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The poems of john donne
The poems of john donne
The poems of john donne
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In this close reading, I will be analyzing “The Flea” by John Donne. “The Flea” is a love sonnet that uses a flea as a reason for the writer and the woman to get together. The poem interchanges rhythmically between iambic tetrameter and iambic pentameter, ending with two pentameter lines at the close of each stanza. Each stanza consists of nine lines. The rhyme scheme is in couplets rhyming, AABBCCDDD.
In the first stanza, Donne uses extended metaphors to get his point across about the flea. The first stanza speaks of how the writer and the woman become one after being bitten by the flea. This stanza begins with “Mark but this flea, and mark in this,” punish the flea, and punish only the flea. “How little that which thou deniest me is,” she denies his sexual advances which means little to her. “It sucked me first, and now sucks thee, And in this flea, our two bloods mingled be,” the flea bites them both causing their blood to mix together inside the flea. The mixing of the blood cannot be a sin, or shame, or lose of virginity therefore; neither should it be for their other bodily to mix together, “A sin, nor shame, nor loss of maidenhead.”
“Yet this enjoys before it woo,” the flea enjoys life before it cries or grieves on an exclamation of grief or a distressful incident of affliction. “Woo” is a condition of misery and misfortune, the “woo” of the flea may reference the pains of getting bit by the flea. “And pampered swells with one blood made of two,” the flea is lucky to be filled with their blood. This flea becomes larger in size with blood from both subjects. The flea has joined them together already by mixing their blood together which is more than he is asking of the woman, “And this, alas, is more than we would...
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...f sex.
The writer speaks to the woman through rhetorical questions, “Purpled thy nail, in blood of innocence,” has she sinned by spilling the blood of the innocent? Has she damned herself to hell by persecuting the flea? “Wherein could this flea guilty be, except in that drop which it sucked from thee?” What could the flea have done so badly, except sucking a little drop of blood from them?
“Yet thou triumph’st and say'st that thou/ Find’st not thy self, nor me the weaker now." The woman retaliates, celebrating her success in killing the flea, makes neither him, nor her any less noble. The writer responds, “Tis true, then learn how false, fears be;” it is true, and learn how false your fears are. The writer closes with, “Just so much honor, when you yield’st to me. Will waste, as this flea’s death took life from thee.” When she surrenders to him, she will lose no
A little later on she was at her house and it was her and her husband’s anniversary. Flowers were delivered to her. When she went to read who the card was from she almost passes out. The flowers were sent by her husband, but he was dead. She called the florist in disbelief and they told her that “Flea had “Love insurance”’ (31). This was for people who tend to forget something easily such as anniversaries for birthdays. The widow did not know how to feel about receiving the roses. She claimed that it had her a little “spooked” (31). So she ended up going for a
Analysis of the Poem “The Flea” by John Donne. Poets have often used symbols to convey deeper messages that they were either too afraid of or felt that normal language lacked the power to express. Often when a symbol is used, the reader digs deeper into the issue more than if the message was simply shot out in the open. These symbols and metaphors can be used to portray beautiful things, or can be used to create a more compelling argument in a more subtle way.
John Donne's view of love deviated greatly from the Medieval philosophy of courtly love, which had been expressed in poetry handed down from the sonnets of such poetic giants as Sidney and Petrarch. The general verse until then had focused greatly on the unrivalled importance of love in the context of the life of the poet (or his creation's voice). Until then, "love" had consisted mostly of an obsession with one woman, and an exploration of the feelings and situations that this caused in the narrator.
There is a similar theme running through both of the poems, in which both mistresses are refusing to partake in sexual intercourse with both of the poets. The way in which both poets present their argument is quite different as Marvell is writing from a perspective from which he is depicting his mistress as being 'coy', and essentially, mean, in refusing him sex, and Donne is comparing the blood lost by a flea bite to the blood that would be united during sex. Marvell immediately makes clear his thoughts in the poem when he says, "Had we but world enough, and time/ This coyness, Lady were no crime", he is conveying the 'carpe diem' idea that there is not enough time for her to be 'coy' and refuse him sexual intercourse and he justifies this thought when he suggests when she is dead, in ?thy marble vault?, and ?worms shall try that long preserved virginity?. He is using the idea of worms crawling all over and in her corpse as a way of saying that the worms are going to take her virginity if she waits until death. Donne justifies his bid for her virginity in a much longer and more methodical way, he uses the idea of the flea taking her blood and mixing it with his, ?It suck?d me first, and now sucks thee?, and then...
In line 5, “The mouse and which once hath broken out of trap, Is seldom ‘ticed with the trustless bait” shows the reader what the speaker sees of himself. The speaker is to afraid that if he is tempted it could lead into a huge trap. On lines 9 and 10, “The scorched fly which once hath ‘scaped the flame, Will hardly come to lay again with fire” the speaker is describing that he doesn't want to get burned by a woman of such beauty. Each metaphor give a tone of fear and despair of not being able to get what you truly
A mouse became trapped in a mouse trap when attempting to receive food but managed to escape. However, he “lies aloof for fear of more mishap” and believes that he will become trapped once again if he retrieves food again. The mouse and food can symbolize the speaker and women, for he was hurt once by a woman he loved and fears that to approach and become involved with another would lead to heartbreak; he now avoids love altogether. He also mentions a “scorched fly which once hath ‘scaped a flame” which it had been attracted to and now stays away from. This fly, which was physically damaged permanently, represents the author, as he was metaphorically hurt by the woman he loved and can never fully recover from the
Sex is a taboo subject in this day and age to speak about however poet John Donne does not shy away from the topic in his writing. John Donne approaches sex through his poem “The Flea”. “The Flea” published after the death of John Donne in 1663 is known as an erotic metaphysical poem. A poem that focuses on the use of extended metaphors and put emphasis on the words rather than lyrical quality. Even though it contains an unresolved ending, “The Flea” is a lighthearted poem that showcases John Donne uses of creative intelligence of language and tone in the voice of the narrator.
Which as claimed by the speaker, represents his union with the maiden in matrimony, since the flea has taken blood from them both."It suck'd me first and now sucks thee/And in this flea our two bloods mingled be"(lines 3-4). And, since their bloods have already mingled together, intercourse with him wouldn't be a sin and no honor would be lost if she yields to him."Though know'st that this cannot be said/A sin nor shame nor loss of maidenhood:" (lines 5-6) Though however similar the gist of the poems might be, the art of seduction used by each speaker is quite different. The speaker in "To His Coy Mistress" seems to change his tone of persuasion rapidly from stanza to stanza. At first he is sweet, comming across as a gentleman and overstating how many ages he would spent on a single part of her anatomy "A hundred years should go to praise/Thine Eyes.
Poetic Devices Direct address: Marke but this flea. Repetition: And marke in this Conceits: Flea > Church > Flea Movement Within the Poem First stanza: Contemplative and whimsical Second stanza: Becomes more absurd, pace gets faster Third stanza: Slowing and reversal of argument. Not a good idea to write down, but interesting to note that the pace of the poem follows that of sex - a gradual build-up of intensity leading to the sudden, climactic.
bed and then tells of how the woman still kills the flea but how the
“Ah, Grief, I should not treat you like a homeless dog.” In stanza one, the narrator is explaining that she should treat the dog like one of her own. One that she knows,
...e feminine population. In this poem the speaker does not seem to be very respectful of the female he is pursuing. Of course that is conducive to the time but it also says something about the validity of the message of the poem. In synopsis the flea, blood and death of the flea are all used as metaphors for sex, the exchange of life force (a very important thing) within the act of sex (represented as something as insignificant as a flea) and then orgasm, which can feel important and significant for a period of time but is really only as important as the death of a flea. The speaker in this poem hopes to convince his lady to sleep with him by trivializing sex and comparing it to something as insignificant as a flea. Meanwhile I say lady, screw the speaker and the flea you would get more of a commitment from a machine than a guy as afraid of human contact as this one.
In the first stanza of the poem, the speaker develops similarities between the fleabite and lovemaking. The first two lines of the poem, “Mark but this flea, and mark in this, How little that, which thou deny’st me, is;” I interpreted to mean that the woman doesn’t deny the flea access to her body, yet she denies the advancements of the speaker. Next the speaker uses conceit to illustrate the similarities between their lovemaking and the mingling of their blood within the flea. “Me is sucked first, and now sucks the, An in this flea our two bloods mingled be.” The speaker uses this argument to show the woman that the same physical exchange, which t...
...elps us to see just how determined Donne is. Another way in which Donne accentuates his meaning is through the poetic devices, rhythm and rhyme. The poem has irregular lines of iambic tetrameter and pentameter. Through the poem Donne varies the rhythm to highlight particular words or phrases, “mark but this flea, and mark in this” instead of opening with an unstressed syllable as in iambic form; Donne strains the word, “mark”. This is important in accentuating his argument. The poem follows the aabbbccddd rhyme scheme. This constant pattern mirrors the speaker’s persistence as he proceeds with his demands for intimacy throughout the poem. The dramatic movement and specific poetic devices in this poem successfully help to shape Donne’s meanings and altering arguments.
John Donne is known as being one of the most famous and influential metaphysical poets. The term “metaphysical," as applied to English and continental European poets of the seventeenth century, was used by Augustan poets John Dryden and Samuel Johnson to reprove those poets for their “unnaturalness.” As Johann Wolfgang von Goethe wrote, however, “The unnatural, that too is natural," and the metaphysical poets continue to be studied and revered for their intricacy and originality. Due to Donne’s personal experiences with spirituality and love, he is able to grasp the true meaning of metaphysical poetry (Brief Guide to Metaphysical Poets). Using all the aspects of metaphysical poetry, Donne creates a mysterious metaphoric poem titled, “The Flea.” Throughout this poem, the use of metaphors and breaks into the separate stanzas allow for the audiences to understand what The Flea is really about. At first glance, many read The Flea as a poem that compares sexual intimacy with an animal, but when broken down, it can be seen that the meaning is much deeper than intimacy, but it