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Essays about the history of flappers
Women in 1920s roles
Role on 1920s women
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Partying, drinking, and dancing; these are the adjectives most commonly associated with the life of a flapper. While these descriptions are accurate, they do not inform people of the advantages and gains flappers made for the female gender. The flapper embodied the idea of freedom from the usual duties of a young female in the 1920s. These women were no longer tied down with the expectation that they immediately become a wife and mother, as well as being conservative and modest. By diving into a look at the fashion, music, and lifestyle of the flapper during the 1920s it will become obvious that they were not only independent, liberated, and enjoying many more freedoms than they had previously throughout history, but that they also helped to pave the way for future generations of women’s quest for independence. Many flappers were working, single, white, middle-class women. They held jobs in the post-World War I era’s booming economy as clerks, telephone operators, and sales people. However, it was these women’s activities once the work day was over that the flapper lifestyle became famous for. These young and vibrant women were determined to have a good time; they frequented jazz clubs and speakeasies (prohibition was in full swing during the flapper’s era). The flapper participated in activities more commonly associated with men at the time, such as smoking and drinking. This exciting nightlife led women to seek for the elimination of double standards in regards to gender; therefore, they began to experiment more in their sexuality than did previous generations. In the generation leading up to the emergence of the flapper, the popular style for women was that of the “Gibson Girl”. Based on the depictions of women by... ... middle of paper ... ...nthia A. Migastro. New York: New York University Press, 1998. - Zeitz, Joshua. Flapper: A Madcap Story of Sex, Style, Celebrity, and the Women Who Made America Modern. New York: Crown Publishing Inc., 2006. Primary Sources: - Boncilla Cosmetics, "How We Beautify in Hollywood." 1929. http://library.duke.edu/digitalcollections/adaccess_BH0110/ (accessed April 1, 2011). - Kotex Company, "Marvelous...the Freedom With This New Sanitation Product." 1929. http://library.duke.edu/digitalcollections/adaccess_BH0018/ (accessed April 10, 2011). - Modess, ""Step On It, Mother-- This Isn't the Polka." 1929. http://library.duke.edu/digitalcollections/adaccess_BH0110/ (accessed April 1, 2011). - West Electric Hair Curler Company, "A Modern Coiffure by an Improved Method." 1926. http://library.duke.edu/digitalcollections/adaccess_BH0301/ (accessed April 10, 2011).
From coast to coast people were reading the exploits of a new type of woman called flapper. Prior to World War 1 Victorian ideals still dictated the behavior of American women and girls. Frederick Lewis Allen describes the traditional role of women. Women were the guardians of morality. They were made of finer stuff than men. They were expected to act accordingly. Young girls must look forward in innocence to a romantic love match which would lead them to the altar and to living happily ever after. Until the right man came along they must allow no male to kiss them. Flappers did the opposite. Flappers danced the Charleston, kissed their boyfriends while they played golf and sat behind the wheels of fast cars. The liberated usually young female disdained the traditions of her mother and grandmother before her. Flappers would smoke and drink alcohol, she cut her hair and wore short dresses. They also changed their views on courtship rituals, marriage, and child rearing. With these they could have the same freedom as men could. The time period also saw a highly physical change in women’s lives like how they dressed and looked. For the first time in American history women could choose to be free from long hair and voluminous clothing. Before the women changed they wore very restrictive clothing consisting of long skirts with layers of petticoats over tightly laced corsets that produced an hourglass figure with wide hips and a narrow waist.
McNamee, Katilin. "The Importance of Flappers in This Time Period." Flapper Girls. N.p., n.d. Web. 27 Dec. 2013.
The article entitled Bootlegging Mothers and Drinking Daughters: Gender and Prohibition in Butte, Montana written by Mary Murphy, deals with the prohibition period in the 1920 in a town called Butte. This article dives into the pre-prohibition era and prohibition era in Butte, a town that had a very strong male dominated feel. The main argument within this article was that the act of drinking was thoroughly gender-segregated, with women not being able to indulge in public drinking like their male counterparts due to the judgments they faced. The author was successful in explaining the roles that many women had endured within the time period prior to prohibition and during prohibition by using examples of women in different economic classes
In Cheap Amusements, Kathy Peiss studies the customs, values, public styles, and ritualized interactions expressed in leisure time of the working-class women living in New York. The social experiences of these young women gives different clues to the ways in which these women constructed and gave meaning to their lives between the years of 1880-1920.
Historians have debated over what the word “flapper” really meant. Some people thought the word was derived from the concept of a baby bird that is learning to fly for the first time. The word “flapper” came from the way a the baby bird flapped its wings as it flew from the nest. The women during this era were brave in the sense that they dared to step outside of boundaries that no American woman had stepped before. This change in history could be compared to a baby bird in the sense that the first jump from the nest was a symbol for the risks that women were taking during the 1920s. Furthermore, women ultimately benefitted from the popularization of flappers
... fewer children was stressed to the patriarchal, consumerist society. The roaring twenties were a consumerist and capitalist age for America, and the liberalization of women occurred naturally as the younger generation was born into the new age of Freudian sexuality, however the flapper as a symbol for young women is incorrect. Out of proportion, and unfounded the flapper was a consumerist to exploit a rising cultural market. Women gained the right to their bodies, as America gained the right to its profit.
Women during this Jazz era were freer about their sexuality, but due to this freeness, an article called “Negro Womanhood’s Greatest Need” criticized the sexuality of Black women. In this article, the writers criticized Black women of the Jazz era; one part stated “.“speed and disgust” of the Jazz Age which created women “less discreet and less cautious than their sisters in the years gone by”. These “new” women, she continued, rebelling against the laws of God and man” (p.368). Women expressing their sexuality is not only an act against God, but also against men. In Toni Morrison’s “Recitatif” Twyla’s mother Marry had no problem expressing her sexuality because she was a stripper, who danced all night, she wore a fur jack and green slacks to a chapel to meet her daughter Twyla.
Dubbed by Fitzgerald as “the quintessence of what the term ‘flapper’ signifies,” Clara Bow served as the model for all flappers. A flapper was the new woman; attractive, sassy, “worldly-wise, and briefly clad.” The flapper took on an impish and tomboyish, at lead for their time, attitude. They danced on tables, rendering the recklessness of the new youth. But modern women proved to be a danger for the conventionalism of America. They influenced the change on women’s rights, what was considered moral, and what was considered appropriate for women. These issues had previously been for making a timid woman; upon the coming of the modern woman, these issues made for a modernist female.
War is often followed by change; World War I is no exception. World War I is often labeled the cause for the rise of a feminine revolution-“the flapper”. Before the term “flapper” began to describe the “young independently-minded woman of the early Twenties” (Mowry 173), the definition that is most prominent today, it had a 300-year long history. The young woman of the 1920’s was new and rebellious. In her appearance and demeanor, she broke the social constructs of her society.
In the 1920s, a new woman was born. She smoked, drank, danced, and voted. She cut her hair, wore make-up, and went to petting parties. She was giddy and took risks. She was a flapper.
When many people think of an “It Girl” they think of someone as luxurious, Clara Bow was one of the very first “It Girl” of the 1920’s, yet she was not luxurious at the start. Before, Clara Bow was considered a tomboy with her ragged and dirty clothes, she would always play in the streets with boys, no girls were willing to play around with her. Later, she entered into a contest The Fame and Fortune, winning the contest; she was brought into Hollywood by B.P Schulberg. During her acting career she also developed into a flapper; flappers were 1920’s women who dressed up in short dresses wore makeup and had short hair; they also smoked and drank at night clubs. Her career had to come to an end after
In the scope of the mainstream, in regards to women- The Flapper specifically, the 1920s could be seen as an era of rapid progressivism both socially and politically; I am here to tell you that this is not necessarily the case. While many battles in the 20s were won for women- women’s suffrage was now a constitutional right, women were permitted degrees of greater autonomy by entering the workplace and by living away from home and et cetera- like so many other things in this newly emerging modern era, there was more lying beneath the surface that serves to tell a contrary story. In this paper, we will be focusing on women’s move towards greater liberties and autonomy by looking at the duality of the Flapper (as an icon for the
The most influential decade on contemporary was the 1920s because of the contribution in transportation technology, the advantage of credit, and the change in women’s freedom.
As we look around at our women in today’s era, we might ask how did she become so independent, successful, and confidant? Even when I look at my own my mom, she was hired as the first woman to work as a manager at a fortune 500 business, and then created her own business. As well as my friends’ mom, who also has her own business in psychology; accomplishments like these must have originated from somewhere. The answer lies in the 1920’s. A couple years earlier, World War I was waging havoc, killing many men, while allowing women more freedom. The effects of World War I gave birth to the new women, also known as the Flappers, and inspiration for the 19th amendment. The flappers stirred up traditions and launched a new way of living. It soon became very apparent that the new women of the 1920’s helped redefine the social norms of society.
Web. 29 Apr. 2014. Jailer-Chamberlain, Mildred. " Flappers in Fashion The 1920s. "