aggressive economic policies and a quiet military buildup, was able to build herself up to become a prominent player in the international sphere today. In closing, while Japan’s policies today in general have been skewered towards the arguments of the ‘Gentleman’, increasingly Japan has considered more realist concerns of security in the escalation of tensions of the East Asian geopolitical sphere. Chomin’s Discourse has nonetheless served as a prophetic blueprint for more than a century of Japan policy-making.
The American film industry’s early attempts at the narrative Western were limited and in the early years were produced mainly in the east. During this early time in the film industry the...
"Was the Atomic Bombing of Japan Justifiable?" The Pacific War 1941-43. Web. 10 June 2010.
According to historians like Neil Burch, the primitive period of the film industry, at the turn of the 20th century was making films that appealed to their audiences due to the simple story. A non-fiction narrative, single shots a burgeoning sense
Japan is known for its unique gardening style, their diverse plants, their food, and their beautifully woven tapestries. Yet, most do not know about the history of their drama. Japanese Noh theatre is one of the most precise and prestigious art forms. It has been this way since the fourteenth century when Zeami first created Noh theatre. Zeami’s most famous plays, such as Kinuta, are still performed today. Japanese drama has not changed much since the fourteenth century because it has made a lasting effect on the culture. Noh theatre had a major influence on fourteenth century Japan and has affected modern day drama.
The ‘New Hollywood Cinema’ era came about from around the 1960’s when cinema and film making began to change. Big film studios were going out of their comfort zone to produce different, creative and artistic movies. At the time, it was all the public wanted to see. People were astonished at the way these films were put together, the narration, the editing, the shots, and everything in between. No more were the films in similar arrangement and structure. The ‘New Hollywood era’ took the classic Hollywood period and turned it around so that rules were broken and people left stunned.
During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that, examining post classical at which time the relationship between them will become evident. It is my intention to reference films from both movements and also published texts relative to the subject matter. In order to illustrate the structures involved I will be writing about the subjects of genre and genre transformation, the representation of gender, postmodernism and the relationship between style, form and content.
...high power status, Japan had to have a self-reliant industrial common ground and be able to move all human and material resources (S,195). Through the Shogun Revolution of 1868, the abolition of Feudalism in 1871, the activation of the national army in 1873, and the assembly of parliament in 1889, the political system of Japan became westernized (Q,3). Local Labor and commercial assistance from the United States and Europe allowed Japan’s industry to bloom into a developed, modern, industrial nation (Q,3). As a consequence production surplus, and food shortage followed (Q,3). Because of how much it relied on aid of western powers, Japan’s strategic position became especially weak. In an attempt to break off slightly from the aid of the west Japanese leaders believed that it would be essential for Japan to expand beyond its borders to obtain necessary raw materials.