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Basics of YouTube and the effects of it on society
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With Korean lyrics delivered by a cartoonish rapper named Psy riding an invisible horse, “Gangnam Style” was an unlikely candidate to become a worldwide phenomenon. On the contrast, however, the popular song has been an obvious epidemic embedded in the modern music culture of our nation as well as other nations.
In the summer of 2012, the full music video of “Gangnam Style” was uploaded onto YouTube and was immediately a sensation, receiving over 500,000 hits on its first day and racking up millions of more hits in a matter of a week. By the end of the year 2012, the song had topped the music charts of more than thirty countries including Australia, Canada, France, Germany, Italy, Russia, Spain, and the United Kingdom. Being the first ever YouTube video to reach the milestone of one billion hits, the song took the social media by storm. These staggering statistics indicate how “Gangnam Style” was able to achieve a tipping point, thus igniting an epidemic. What made it go viral? The two main reasons responsible for the cause are the Power of Context and the Stickiness Factor.
Gangnam Style originated in Korea and became one of the most popular and catchy songs of its time as a result of the Power of Context. Cha Woo-Jin, a South Korean music critic, reported that the sophisticated rendering and arrangement of “Gangnam Style” has made it very appealing to the general public. Furthermore, Choe Kwang-Shik, the South Korean Minister of Culture, told reporters that it had played an important role in introducing the Korean culture, language, and lifestyle to the rest of the world. In other words, it broke with our cultural conventions. These select contributors have made the song what it is today. However, some have criticized the song f...
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...ns making their own versions of “Gangnam Style” and Korean music industries are now following its lead into further music genres.
The various elements of “Gangnam Style” incorporated the Power of Context and the Stickiness Factor in order to tip. It broke with our nation’s cultural conventions, took the lead as a guiding light for Korean pop stars and top record label executives, and formed an erratic surge in entertainment that would forever influence the Korean Wave and future examples of K-Pop music. Additionally, with a unique chorus and lyrics accompanied by an array of enjoyable dance moves, it overcame much of our nation’s pop music and is now recognized as a worldwide phenomenon. Despite being a seemingly pointless music video at first, its feat of racking up the most views out of any YouTube video goes to show that almost anything has the potential to tip.
There is one universal language: the language of music. Music has a special quality and ability to bridge both social and cultural divides. A proposed theory by Dr. Gray, Founder and Director of National Musical Arts’ BioMusic Program; describes music has been around longer than human-beings have. Music is the one thing human beings from various backgrounds can relate to. Every living creature would agree. Music is heard everywhere not just among humans, but in nature as well, through the twitting of birds, winds blowing, the soft sound of raindrops against a windowpane, the ocean waves moving back and forth and the hum of the ocean rushing in a sea shell. There is no escaping it; music lives in and surrounds us steadily. While there are countless songs which confer social or cultural consciousness, this paper will analyze and address the dynamics of M.I.A.’s “Paper Planes”, video. Stylistically, the paper will examine the artist point of view, the unique use of lyrical analysis and sound description in relation to its historical, social, political and/or cultural context. This essay will also trace the lyrical analysis and sound description of song and discuss how the elements (visually, sonically, and lyrically) interplay with the theme of immigration and/or violence.
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
Hip hop is both a culture and a lifestyle. As a musical genre it is characterized by its hard hitting beats and rhythms and expressive spoken word lyrics that address topics ranging from economic disparity and inequality, to gun violence and gang affiliated activity. Though the genre emerged with greater popularity in the 1970’s, the musical elements involved and utilized have been around for many years. In this paper, we will cover the history and
Since hip-hop has expanded from the undergrounds in Bronx in the 70’s it has grew into a popular accepted music genre. Consequently, as it progressed from the golden age it gradually grew away from its original roots. If one were to evaluate the change of lyrics in hip-hop, they would see a difference between early hip-hop and today’s hip-hop. The current state of hip-hop is in a stage where things like hey young world are outdated. Instead of broadcasting out a positive message, hip-hop sends out a message of sex, drug, and violence. The early musicians who helped solidify hip-hop, by producing music that told stories on subjects of race, respect, or even music that had a positive message.
The sample for this analysis included current and popular hip-hop and country music videos. This specific sample was drawn from Vevo’s most viewed videos in the categories of Hip-Hop/Rap and Country. Choosing some of the most viewed music videos of 2013 created a repre...
Since the beginning of hip hop culture, its music, its style of art, and style of dance has had a major effect on the world and it has increased. ...
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
>. Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .
Does hip-hop have a global impact? According to Articles – The History of Rap: Vol. 1: The Genesis, hip-hop grew from its origins in housing projects, streets, subways, and Bronx clubs to its mainstream status through shows such as BET’s Rap City and Yo!MTV Raps. Also, as movies helped hip-hop gained millions of new fans across America, it spread to Europe, Asia, Africa, and nearly every other continent. As a result, hip-hop has gained more cultural significance as years have passed. Today, hip-hop is one of the most potent and successful musical forms of the 20th century. This research paper will argue that hip-hop music has a personal and political global impact. The importance and the value of this study are two-fold. First, its
When music is created, it integrates the cultural and emotional situations that occur in everyday life. People create dances to the transformation of music. For example, a comedian, Judson Laipply has create the “evolution of dance.” This dance incorporates different genres, songs and dances of each generation. He shows dances that people have created overtime to interact with beats of songs. These two videos show perfect examples of how people have created their own way to connect to different music. Both videos demonstrate how music has evolved over time. Judson incorporated songs that have defined past generations and songs that define generation y.
Tom, Dixon. "The Journey of Cultural Globalization in Korean Pop Music." EInternational Relations. N.p., 17 Aug. 2011. Web. 20 Mar. 2014.
Not only is hip-hop a way of expressing ones feelings or views, but it is a part of the urban culture and can be used as a communication tool. Slang originally came from hip-hop music and has become a very popular use in today’s society, especially the urban parts. Hip-hop is a standout amongst the most compelling musical sorts on the globe. There are rappers everywhere that know what amount of an impact their music can have. Some entertainers attempt to utilize that force of impact to do great (Ruiz INT).
With the music being the highly profitable, capitalist enterprise that it is today, it is no wonder that it is controlled and regulated by a few large conglomerates that exist is today’s world. It is important to make clear that although evidence is being presented of the positive aspects of globalization through music that there is overwhelming evidence that cultural imperialism is more than it seems on the outside. One must keep in mind that cultural imperialism, globalization and the creation of a global village is a business. People are profiting at other people’s loss of cultural identity, they are sold a culture and heritage. With the every growing N’Sync fan clubs and Britney clones, the world is turning into a stage for pop culture and its glamorous unattainable standards.