Women in the 1920s who seeked change were called The Flappers. They represented a new era for women and expressed the freedom they deserved. The Flappers wore boyish clothes yet they still managed to look feminine and beautiful; they’d usually wear short skirts, noticeable makeup, they’d have short hair and a fun-loving attitudes. Due to their passionate demand for change, new laws were passed and the change in attitude towards women’s place in society, politics, home, workplaces and education has dramatically changed in the 1920s. The society accepted that women could be independent and divorces were made easier so it double in numbers because women did not want to stay at home with their abusive husbands and now they had an opportunity to change that. …show more content…
Scott Fitzgerald, the author represent two types of women in the 1920s. The independent women were the true representation of the Flappers and many were enjoying that lifestyle, like Jordan Baker and Catherine. Jordan Baker resisted social pressure to conform to the feminine norms. She was androgynous in her appearance even though she played golf, drove, drank alcohol and attended Gatsby’s parties without a chaperone as a dominant male figure. As for Catherine she was very similar to Jordan, she lived life and she’s rather share her experiences with her friends than a husband or family. They were independent and lived their life to the fullest as they didn’t have to dependent on a man their whole life like
From coast to coast people were reading the exploits of a new type of woman called flapper. Prior to World War 1 Victorian ideals still dictated the behavior of American women and girls. Frederick Lewis Allen describes the traditional role of women. Women were the guardians of morality. They were made of finer stuff than men. They were expected to act accordingly. Young girls must look forward in innocence to a romantic love match which would lead them to the altar and to living happily ever after. Until the right man came along they must allow no male to kiss them. Flappers did the opposite. Flappers danced the Charleston, kissed their boyfriends while they played golf and sat behind the wheels of fast cars. The liberated usually young female disdained the traditions of her mother and grandmother before her. Flappers would smoke and drink alcohol, she cut her hair and wore short dresses. They also changed their views on courtship rituals, marriage, and child rearing. With these they could have the same freedom as men could. The time period also saw a highly physical change in women’s lives like how they dressed and looked. For the first time in American history women could choose to be free from long hair and voluminous clothing. Before the women changed they wore very restrictive clothing consisting of long skirts with layers of petticoats over tightly laced corsets that produced an hourglass figure with wide hips and a narrow waist.
The flappers that existed in this age set the way for modern feminists. Flappers were being seen as large advocates for movements supporting women’s rights. This was because as well as taking part in specific social activities, they also started to have an effect on the amount of women with jobs because of their engagement in employment. By defying the traditional roles of women in the U.S., flappers inspired many women to get jobs and support themselves, making females a more important part of American society. They were also somewhat active in politics because they supported women’s rights as well as voting. However, flappers were also seen as defying traditional gender stereotypes, and modesty. Donna Bonthuis also stated that by the time she was in high school, girls were allowed to wear pants for casual occasions. The effects that flappers had on women and working were also relevant to Donna’s life. “My mother would usually give me and my sister work to do on the weekends. We mowed the lawn, clipped weeds...We washed dishes. We got a dishwasher when I was a teenager, but it hardly ever worked. It always leaked or shut off.” The fact that teenage girls were being put to hard labor in the years following the 1920s could be attributed to the changes the flappers made in the world of working
... fewer children was stressed to the patriarchal, consumerist society. The roaring twenties were a consumerist and capitalist age for America, and the liberalization of women occurred naturally as the younger generation was born into the new age of Freudian sexuality, however the flapper as a symbol for young women is incorrect. Out of proportion, and unfounded the flapper was a consumerist to exploit a rising cultural market. Women gained the right to their bodies, as America gained the right to its profit.
Some people hated this idea of the Flapper and they blamed the war for these women’s new behaviors. After World War I, young women and young girls started to act free and go against their families. “Some people in society blamed the war for triggering this rebellion of youth and they claimed it had upset the balance of the sexes and, in particular, confuse women of their role in society and where they truly belonged” (Grouley 63). Some people hated the idea of the flappers and these women had become. These women, the flappers, in the 1920s felt free after the 19th amendment was passed. “Since the early twentieth century, the sexual habits of these American women had changed in profound ways” (Zeitz 21). Flappers drank, partied, and had romantic evenings with men. All of which were illegal for women. In addition, they were an embarrassment to society and they were able to get away with anything. “Flappers were a disgrace to society because they were lazy-pleasure seekers who were only interested in drinking, partying, and flirting” (Dipalo 1). For instance, Flappers went to clubs, drank, and hung out with men and were too lazy to do anything. Therefore, one consequence of the war was the creation of a new woman and this led to a movement like no other.
Partying, drinking, and dancing; these are the adjectives most commonly associated with the life of a flapper. While these descriptions are accurate, they do not inform people of the advantages and gains flappers made for the female gender. The flapper embodied the idea of freedom from the usual duties of a young female in the 1920s. These women were no longer tied down with the expectation that they immediately become a wife and mother, as well as being conservative and modest. By diving into a look at the fashion, music, and lifestyle of the flapper during the 1920s it will become obvious that they were not only independent, liberated, and enjoying many more freedoms than they had previously throughout history, but that they also helped to pave the way for future generations of women’s quest for independence.
The 1920’s was a period of extremely economic growth and personal wealth. America was a striving nation and the American people had the potential to access products never manufactured before. Automobile were being made on an assembly line and were priced so that not just the rich had access to these vehicles, as well as, payment plans were made which gave the American people to purchase over time if they couldn't pay it all up front. Women during the First World War went to work in place of the men who went off to fight. When the men return the women did not give up their positions in the work force. Women being giving the responsibility outside the home gave them a more independent mindset, including the change of women's wardrobe, mainly in the shortening of their skirts.
In the 1920s, a new woman was born. She smoked, drank, danced, and voted. She cut her hair, wore make-up, and went to petting parties. She was giddy and took risks. She was a flapper.
In the 1920's the term flapper referred to a "new breed" of women. They wore short skirts and dresses which were straight and very loose. The arms were left bare and the waistline was dropped to the hips. By 1927 the length of the skirts had rose just below the knee which when they danced would be shown. The chests appeared to look very small and women would tape themselves to look even smaller. Bras were also sold to make them appear very small. Their hairstyles were cut very short and were known as a bob, another popular style that was later introduced was the "Eaton" or "Shingle". These styles had slicked the hair back and covered the ears with curls. Women started wearing "kiss proof" lipstick in shades of red, their eyes were ringed a dark black color, and their skin was powered to look very pale. One of the big things with the flappers were that they smoked cigarettes through long holders and drank alcohol openly in public now. They also started dating freely and danced all night long very provocatively. Jazz music was rising in population and the flappers brought it out even more. Not all women changed into becoming a flapper, yet the little numbers impacted the 1920's in a huge way.
The Great Gatsby “The Great Gatsby”, by F. Scott Fitzgerald, depicts the vast social difference between the old aristocrats, the new self-made rich and the poor. He vividly interprets the social stratification during the roaring twenties as each group has their own problems to deal with. Old Money, who have fortunes dating from the 19th century, have built up powerful and influential social connections, and tend to hide their wealth and superiority behind a veneer of civility. The New Money made their fortunes in the 1920s boom and therefore have no social connections and tend to overcompensate for this lack with lavish displays of wealth. As usual, the No Money gets overlooked by the struggle at the top, leaving them forgotten or ignored.
F. Scott Fitzgerald’s The Great Gatsby introduces the roaring twenties with a series of golden prosperity and riches beyond belief. With his eccentric chraracters, Daisy Buchanan, Tom Buchanan, and Jay Gatsby, Fitzgerald shapes the perception of 1920’s New York and shows the unique social aspect of life in the east. The Buchanans are initially portrayed as the power couple. Both desirable in their own way, Tom is INSERT QUOTE OF WHAT HE’S LIKE CAUSE IDK HE’S AN ASSHOLE and Daisy is utterly beautiful and enchanting. The Buchanans, unfortunately, are more broken than they seem. With the arrival of Jay Gatsby into the story, conflict ignites as Gastby and Tom attempt to win over the beloved golden girl, Daisy Buchanan. all Through the characterization of Daisy Buchanan and her individual relationships with Tom Buchanan and Jay Gatsby, F. Scott Fitzgerald illuminates the conflicting gender roles in society and thus highlights the ideals of feminism.
Fitzgerald comments on the changing role and attitudes of women of the 1920s in America. He shows this through the characters Daisy and Jordan. Daisy and Jordan both drink, smoke and drive, and associate freely with men. Daisy's flirtatiousness is an example of this, along with her drunken state in the first chapter when she says 'I'm p-paralysed with happiness'. Daisy also shows the attitude Fitzgerald felt was common in this society, when talking about her daughter.
Time flew by and as the war ended in 1918, the 1920’s decade of change soon approached. The year was famously known as “The Jazz Age” and “The Roaring 20’s” because of the newly found freedom, social and political changes, and the time of prohibition. Among these powerful new changes was the freedom that women were finally able to vote and enjoy what was about to come. Instead of being confined at home, the women joined labor forces, worked with wages, and experimented with different types of behavior that would have been unreasonable a few years back. Along with these dramatic changes were their fashion styles. This style changed their rights and relationships with others completely. With that change, a new woman was born. There were not many ways for women to stand up for themselves and what they believed in. They had no voice but in the 1920’s, women found a way of freely expressing themselves and changing their relationships with others all with the start of fashion.
Women of the 1920's Women during the 1920's lifestyle, fashion, and morals were very different than women before the 1920's. Flappers became the new big thing after the 19th amendment was passed. Women's morals were loosened, clothing and haircuts got shorter, and fashion had a huge role in these young women. Women before the 1920's were very different from the women of the Roarin' 20's. Gwen Hoerr Jordan stated that the ladies before the 1920's wore dresses that covered up most of their skin, had pinned up long hair, were very modest, had chaperones and had men make all of their decisions (1).
The 1920s denotes the existential era for young women to show their efforts towards modification in how others perceived them. Thus, the essence of the flapper girl was created. The typical flapper girl existed as a rebel, determined by specific characteristics: short haircut, increase of makeup on the cheeks, short skirts, and low-cut tops. This rebellion was the young women's way of proving to themselves and men what they were able to accomplish. (Reinsch, Ole). The undertaking of this trend was self-willed, or as Dick Hebdige refers to it, hegemonic in nature. Hebdige mentions, "Style in subculture is, then, pregnant with significance. Its transformations go 'against nature', interrupting the process of 'normalization'" (Hebdige, Dick).
Flappers, also known as New Women, represented the women during the Twenties, who rebelled against conventional ideas of ladylike behavior and dress. Who now can manipulate their own will. This typically feminist group raised up during the 1920s, in Britain and its ideas had spread all over the world. Once it landed in the United States, it caused a huge impact on the public, the women who were affected by it, following it as a fashion statement .Besides that, American women strengthened the idea of the flapper too, by developing and expressing new incredible characteristics. Which made American flappers special. Yet, American flappers truly demonstrated flapper's essence, by presenting the wealth, independence, and freedom that American women