Juliet Margaret Cameron was a Pioneer Victorian photographer during the nineteenth century. She took up photography later in life at the age forty-eight when her daughter presented her with a camera. This simple gift sparked enthusiasm in Cameron and led her to become one of the most colorful personalities in photography.Cameron was born in Calcutta in 1815 to a well to do British Family. After being educated in Europe, she returned to the Cape of Good Hope in 1836. While she was there she met Charles Hay Cameron, whom she married in 1838.
On Charles’ retirement in 1848, they moved to London, the Isle of Wright, where Julia Margaret became part of Kensington’s artistic community.In 1863, Rejlander, a photographer, came to the Isle of Wright to photograph her neighbor Tennyson, a poet, and it was most likely then that Julia Margaret learned her basic technique from him. Also inspired by the Pre-Raphaelite painters, Cameron’s photographs were frequently allegorical, containing religious, antique, and literary themes. Her subject matter consisted of portraits of the cream of Victorian Society, family, friends, and even passersby. Secure in her beliefs as a high Church Anglican, Cameron’s photographs also contained strong religious themes. Cameron thought that religious art was far from dead and could be revived in photography. She also made strikingly bold photographs of children, including a series of large-scale heads.
Julia Margaret created some of the most intimate and powerful portraits produced in any medium. Ambitious from the start, she considered herself an artist who made photographs rather than a photographer. Cameron was more interested in capturing the essence of the subject than mastering perfect camera technique. Her photographs are notable for the extreme intimacy and psychological intensity of effect achieved by the use of close up perspective, suppression of detail (sometimes accompanied by peripheral blurring) large scale, and dramatic lighting. In her photographs, Cameron tried to achieve an effect called “plasticity” which created an expression of feeling rather than fact.
Julia Margaret made it her duty to show her subjects in the light of their potential immorality and it shows beautifully in her work.Julia Margaret Cameron was an English woman with a remarkable talent for photography and who created brilliant photographs that captured moments of emotional intensity. She rejected the meticulously observed and highly defined detail of the artisan photographers, yet there was nothing eccentric or amateur in her approach.
Perhaps the most highly regarded of all Canadian portraits, the rendering of this mysterious woman sparks our curiosity through her captivating eyes and coy smile. She reappears in many of Varley’s paintings, and photographs by John Vanderpant, and later Harold Mortimer Lamb. An inspirational muse to many famous Canadian artists, her own worth as an artist is often underrated.
Johnson, Brooks. Photography Speaks: 150 Photographers on their Art.” New York: Aperture Foundation Inc., 2004. Print.
John Fielder is a nationally famous photographer. For the last 40 years his photos are taken of Colorado while he is hiking and skiing. When he first visited Colorado at the age of 14 he said he felt like something or someone guided him their and he belonged in Colorado for the rest of his life. He is well known for creating his best selling books ever; Colorado 1870-2000. His latest work is the work of great outdoors Colorado for its 20th anniversary. When he was 23 he decided to start doing photography. He was amazed by other famous photographers work and tried to take photos just like them, but it didn’t really turn out how he wanted. Nevertheless he did not give up. On his days off he would go on hikes and he would take photos. He practiced for 8 years and decided to quit his job and just focus on photography. He loves nature so therefore he loves to take photos or nature. He has published 33 books in the past 30 years. He uses photography with a large format 4 x 5 film camera, he also carries 7 lenses and 30 sheet film holders and about 400 sheets of color film. In the winter he usually country skies around the mountains of Colorado. He skies 5 to 9 miles a day to get to hut to hut. In the summer he goes on river trips and usually river rafts. Sometimes he rafts on class 5 rapids. He has two daughters who love to go on trips with him although they do not take photos themselves.
Mamo v Surace (“Mamo”) examines fault and finality, in the context of an unavoidable accident. Definitional discussion emerges within the idea of “fault”, with the outcomes ultimately furthering the legal avenues of victims of blameless accidents, enabled by the separation of non-tortious negligence and “fault”. Notably, the dismissal of arguments raised at appeal furthers the notion that circumstantially, injustice must be endured for the sake of finality, to avoid greater an injustice inflicted upon the opposing counsel .
The photo’s Mark captured of these women they are undeniably pieces of art. Each one is beautifully composed, has just the right amount of contrast, and is tack sharp. Not only that, but Mark used the natural light to her advantage, producing stunningly lit images for such a dismal place. During her time there Mark only used 35mm cameras, wide-angel and normal lenses (Bailey). Mary Ellen Mark’s book Ward 81 was published in 1979 after Mark worked through the 200 rolls of film, and eventually held six solo exhibits (Stoots). The book is filled with 97 photographs of portraits of the women from Ward 81 Mark and Jacobs got to know, and some photographs of the treatments these women underwent. The photographs are accompanied by Jacob’s short a...
Aristotle once claimed that, “The aim of art is to represent not the outward appearance of things, but their inward significance.” Artists, such as Louise-Elizabeth Vigée Le Brun and Mary Cassatt, captured not only the way things physically appeared on the outside, but also the emotions that were transpiring on the inside. A part no always visible to the viewer. While both artists, Le Brun and Cassatt, worked within the perimeters of their artistic cultures --the 18th century in which female artists were excluded and the 19th century, in which women were artistically limited-- they were able to capture the loving relationship between mother and child, but in works such as Marie Antoinette and Her Children and Mother Nursing her Child 1898,
Louise Nevelson was a sculptor in the 20th century. Although born in Russia, she would practice virtually her entire professional career in the United States. She was a leading artist of her time and was a pioneer for women in art. Her work earned her a reputation as a leader in assemblage and environmental sculpture.
In our given scenario we are asked to discuss legal principles influencing the likelihood of any successful action against Steve in the grounds of negligence. Steve’s negligent driving caused a series of events that caused losses to the other people presented in the scenario and they take actions against Steve in the grounds of negligence. At first we must understand what negligence is. The tort of negligence provides the potenti...
Family is a group of people like parents, children, siblings, grandparents, grandchildren uncles, aunts, nephews, nieces, cousins, spouses, siblings in law, parents in law and children in law. Who are considered to be related in some way such as by blood, by common ancestry, by descent or by marriage. There are two types of families, the nuclear and the extended family.
In this case, the defendant was held to be not liable for negligence because any other reasonable race track operator would have acted in the same way. Similarly, in Glasgow Corporation v Muir, the defendant was held to be not liable for negligence because he had acted as a reasonable person would have by allowing the claimants entry into his tea room when the weather was bad
Ward could not disappoint the glorious subject he was asked to paint. I agree with titling Princess Diana a "glorious subject" because of the person she was and what she represented; there was nothing fake about her. She was just simply exquisite. Ward depicts the late princess in her sophisticated wedding dress with a piece of lace between her fingers. I realized how the picture portrays a women of grace, just by the way she holds herself. Not only her royalty dress, but her facial expression and statue makes her look like a princess from a fairy tale.
Women desire to become beautiful and powerful, even if they don’t say it in words. And the Photographer plays with that concept and creates that desire, that you can become that person you see in the photograph. And live that lifestyle. Photographers use techniques from the cinema/cinematic, to create the desire of viewers/Buyer/Consumers. The cinematic techniques made it possible the way people lived and the...
Torts can be divided into two main categories; negligence and intentional torts. Negligence torts function as the hallmark of tort liability, and of tort law suits, are the most common. Under this legal premise, people have the responsibility to act with proper diligence and reasonable care and skill to avoid injuring other people. Intentional torts are civil wrongs that were committed deliberately. In contrast to a negligence act that is usually an accident caused by the lack of responsible care. Under tort law, intentional torts include acts of assault, battery, slander and libel, false imprisonment, and intentional infliction of emotional distress.
Once she had her children she began being in the public’s eye much more often. Soon she would be labeled the “People’s Princess.” She was frequently called a fashion icon, role model, and arguably the most famous and photographed woman in the world. People who were close to her said that she had a “very easy going personality.” Lord St. John of Fawsley said “her appeal lay precisely in that she elevated feeling to the highest position. That is why people responded to her - they knew she really cared.” She became involved in numerous charities. Her most advertised ones were fighting the use of landmines and helping those who suffered from AIDs. One of her most famous pictures taken was of her holding ...
A more sociological meaning of family is; "a connection gathering which accommodate the raising of youngsters and for certain other human needs."