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Censorship's negative impact
Censorship's negative impact
Censorship's negative impact
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“There is still, for example, a widespread unease about women using obscene language, and about men using it in women’s presence. Women who take up the role of public orator, priest, or even the less exalted role of stand-up comic will find that, in some quarters at least, this presumption is met with an irrational loathing.” — Deborah Cameron, The Feminist Critique of Language. Stand-up comedy has traditionally been a male-dominated field. There are few female comedians who have been able to achieve both success and fame in the business. As with the rest of the entertainment industry, a pay gap persists between male and female comic entertainers. Last month, Forbes released its list of the world’s highest-paid comedians of 2015, and, …show more content…
Female comedians are given this label because the audience will then know what to expect from their act; the audience is provided with a warning that the woman they are about to see will be uncensored. On the other hand, male comics have never required this label, though they talk about the same subjects. In the past, it was more acceptable for male comics to be raunchy or vulgar and use foul language than female comics; however, I think that the negative view of female comedians who use foul language is slowly changing. More female comics are becoming popular, and developing a fan base that encourages their work. The comic is then able to speak out against the double standards of the sexist industry with more support from her fans. As Amy Schumer puts it in her HBO stand-up special Live at the Apollo (2015), “I’m labeled a sex comic. Like in interviews, people are always like, ‘So, you keep talking about sex.’ I think it’s just ‘cause I’m a girl. I feel like a guy could get up here and literally pull his d*ck out, and everyone would be like, ‘He’s a …show more content…
The Untamed Shrews are the comedy duo of Marge Tackes and Susan Smith. The Jukebox billed the duo as their most popular act in the club’s twenty-five years, which was apparent when I walked into the crowded, sold-out venue. I went with a friend who’d seen The Untamed Shrews perform the last seven times they were in Peoria. She’d said that the duo stuck with the same routine throughout the years, but even though she knew the jokes and punch lines, the routine was still relevant and hilarious each time she went back. The show was rated “R” because the two women used obscene language to talk about sex. In their promotional poster, one of the comedians is shown with yellow police tape over her mouth, the word “caution” covers the lower part of her face, and her hands are positioned as if to tear the tape away. I found this poster to be quite symbolic of the sexist comedy industry because it depicts a censored female comic who is eager to strip away the notion that her audience needs to be warned about her
Rebecca Krefting (2014), “an Associate Professor of American Studies, affiliate faculty to Gender Studies, and Director of the Media and Film Studies Program” (Skidmore), wrote an article called “Making Connections.” Krefting (2014) explains the connections between comedy and people, listing the reasons the world can build “Cultural Citizenship” through “charged humor” (p. 17-18)
For as long as there have been jokes, there have been people saying that women can’t tell them. For over a century figures in popular culture have publicly peddled this claim of misconception. In 1884 Richard Grant White, one of the most powerful cultural critics of the 19th century, wrote, “a sense of humor is the rarest qualities in a women”, to Jerry Lewis in 1998 stating he “cannot sit and watch a lady diminish her qualities to the lowest common denominator”, and more recently in 2012 Adam Carolla, arguing, “The Reason why you know more funny dudes than funny chicks is that dudes are funnier than chicks” (Moss). If there is anything that can put these men in their place it is the cinematic success of Paul Feig’s 2011 film Bridesmaids. Since its release, the film has been nominated for 24 different awards, won 6, and has generated over $288 million in sales worldwide, making it the highest-grossing-R-rated female comedy of all time (Buckley 5). Bridesmaids, thus, represents how the symbol of women in the space of cinema is being challenged and changed.
Bernie Mac’s second Def Comedy Jam special, “I Ain’t Scared of You Motherfuckers” is a comedic work that has always made me laugh uncontrollably. Even when I was too young to fully understand most of the jokes in that particular standup routine, his physical motions, use of curses and taboo sex phrases, as well as his urban Chicago colloquialisms were enough to have tears dripping from my eyes and a boisterous sound of laughter coming from my mouth, loud enough that it would cause my mother to come into my room and investigate what all the fuss was about. Despite the obvious comedic subject matter of works of comedy done by comedians such as Bernie Mac, there are numerous underlying reasons that attribute to the humor that is expressed through our laugher and enjoyment. Through his lively stage presences and sociological motifs, Bernie Mac was able to enlighten the world on the various cultural aspects of urban life by his use of social and psychological cues that capture our attention, giving us directions on how to react, providing us with an increased social awareness though satirical methods, and making light of taboo topics regarding the themes of sex and gender roles.
As Tina Fey learned throughout her life, being able to laugh at yourself is a key component to success. In her 2011 book, Bossypants, Tina Fey constantly pokes fun at herself, but in the best way possible. She discusses her childhood, her awkward stages of growing up, and some of her most embarrassing moments as an adult. By utilizing self-deprecating humor, Tina Fey makes her novel amusing and entertaining—something that contributed greatly to her success as a comedian.
In the entertainment industry stereotypes of what women should be. Women of power like Oprah Winfrey are found threatening to this. Rosie O'Donnell was chastised for proclaiming her political views on her television show. When she stated her opinion about gun control to prominent NRA advocate Tom Selleck she was considered bitchy for stating her opinion, even though he did the same thing. On the television show, ER, Kerry Wheeler is considered a bitch for being a strong character and boss, while her co-worker, Mark Green can be equally headstrong and difficult but is considered determined. Comedian Roseanne has always been ridiculed for being brash with her opinions, where male comedians like Chris Rock are hailed. When a woman may celebrate her sexuality and be open with it, she will be called a slut, but if a man sleeps around he can still be a hero - President John F. Kennedy and Wilt Chamberlain, a few examples.
Comedy has existed with the human spirit as far back as humans began writing the first plays and stories. Comedy and laughing at other peoples’ situations has always been a very good way to tell an entertaining story. Yet, at the same time, it can be an effective way to share lessons about life and the human condition. The “comic spirit” takes many forms throughout human civilization and several classic examples can be seen in Roman and Greek comedies. Greek comedies often create humor from the conflicts created by stereotypes and imbalances. For example, the play Lisistrata has a main character who is a woman who tries to stop the Peloponnesian War by convincing all the women of Athens to stop having sex with their husbands. Taking place during a period when women did not have power in society (compared to men), this Greek comedy used the imbalances of women to create a funny story while at the same time as making a statement against war. A more modern comedy that uses imbalances and stereotypes to create humor is the movie “Bringing Down the House” starring Steve Martin and Queen Latifah. The humor in this movie is created by the use of multiple stereotypes, imbalances and ultimate role reversals of a white, wealthy male and a black, ex-convict female who first meet each other in an Internet chat room. There are also contrasts between young and old people. Although the imbalances and stereotypes throughout the movie create funny situations, it may have a negative side effect because it takes advantage of racial, gender and age stereotypes, which may be insulting or hurtful to some people, just to get a laugh.
The Screwball comedy is a film genre that found its way onto the screens in the early 1930s and lasted till the early 1940s. They were a consequence of the newly adapted censorship law in 1934 that restricted addressing adult content on screen. They therefore incorporated more comedic and creative ways of symbolizing topics such as sex and homosexuality. Screwball comedies were mainly based on plots that had conflict between social classes as their many premise and always had a happy ending which was almost always marriage. This consistent maintenance of the status quo of marriage is a major aspect of feminism depicted in screwball comedies (Heather 26). While advocating for marriage, screwball comedies highlighted the shift in the foundations of marriage and greatly highlighted the growth of feminism in light of a shift in roles and expectations surrounding this institution.
To an actress like Melissa McCarthy, her power comes from the ability to make the audience laugh. Women have had to deal with coming in second best to men for years now. For a woman to step foot into a male-dominated genre such as comedy can put an immense amount of pressure on her shoulders, not to mention the risk of failing. Not only do women in comedy have to deal with pressure from the industry, as previously mentioned, they are also burdened with the judgement of their male peers. Comedian Jerry Lewis once expressed his discontent with female comedians stating, “he has trouble with the notion of would-be mothers as comedians” (Coyle).
This essay title has asked to examine humour throughout 'The Opposite Sex' which proved to be difficult task as humour can be difficult to define. This is because different people have completely different senses of humour. Some people laugh hysterically at a particular joke while others would be offended or just simply, would not find it funny. Different jokes and styles of humour would then appeal to different audiences and this is why I think Laurie Lee proved to be comical within 'The Opposite Sex'. Lee used a mild, suggestive use of humour as well as some sexual innuendo instead of 'slapstick', comical jokes.
The gender pay gap has existed ever since women entered the workforce. Right now in the United States, the average female worker earns 78 percent of what the average male worker earns (“Gender Pay Gap: Recent Trends”). Also, according to the
In a culture with ever increasing sensitivity, there are very few notable figures who dare to stand to face it, one such figure of note is an American comedian named Dave Chappelle. Former TV personality, comedian, and winner of many awards such as six Emmy awards, five Grammy awards, and the Mark Twain Prize for American Humor, Dave Chappelle exemplifies the nuance of art through his tenacious behavior and his boldness in his comedic styling in which seemingly nothing is off limits. A big reason for Dave Chappelle’s success is his unwavering tenacity in the face of adversity, he persists in his profession despite backlash from some critics and audiences he refuses to back down and apologize for what he says. What's more, he makes bold decisions to constantly challenge
As the old saying goes, “One well-timed joke can save the world”. Comedy, throughout the history of time, has served as a means of bringing people with common interests and experiences together to communicate and resonate facts or opinions, whether it's an intelligent pun diffusing a fight between two friends or a comedy skit on National TV confronting the ugly truths of today’s society. From the erudite witticisms of Roman philosophers like Horace and Juvenal, who wielded satire as a tool against the moral and social decay of their era, to today’s modern humorists who lend a voice to the voiceless, their lineage spreads across various eras, cultures, and mediums. Humorists have an indispensable role in our society as they have the liberty
... “Women’s Language.” In this “language” she says that women tend to use more color adjectives and more tag questions than men because of their uncertainty. Also, she stated that swearing is considered an act of power and it is possible that that is the reason as to why women are not “allowed” to say these words. Even in the Victorian Era, swearing was reserved to men because the rights of women were basically given to their husbands. This is where the “housewife” attributed to women began. Lackoff claimed that “the decisive factor is less purely gender than power in the real world” (1975). Swearing is not only seen as a male attribute but is reserved to people (men) who exert power. In our society, it seems that men believe they are the only ones who should have access to power. Therefore, “women’s language”
For example, the representation of women on television was for a long time restricted to roles of “loving wives, dutiful daughters, gossiping girlfriends, fashion plates, and the occasional dowdy maid, nanny, or granny” (Zeisler 2008, p. 9), which is a reflection on the roles it was considered ‘acceptable’ for women to take on in real life. Often going against the hegemonic gender ideal is used as shorthand for comedy within popular culture, such as men dressed femininely being played for laughs on countless sitcoms. Popular culture that genuinely challenges hegemonic ideology often faces backlash, as was the case when Ellen DeGeneres’ character coming out on Ellen (1997), as did the actress in real life, resulted in the show being cancelled after only one more season. This is reflective of what was the pervasive belief, that heterosexuality is the only acceptable option, though the changing attitudes about this can be seen through the increased inclusion of gay and bisexual characters in pop culture over the past two decades. Looking at the relationship between gender and popular culture consequently becomes important to the field of gender studies as it provides a way to study not only what is considered to be the gender norms in a society, but how these norms have
Why the laughter? I see no problem with her statement. It's interesting to note that what’s funny to some people may not be entertaining to others, and to others offensive instead. In a comedy, the protagonist is literary hitting the audience with the unexpected outcome, matching up things that do not normally go together or using a satirical tone to pursuit a laugh (literarydevices.net). At this point, we can say a comedy is a “genre of dramatic literature dealing with the comic or a literary work written in a comic style with a happy end(merriam-webster.com)”.