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Essay about types of love
Essay about types of love
Essay on eros love
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Love is a word that everyone grows up knowing, but they don’t necessarily understand what it means. Most people think that love generates from the heart, but in all actuality it occurs in the brain—the heart has little to nothing to do with love. The heart was mistaken to be the foundation of love because when someone is feeling emotions associated with the word, their pulse rate accelerates. Another reason for the mistake could be that throughout history, architects and artists alike have showcased and based the feeling of love around the organ in question. Consequently, the brain is the organ that sends out the chemical beacons that indicate someone is feeling love—and because the brain is involved, everything that has to do with the emotion becomes vastly more complex and difficult to understand. The Greek comprised many broad categorizations for the word love, in order to create that sense of understanding for the multifarious feeling. There are six main categories, but only four of them are widely known—Storage, Phileo, Eros, and finally Agape. We’ll start off with the most common of the four categories, Storage. This is the type of love that has to do …show more content…
This is the type that Disney movie princesses gear up little girls for. Love of the incomprehensible, complex, and frightening variety. It’s the love that causes people to jump off cliffs, fly planes across the world, and write novels about. This is the type that everyone is silently waiting for—true love. The sacrificial, mind boggling love. It’s complete madness, but people would give up their whole lives for just the right amount of crazy. Agape love in Greek myths, is the type of love that caused heroines to lose their sanity and exile themselves. We all know that searching for Agape will make us insane, yet we yearn for it so badly that we search in spite of all of the ruin—because finding your “Agape mou” is something that becomes second
Sian Beilock is the author of this novel, the information written by her would be considered credible due to the fact that she is a leading expert on brain science in the psychology department at the University of Chicago. This book was also published in the year 2015 which assures readers that the information it contains is up to date and accurate. The novel is easy to understand and the author uses examples of scientific discoveries to help make the arguments more relatable. Beilock goes into depth about how love, is something more than just an emotion, it derives from the body’s anticipation. “Volunteers reported feeling
The article '' love: the right chemistry'' by Anastasia Toufexis efforts to explain the concept of love from a scientific aspect in which an amateur will understand. Briefly this essay explains and describe in a scientific way how people's stimulation of the body works when you're falling in love. The new scientific researches have given the answer through human physiology how genes behave when your feelings for example get swept away. The justification for this is explained by how the brain gets flooded by chemicals. The author expresses in one point that love isn't just a nonsense behavior nor a feeling that exhibits similar properties as of a narcotic drug. This is brought about by an organized chemical chain who controls different depending on the individual. A simple action such as a deep look into someone's eyes can start the simulation in the body that an increased production of hand sweat will start. The tingly feeling inside your body is a result of a scientific delineation which makes the concept of love more concretely and more factually mainly for researchers and the wide...
One of the poems I have chosen is 'One Flesh'. It is written in the
The notion behind loving someone is simply very complicated and esoteric in nature. People often describe a certain chemistry, as in a certain attraction, needed between two individuals who are in love, but Barbara Fredrickson is able to coordinate the definition of love on the basis of chemicals. Barbara Fredrickson is able to provide the definition of love on the deductive reasoning based on chemistry, biology, and neurology explained in Love 2.0: How our Supreme Emotion Affects Everything we Feel, Think, Do, and Become. As Barbara explains, “With each micro-moment of love, then, you climb another rung on the spiraling ladder that lifts you up to your higher ground, to richer and more compassionate social relationships, to greater resilience and wisdom, and to better physical health.” (121).
When thinking about romantic relationships, whether in the movies, media or your own relationship what characteristics come to mind? The topic we will discuss in this presentation attends to the romantic relationships within interpersonal communication.
Can a simple emotion such as love be regarded as one of the greatest weapons to create or attain power? It’s a renowned fact that human beings are by nature designed to need, crave, and even require love as part of their survival mechanisms. It comes to no surprise that one of the first accounts of antique poetry maintains love and the craving for it as its main theme; thereby, reinforcing the deep importance that it upholds in the lives of many individuals. Sappho’s “Deathless Aphrodite” clearly epitomizes the suffering and bitterness that arises from an unrequited love. In Sappho’s case, which portrays the case of many, she constantly finds herself in loneliness and despair for though she tries repeatedly, she is only let down recurrently as no one reciprocates the love she gives. It is only the Greek goddess Aphrodite, who holds
The meaning of love is as intricate and unique as the purpose that it serves. It seems that the nature of love is found in the mind, the body and the soul. In Plato’s Symposium each member of the drinking party gives their own interpretation of love. As each speaker engages in their discourse, the concept of love is evaluated from different angles. According to Phaedrus, homoerotic love is the highest form of love and that sacrificing oneself for love will result in a multitude of rewards from the gods, while Pausanias believes that there are two forms of love: Commonly and Heavenly. As a physician, Eryximachus claims that love appears in every part of the universe, including plants and animals and that protection results from love. Before starting his speech, Aristophanes tells the group that his discussion about love may seem completely absurd, as he explains that in the beginning one body had two people who were eventually split in half by Zeus. This is meant to explain why people are constantly looking for their “other half”. Moreover Agathon, the poet the symposium is celebrating, critiques the previous speakers by stating that they failed to praise the god of love. He claims that love rejects feebleness and embraces youthfulness while also implying that love creates justice, courage and wisdom.
This passage marks the first of several types of love, and gives us an intuitive
Love, in classical Greek literature, is commonly considered as a prominent theme. Love, in present days, always appears in the categories of books, movies or music, etc. Interpreted differently by different people, Love turns into a multi-faceted being.
Let’s first focus on the Phaedrus, where Plato gives a detailed account of the psychology and the art of love. Socrates first introduces a thought-provoking analogy, comparing the soul to “the natural union of a team of winged horses and their charioteer” (246a6). One of the horses represents modesty and self-control, while the other one is full of excessive appetite. The charioteer (which could be interpreted as human’s rational element as mentioned in the Republic) tries to suppress the bad horse so that he can leads the chariot “toward what is best and in control” (237e3). However, if he is unable to do so and let the bad horse take control, “appetite drags us irrationally towards pleasure and rules in us, its rule is call excess (hubris)” (238a1). If love is controlled purely by the drive toward pleasure, this kind of erotic love is bad, as Lysias rightly belittles in the Symposium. In Socrates' view, however, there is also another kind of love, namely:
First, to get back on track, it is important to look at the three separate levels of love, and it would make sense to first look at eros. Eros is a romantic love, the kind of love one would have towards a beautiful object, or person. It is that sexual drive that is most apparent at the early stages of a relationship. This could be considered to be the first definition people would think of when questioned about the meaning of love. In fact in a more layman attempt at understanding eros one can think of the feeling one has during a crush, where a person’s affections are aimed at a single individual.
In classical Greek literature the subject of love is commonly a prominent theme. However, throughout these varied texts the subject of Love becomes a multi-faceted being. From this common occurrence in literature we can assume that this subject had a large impact on day-to-day life. One text that explores the many faces of love in everyday life is Plato’s Symposium. In this text we hear a number of views on the subject of love and what the true nature of love is. This essay will focus on a speech by Pausanius. Pausanius’s speech concentrates on the goddess Aphrodite. In particular he looks at her two forms, as a promoter of “Celestial Love” as well as “Common Love.” This idea of “Common Love” can be seen in a real life context in the tragedy “Hippolytus” by Euripides. This brings the philosophical views made by Pausanius into a real-life context.
Some people believe that there is no such thing as “true love” they believe that love is nothing but an illusion designed by social expectations. These people believe that love ultimately turns into pain and despair. This idea in some ways is true. Love is not eternal it will come to an end one way or another, but the aspect that separates true love from illusion, is the way love ends. “True Love” is much too powerful to be destroyed by Human imperfection; it may only be destroyed by a force equal to the power of love. Diotima believed that “Love is wanting to posses the good forever” In other words love is the desire to be immortal and the only way that we are able to obtain immortality is through reproduction, and since the act of reproduction is a form of sexual love, then sexual love is in fact a vital part of “True love”. Sexual love is not eternal. This lust for pleasure will soon fade, but the part of love that is immortal, is a plutonic love. You can relate this theory to the birth of love that Diotima talks about. She says that love was born by a mortal mother and immortal father. The mother represents the sexual love, the lust for pleasure. The father represents the plutonic love that is immortal. Plutonic love is defined as a true friendship, the purest of all relationships. A true plutonic love will never die; it transcends time, space, and even death.
Love is not a god as the fine philosophers of Greece once suggested. Love is something far more powerful and universal, for not all people believe in gods, yet people cannot refuse the existence of love. Instead, love is a condition of the human body that cannot be denied. True love is obstinate; in the way that music pours into the ears of an audience, love pouring into the heart of a man cannot be stopped, denied, or set off course. Love is a natural instinct. You cannot artificially make love where there is none or where it does not belong. Yet, the condition of being in love grows independent of all rationale. It grows places where an observer may not understand its existence. Attempting to fight love in such a situation leaves even powerful and noble families, such as the Capulets and Montagues, suddenly powerless. When love takes control of two souls, it takes the lovers on a journey. The journey is the growth of love throughout its many progressive stages. In this way, the growth of love between two people is analogous to the growth and development of a painted masterpiece. A work of art and a bond of love both have distinct stages and characteristics. A painting initially begins with a vision in the mind of the artist. This vision is a perfect vision that the artist will strive to replicate on her canvas. Similarly, love often begins on a visual level based on the physical attractions between two people. The vision of the painter is soon transformed into quick, loose sketches. The pencil freely marks the page; the artist has no control over where it goes, he merely paints. Similarly, lovers have no control over their new feeling of love that has taken over their bodies and rendered them helpless. After an artist has loos...
According to the principles of Hippocratic medicine passionate love almost invariably turns into ‘love melancholy’ - a form of depression. Moreover, anybody who has experienced falling in love will know something of love’s illness- an emotional roller coaster that seems to carry the occupant between the two extremes of heaven and hell (Paul, 1993, p. 91). Even a superficial examination of artistic works on the theme of love will reveal a striking duality. Love is rarely described as a wholly pleasant experience. It is an amalgam of seemingly incompatible