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Victorian pictorialism
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Queen Victoria has been described as the first media monarch by researches looking at the influence that the new technologies, such as the printing press, had on her reign. (Plunkett, 2003) On the other hand, Elizabeth II’s experience with the media was fraught with new challenges of trying to remain aloof in an intrusive society. Each of these monarchs ruled during a time of great political, technological, and social change but it is their relationship with these forces that defines their rule (Pimlott, 1996). While the media’s growth during Victoria’s reign strengthened the monarchy and secured its role in a changing time, the media threatened the monarchy throughout the reign of Elizabeth the II because of a more intrusive approach of the media, the stoic personality of Queen Elizabeth and the changing perception of the royal family being a moral compass for the nation. In the end both Monarchs were accepted and even beloved by a majority of their people, including some of the biggest critics to their reign, the republican newspapers.
When looking at the influence of the reign of Queen Victoria it is almost impossible not to look at the birth of photography. In a book written by Getty Museum Curator Anne Lyden, Victoria’s influence on photography is looked at intently, from her first time encounter with the new technology to her famous Diamond Jubilee portrait. Victoria was able to use this new technology from a young age in a way that it would take years to become main-stream. That photography was not just an artistic medium but was an instrument of propaganda. (Lyden, 2014)
Victoria married Prince Albert in 1840 and he was even more of a supporter of new technologies. (Veldman & Williams, 2014) Together they became the most ...
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...being female which allowed her to appear ‘politically innocent’ (Plunkett, 2003). The queen is usually the only character who is not caricatured or satirized. (Morris, 1968) She instead remains dignified in clothing and expression. This is seen in a similar vein when political cartoons, more than once, depicted the Queen’s relations with Benjamin Disraeli. Disraeli is generally reduced to a prejudiced stereotype, while Victoria, by contrast, is depicted with seriousness. She appears somber, regal and in a similar stance and costume to those of her royal portraits. It was, similarly, much more critical of Prince Albert and his German connection than it ever was of the English Queen. So while the media was at times fiercely satirical of contemporary British events and figures. When presenting the generally popular Queen, its artists were aware of their limitations.
There are many ways the media influences society, but in the 1920’s the main source was newspapers. The New York Times was one of the most popular and prestigious papers of this time and also one of the most influential. Many people had fait in what they read and never second gu...
Tolmachev, I. (2010, March 15). A history of Photography Part 1: The Beginning. Retrieved Febraury 2014, from tuts+ Photography: http://photography.tutsplus.com/articles/a-history-of-photography-part-1-the-beginning--photo-1908
The queen is not an innocent bystander as well. She shows her dark side when she is
Julia Margaret made it her duty to show her subjects in the light of their potential immorality and it shows beautifully in her work.Julia Margaret Cameron was an English woman with a remarkable talent for photography and who created brilliant photographs that captured moments of emotional intensity. She rejected the meticulously observed and highly defined detail of the artisan photographers, yet there was nothing eccentric or amateur in her approach.
The Queen being strong, smart and noble, Shakespeare would create characters like this, for example Juliet from Romeo and Jul...
Queen Elizabeth I’s gender appears as one of the main topics in her speeches. Elizabeth’s common mention of her own female gender, despite the fact that she could refer to herself with masculine terms, allows her to use gender stereotypes. Using these stereotypes along with mentions of motherly love and her knowledge of literature and when to manipulate her gender, she can rally others to her side, explain why she delays her answers to Parliament, and explain why she cannot knowingly harm her subjects, but by doing this, she provides people with evidence that women are unintelligent and incapable of ruling.
Throughout the historical literary periods, many writers underrepresented and undervalued the role of women in society, even more, they did not choose to yield the benefits of the numerous uses of the female character concerning the roles which women could accomplish as plot devices and literary tools. William Shakespeare was one playwright who found several uses for female characters in his works. Despite the fact that in Shakespeare's history play, Richard II, he did not use women in order to implement the facts regarding the historical events. Instead, he focused the use of women roles by making it clear that female characters significantly enriched the literary and theatrical facets of his work. Furthermore in Shakespeare’s history play, King Richard II, many critics have debated the role that women play, especially the queen. One of the arguments is that Shakespeare uses the queen’s role as every women’s role to show domestic life and emotion. Jo McMurtry explains the role of all women in his book, Understanding Shakespeare’s England A Companion for the American Reader, he states, “Women were seen, legally and socially, as wives. Marriage was a permanent state” (5). McMurtry argues that every woman’s role in the Elizabethan society is understood to be a legal permanent state that is socially correct as wives and mothers. Other critics believe that the role of the queen was to soften King Richard II’s personality for the nobles and commoners opinion of him. Shakespeare gives the queen only a few speaking scenes with limited lines in Acts two, four, and five through-out the play. Also, she is mentioned only a few times by several other of the characters of the play and is in multiple scenes wit...
The reign of Queen Elizabeth I is often referred to as "The Golden Age" of English history. Elizabeth was an immensely popular Queen, and her popularity has waned little with the passing of four hundred years. She is still one of the best-loved monarchs, and one of the most admired rulers of all time. She became a legend in her own lifetime, famed for her remarkable abilities and achievements. Yet, about Elizabeth the woman, we know very little. She is an enigma, and was an enigma to her own people.
In any country it is very important to encourage and motivate your troops in times of war or invasion and that is what Queen Elizabeth did. Her speech resembles the “The King's Two Bodies” in both the physical and political bodies. When the monarch is a women it is showing that she can still do a kings job. In her speech she calls herself a weak, feeble woman, but she is still able to run the kingdom the same way as a king and with the same amount of power. She had to use masculine strategies for her speech so her people would still be encouraged. Just like her physical body she has to protect it like her land. The Queen explains how she would reward them after the battle and would die for her people. She loves her land and believes her people
During the era of 1980 to 1918, Industrial Revolutions and WWI brought the photography field to a new trend - a symbol of modernity. Since the electricity invention was introduced, the production of photography expanded to a mass market and the concept of photography shifted resembling to modernity. “The perceived vulgarity of mass culture and the excitement of modern art combined to encourage photographers interested in art and personal expression to create a separate aesthetic (Mary).” Unlike other Pictorialists, British photographer Frederick H.Evans, preferred to photography in a “pure inclination,” that he refused to employ special lenses and negative settlement on his photographs. Evans discovered the structure of architecture in art photography that would deliver both “emotional and aesthetic responses to space,
Hence, the power of media has touched its apex in today’s age. Its societal, political and economic functions reflect its unparallel capacity to affect the human life in all spheres.
In this, she touches briefly upon the power queens could unconsciously hold in the way that their societies viewed them. In stating, “the public images of elite women were carefully constructed to put their male kinsmen in either a positive or a negative light. ”14 de Jong uses three examples of the idea of Queens and beauty to illustrate her point (centered around Judith), but also the point of the influence Queens could
· James Curran & Michael Gurevitch: (2000): Arnold Publishers “Mass Media And Society: Third Edition”
Whereas men had a so-called “head-start” with painting and sculpture, photography was pioneered by and equally associated with both genders. Sexualized images of women circulated via mass media. Described as a voyeuristic medium, photography was a powerful tool in deconstructing the male gaze and bringing private moments into the public domain (Bonney 1985: 11).
“When photography was invented it was thought to be an equivalent to truth, it was truth with a capital ‘T’.” Vicki Goldberg