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The impact of film on romantic relationships
Are real life relationships affected by romantic movies
Are real life relationships affected by romantic movies
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The motion picture production code of 1930 introduced the world to the “happy ending.” This law forced Hollywood directors only to produce movies in which the female protagonist had a happy and romantic relationship with the male protagonist, while the antagonist was always defeated and received the justice the protagonist deemed worthy, and everyone lived happily ever after (Hayes 2009). The concept of a fairytale ending has existed since the establishment of motion pictures and has played an irrefutable role in shaping the “true” meaning of romance through out countless generations. Nowadays, acquiring appropriate romantic skills are vital to developmental functions of adolescence (Eggermont, 2004). However, its proceeding idolization has …show more content…
However, impractical expectations of the various types of romantic relationships that are portrayed affects every real (non-scripted) relationship which is based on these false ideals. According to Bjarne Holmes, Ph.D. from the Champlain College in Vermont, “Hollywood films are implanting a sense of a “perfect” relationship within society, as well as providing unrealistic expectations about romance into the minds of the viewers” (Jeter-Smith, 2015). Hollywood has been portraying romantic relationships since the dawn of motion pictures, and this has greatly impacted societies perception of reality by influencing the stimulus that the scenes intake. This potentially created the cycle of positive intention turning into negative consequences. Holmes’ results on common themes that are influenced by romantic stimulus justifies his declaration, with participants stating that if their relationship fails to replicate those that are depicted in movies and television, then it is not worth their time nor energy (Jeter-Smith, 2015). With unrealistic expectations inadvertently influencing people’s ideals and perceptions of a real relationship, society’s ability to maintain real romantic relationships has significantly
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
In “A Million First Dates” (The Atlantic, Jan/Feb 2013), Dan Slater argues commiting to a stable relationship is negatively influenced by online dating because of a decline in commitment in couples. Essentially, the more options a person is given to find the perfect person in a short amount of time, the less they are inclined to stay in a relationship. For example, Slater’s case study subject, Jacob, a man with a difficult time meeting women and genuinely falling in love. After easily finding a dream woman on a dating website he found it easier to find someone else once their relationship ended. Hence, online dating made it easier for him (and possibly other users) to change views on a long or lifetime monogamous relationship.
The film Boogie Nights provides an interesting case study of the unique nature of human relationships, specifically love and friendship. It presents a crisscrossing mash-up of various combinations of traditional love categories: friendly (plutonic or nonsexual) love, family love, lust, master/servant or apprentice/teacher love, etc. Besides being entertaining, Boogie Nights presents these combinations to provoke an insight on our part into the nature of love. This insight is exemplified in Jack’s notion of the ideal pornographic film. His ideal film also serves to echo the same flaws found in Plato’s ideal forms. Boogie Nights attempts to demonstrate the false nature of a definite, meaningful love by disrupting its categorization and presenting the absurdity of its definition. Jack’s movie cannot exist by definition, and as a product of natural language neither can the common conception of love.
Love caused his logic and sensibility to fail him, and provoked him to commit monstrous acts that destroyed many lives. Through analysis of “Happy Endings” by Margaret Atwood, it can be concluded that one of her many intended lessons was to show the value and the powerful effects of love. Atwood successfully proved this lesson by using powerful examples of both successful and disastrous relationships to illustrate the positive and negative effects of love. Atwood truly demonstrated what it is like to follow your heart.
Atwood’s “Happy Endings” retells the same characters stories several times over, never deviating from clichéd gender roles while detailing the pursuit of love and life and a happy ending in the middle class. The predictability of each story and the actions each character carries out in response to specific events is an outline for how most of us carry on with our lives. We’re all looking for the house, the dog, the kids, the white picket fence, and we’d all like to die happy.
In closing, while Ferrer has presented a well thought-out article that has achieved its goal, at least in my case, of opening the reader’s mind to other relationship styles, he does overlook a few areas. Our society is always changing and along with that the way we form relationships. Divorce and inter-racial marriage has become fairly common-place and acceptable, while same-sex marriages are slowly working toward that goal. This shows that people prefer to do what they feel is best for them, and makes them happy, rather then what societal pressures makes them feel they should do. By doing what makes us happy, and what we feel is right, we slowly change societal opinion. You can not please everyone, so you may as well please those that are important to you, as long as you do not harm to others.
Neill, Alex. “Empathy and (Film) Fiction.” Philosophy of film and motion pictures : an anthology. Ed. Noel Carrol and Jinhee Choi. Malden, MA: Blackwell Publishing, 2006. 247-259. Print.
Everyone knows and loves the enchanting childhood fairytales of magic, princes, and princesses, but very seldom are privy to the detrimental impacts of “happily ever after” on the developing youth. Fairy tales are widely studied and criticized by parents and scholars alike for their underlying tone and message to children. Peggy Orenstein, feminist author, mother, and fairy tale critic, has made it her personal mission to bring these hidden messages to the surface. In the article, “What’s Wrong with Cinderella?” Orenstein dissects the seemingly innocent tale of love and magic, and the princess many know and love, and points out its flaws and dangers. Fairy tales, Cinderella in particular, are not suitable for children because upon deeper evaluation,
The American black comedy The Wolf of Wall Street directed by Martin Scorsese was released December 25, 2013 and stars the likes of Leonardo DiCaprio, Jonah Hill and Margot Robbie. While on face value The Wolf of Wall Street looks like a film about excessive cocaine binges, long evenings filled with men with cigarettes, large portions of alcoholic consumption, having many sexual escapades with various women and even dwarf tossing from time to time, the film is deeply rooted in perception gender within the genre of The Wolf of Wall Street. The word ‘genre’ is rooted into a similar category as
In Margaret Atwood’s short story, “Happy Endings,” the central theme of fiction provides several different kinds of marriages and relationships that ultimately result in the same ending. The “Happy Endings” shows that it’s difficult to have complete control over day-to-day events. No matter how hard society tries to achieve the perfect life, it does not always go as planned. It doesn’t matter if the characters are bored and depressed, confused and guilty, or virtuous and lucky; the gradual path of version A is not always in reach.
Humboldt Journal of Social Relations 32.1, TRANSLATIONAL APPLIED SOCIOLOGY (2009): 158-83. JSTOR.Web. 11 May 2014. Chalmers, Jennifer H. "Romantic Love: Is It a Realistic Goal for Marriage Therapy?" Romantic Love: Is It a Realistic Goal for Marriage Therapy?
I like how Dean tries to do anything to keep his family together, because we can basically say he's never had one because his mom leaving his family at an early age, and of course the last thing he wants to happen to his family is to fall apart like his parents did. I also think that Cindy, more than anything she was expecting more from him, since she had more education and a better job than him and they kind of discuss about using his talents because she wants more from him. I know Dean talks about the way of life he has, how he enjoys it and how he is happy with it. Having a job, being his own boss, drinking a beer at 8 in the morning and coming home early to spend time with his family. She believes he has so much more the potential in life.
For as long as we’ve been able to dream up fantasy lives, we have looked up to fictional relationships, using them as a guide, because in reality they’re completely unattainable and idolized. They bring into question the idea of destiny–the idea that our existence
Today, romance is one of the most popular genres to watch on television. Unlike most, romance is a genre where the plot revolves around the love between two main characters as they experience the highs and lows of love. “Common themes that revolve around romantic movies are kissing, love at first sight, tragic love, destructive love, and sentimental love” (Taylor). These themes appear in many historical films and the pattern still continues in modern films as well. Watching romantic movies has a giant negative influence on the viewer's analysis of what love and relationships should really be like. These films give the wrong impression of reality when it comes to dating, marriage, having children, and even how to manage a relationship in the first place. Even though romantic movies are commonly watched, there are many effects on personal real-life relationships after watching these types of films.
Movies are a great version of storytelling because they make stories more relatable and memorable. Storytelling is one of the most powerful capabilities humans possess. It can be used to motivate, dominate, and influence people. The scope and power of storytelling has grown immensely from its roots in stories told over the campfire. It now covers every dimension of human emotion and endeavor. This makes stories incredibly relatable and influential in that one can relate to the emotions that are being depicted and can, if wanted to, be influenced by the decision the character made. Before movies were invented, people relied on speaking and “the written word” to hear stories. Each person visualized the story’s characters, sets, and actions differently. Moviemakers have moved a step further in the way of storytelling. They take it upon themselves to physically set up the sets, give faces to the characters, and sh...