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Collection of essays on ghosts in hamlet
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Marcellus Don’t do it.
Hamlet It’s not going to speak, so I have no choice but to follow it.
Horatio It’s too dangerous sir, what if it tempts you to jump into sea, sir?
Hamlet It’s still waving at me. Go ahead, I’ll follow.
Marcellus You’re not going, sir.
Horatio and Marcellus try to hold Hamlet back.
Hamlet Let go of me!
Horatio Calm down sir! Please! We’re just trying to protect you.
Hamlet My fate is calling me, let me go gentlemen. (Pulls his gun out of its holster) And I swear, if anyone tries to stop me, I’ll make a ghost out of him!
The Ghost and Hamlet Exit
Horatio He’s definitely gone mad.
Marcellus We should follow him, it’s not right to obey his orders when he’s not thinking straight.
Horatio What does this mean though…?
Marcellus It
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Hamlet Where are you taking me? Stop! I’m not following you any further!
Ghost Listen carefully to me. I am the ghost of your father, doomed to walk the earth at night for a certain period of time. I have seen what no one else has. I could tell you stories that can freeze your blood and make your hair stand like porcupines. But mortals like you are not allowed to hear the description of the afterlife. Listen. Listen to me if you ever loved your poor old father! Take revenge for his horrible murder.
Hamlet Murder?
Ghost Murders are always horrible, but this one is strange and unnatural.
Hamlet Tell me father! So that I can take revenge right away.
Ghost Listen Hamlet, everyone was told that a poisonous snake bit me while I was asleep on a couch in the living room, right? No, that’s actually a lie, a lie that has fooled all of Britain. You should know my son, that the real snake that backstabbed your father is now wearing the crown.
Hamlet I knew it, my
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With his clever words and fancy gifts, he seduced my seemingly virtuous queen. Oh, Hamlet, how far she fell! She went from me, who loved her with the dignity and devotion that suits a legitimate marriage, to a wretch whose natural gifts were poor compared to mine. But hang on, I think I smell the morning air. So let me be brief here. Your uncle snuck up to me while I was sleeping in the living room, as I always used to do in the afternoon, and poured a vial of cyanide poison into my mouth. That poison moves like quicksilver through the veins and curdles the blood, which is just what it did to me. That’s all it took, that’s how my brother robbed me of my life, my crown, and my queen all at once. Night is fading, so morning is near. I must go now. Goodbye, Hamlet. Remember
”(I.i.56-58). Here Horatio confirms that he is the “narrator” of the play and the most sensible observer. However, no matter what, Horatio is still Hamlet’s friend and despite his calm mindedness, at the end of the play Horatio is still faithful to Hamlet and even offers to die with him. “Never believe it; I am more an antique Roman than a Dane: Here’s some liquor left.” (V.ii.344-346).This shows Horatio’s love for Hamlet and loyalty to his friends despite their flaws.
Sir Fortinbras and noble knights of the army of Norway, I stand before you today to tell a tale of a martyred hero to whom we must remember. Hamlet be thy name. He was a friend and a leader. About eight months ago Hamlet was distraught, I'd never seen him like this before. He had a good excuse, I mean his father had just died, his mom, god rest her soul, remarried not even a month afterwards. Hamlet's affair with Ophilia was dwindling in his giant fire of emotions. Ophilia was the kings' servant's daughter. The king's servant was Polonious. Polonious did not want Ophilia with Hamlet, nor did Ophilia's brother Laertes. Hamlet was under a lot of pressure, but it wasn't until a few of the guards and myself saw a ghost whom we believed was Hamlet's deceased father. This was the point of all of our lives were you either take one path or the other each leading you in a total different direction. Hamlet went to the guard tower with us the next night and reasoned to our favor that the ghost did in fact perpetuate the look of King Hamlet. The ghost made a follow me motion to Hamlet and we grabbed him. Please do not follow Sir Hamlet, I pleaded. The spirit was insistent and Hamlets gut instinct drove him to follow the floating omen. I know not the exact words that the ghost spoke that night but from what I understand, he was back from the dead to inform his son that he had not died from the rumorous snake bite which had been presumed. King Hamlet's brother, the current King Claudius, had murdered him while he lay in the garden by pouring poison in his ear. The ghost also informed Hamlet of an affair that his mother had been having with Claudius. This bit of information stunned and enraged if you will Hamlet. Hamlet knew not what to believe. After all the ghost could have just as easily been the devil himself for all we knew.
Horatio is the most trustworthy man in the royal court, which is highly significant because he is a witness of everything that happens with Hamlet, and therefore can be trusted to tell the entirely true story of what brought about the demise of Hamlet and the entire royal court, seeing as though they were all massacred in one day. He is introduced early in the play in Act I, Scene i, and is one of the first to see the spirit of the fallen King Hamlet. Alas, he knows that there was, in fact, a ghost of the king haunting Denmark, and that Hamlet spoke with him. After Hamlet speaks with the ghost he literally tells Horatio, verbatim, "Here, as before, never, so help you mercy, how strange or odd some'er I bear myself (As i perchance hereafter shall think meet to put an antic disposition on." (I. ii. 189-192). So, ahead of time Hamlet warns Horatio that he is going to be putting on a show of madness but it is not real. This is noteworthy because as the play develops, other characters perceive Hamlet to become progressively more deranged, however he is always perfectly coherent and rational when speaking to Horatio, seeing as though he is the only one who knows of Hamlet's act and stability.
However much Horatio’s philosophic skepticism may limit his own ability to perceive those “things in heaven and earth” that Hamlet would have him observe, Horatio remains the companion from whom Hamlet has most to learn. Hamlet can trust his friend not to angle for advancement, or to reveal the terrible secret of royal murder. Best of all, Horatio is “As one in suff’ring all that suffers nothing, A man that Fortune’s buffets and rewards Hast ta’en with equal thanks.”[. . .] Like Hamlet, Horatio believes that death is a felicity, and even tries to take his own life. Yet he accepts his duty “in this harsh worldly success as well ...
When Horatio, at the end of the soliloquy, enters and greets Hamlet, it is evident that he and Hamlet have not recently met at Elsinore. Yet Horatio came to Elsinore for the funeral (I.ii. 176). Now even if the funeral took place some three weeks ago, it seems rather strange that Hamlet, however absorbed in grief and however withdrawn from the Court, has not met Horatio. . . (368).
Hamlet passed away young, a mere 30 years of age, and I sincerely regret that I will never be able to see such a fine young man take command of the throne and restore nobility to the state of Denmark. He was the son of the great King Hamlet, one of the best kings this country has ever seen, and Queen Gertrude, our countries finest lady who has also now sadly passed away. I am sure that all of you here today looked up to Hamlet as a fine young prince, but I knew him as much more than that. To me he was the best friend a man could have, loyal, witty, and extremely trustworthy. I remember the days back when we studied together in Wittenberg, we spent a lot of time together and he was always there to support and help me. He was always cheerful but quiet and had a quick wit, which fascinated me. Hamlet delighted in “flashes of merriment that were wont to set the table in a roar.” His ability to read my mind always astounded me, al...
Throughout the play Horatio constantly tries to bring Hamlet back to reality by advising him to follow his mind instead of his heart. When Hamlet decides to follow the ghost, Horatio strongly opposes by saying, “What if it tempt you toward the flood, my lord, or to the dreadful summit of the cliff that beetles o’er his base into the sea, and there assume some other horrible form, which might deprive your sovereignty of reason and draw you into madness?” (Shakespeare 1, 4, 69-74). Horatio’s warning to Hamlet suggests the idea that he views the unknown more cautiously than the reckless prince. Additionally Horatio’s inference about how the ghost might “drive [Hamlet] into madness”(1, 4, 74) displays a foreshadowing of Hamlet’s fate, emphasizing the idea that the warnings from the spokesman of common sense goes unheeded by the tragic hero. In addition to giving advice against the ghost, Horatio advises Hamlet in the matter of the match with Laertes saying, “If your mind dislike anything, obey it” (5, 2, 18). By this advice Horatio implies that he as well holds a suspicion against the King and Laertes and has doubts towards the match as Hamlet does, however, Hamlet ignores this sensible advice and leaves his life into the hands of
The character of Hamlet is very prestigious, but he has many shortcomings. In many cases, he shows that he is all words and no action. He waits until the very last minute to take a course of action. Hamlet realizes this, and he wishes that he had the characteristics of Fortinbras, Laertes, and Horatio.
Fate and Fortune, and Providence in all her ambiguity are all sometimes seemingly bound to the actions of man, and other times they are inescapable. At the start of the play, Horatio and his companions, Bernardo and Marcellus, witness the sudden and frightening apparition of Hamlet’s deceased father, former king of Denmark. The three friends are “[harrowed] with fear and wonder” as they encounter the ghost and Horatio is convinced to attempt conversation it (Shakespeare, I. I. pg. 2). The adage of the adage. Before engaging the ghost, Horatio recalls the time before “the mightiest Julius fell” when “the graves stood tenantless, and the sheeted dead / Did squeak and gibber in the Roman streets.”
his prison and roam at nights. The ghost then calls upon Hamlet to avenge the murder.
Hamlet lead his life in circles, never comfortable enough with his current conditions to settle down. The crisis’ placed upon him were never resolved, because he couldn’t handle decisions, leading to a severe downfall in his family’s life. Such demise began in a terrace of the palace Hamlet called home, with a sighting of a ghost that foreshadowed troubles in the near future.
“Here, as before, never, so help you mercy, how strange or odd soe'er I bear myself,— As I, perchance, hereafter shall think meet to put an antic disposition on,— that you, at such times seeing me, never shall...note that you know aught of me:—this is not to do, so grace and mercy at your most need help you, swear.” (Hamlet)
... "Why, what should be the fear? / I do not set my life in a pin's fee; / And for my soul, what can it do to that, / Being a thing immortal as itself? / It waves me forth again: I'll follow it" (Shakespeare I.iv.151-55). Hamlet will indeed follow the Ghost and it will cost him his life, but he retains his soul because he is of the constitution that cannot tolerate something "rotten" in Denmark or mankind. Thus, we see that the Ghost creates a tremendous impact on audiences because of its great emotional significance in the play and in setting off the wheels of motion that seal Hamlet's tragic fate.
... to Horatio is not a thank you or I love you. He tells him to stay here to tell my story. People need to know my story. What kind of friend is that? Horatio was a part of Hamlets plot all along. Hamlet never truly cared about him. He just wanted someone to be able to tell his story in the end.
Horatio once again discourages Hamlet from entering a dangerous situation. When a Lord informs Hamlet that the Queen wants him to duel Laertes, Horatio warns that he will lose. Even with the knowledge that Hamlet has committed murder and plans to do it again, Horatio still tries to preserve Hamlet’s safety. His actions, or lack thereof, during the duel itself also provide strong insight into the purpose of Horatio’s singularity as a character. In his paper about Horatio’s narrative ability, David Thatcher criticizes the way Horatio remains “conspicuously silent” for much of the play, including the duel scene (248).