Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Mulan movie analysis
Mulan movie analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The first and most noticeable change which happened to the Disney’s princesses is the existence of woman of color as the princesses. From the first princess movie in 1937, Disney exclusively uses a White woman or a Caucasian woman as the princess - from Snow White to Belle, all of these princesses are White women. Though the notion of racial discrimination abolishment had been reverberated since 1950s in America, only on the sixth movie in 1992 the first colored princess, Jasmine, appeared as the official Disney’s princess. After Jasmine, impressively and consecutively, Disney releases three more princesses from colored women before using White women again as the princesses.
This existence of princesses from the non-White groups suggests that
…show more content…
The rationale behinds this decision is likelihood because of Orientalism in America. Orientalism in America contains meaning as an expression of cultural superiority by means of material possession and, mostly paying attention to the Arab lands of the Middle East, it began to emerge as a distinct aesthetic as American retail strategy to exploit “Orientalist images of exotic lands associated with luxury and sensuality, if not debauchery” (Rosenblatt, p.53). Therefore, based on this reason, Disney utilized Jasmine as an Arabian princess to be the representation the exoticism, luxury and mysteriousness of Far …show more content…
In line with Towbin and her colleagues’ statement, looking thoroughly at the princesses, their physical appearances have the standardized beauty which applies to most if not all of the princesses. While it cannot be denied that Disney princess’ movies are pictured to please the eyes of the audience, this portrayal of woman is unrealistic and very idealistic. These distinct features as the cachet of beauty create the fallacy that people must own these distinct features to be called beautiful. The definition of beauty becomes monogamous and it fails to embrace the fact that women come from difference size and appearances. Furthermore, this standardized beauty of the princesses can represent the basic ideas in the society that women are expected to be alluring with sensual features and thin be worthy. As the effect, this representation of beauty will create a disorientation of body-image in the
Since Disney’s Snow White appeared in 1937, Disney princesses have been a present in pop culture. With the release of new movies frequent and re-release of decades old movies inevitable, a continuous stream keeps Disney princesses in the foreground of adolescent society. It is with the value of entertainment they have been created and as entertainment they should be viewed.
Most women in their childhood had probably dreamt of being a princess and meeting their charming prince. As Walt Disney’s figures have been influential in this sense, the ideal portrayal of princesses still attracts young girls who imitate them, their lifestyle and their physical appearance. In Sleeping Beauty (1959) and in The Little Mermaid (1989) the narration is focused on the search for true love, personified by a prince, for self-accomplishment. It is crucial to differentiate the representation of femininity of the two protagonists in the two movies to better understand if the role of Princesses has changed over those last thirty years. The main figures in both movies
From a young age, princess culture has impacted the lives of numerous people. Some individuals may have spent their childhood parading around in the attire of their favorite Disney princess while they put on their best rendition of the character they admired most. Ohers may have only seen a few Disney princess movies here and there and went seemingly unfazed by the phenomenon. With Disney’s debut of Snow White and the Seven Dwarfs, princess movies would provide the defining factor of the Disney entertainment empire for years to come. From this, fairy tales embarked into a territory that would touch the lives of many individuals
Despite the tremendous steps that have been taken towards reaching gender equality, mainstream media contradicts these accomplishments with stereotypes of women present in Walt Disney movies. These unrealistic stereotypes may be detrimental to children because they grow up with a distorted view of how men and women interact. Disney animated films assign gender roles to characters, and young children should not be exposed to inequality between genders because its effect on their view of what is right and wrong in society is harmful to their future. According to Disney films, it is important for women to achieve the stereotypical characteristics of a woman, such as maintaining their beauty to capture a man, and being weak and less educated than male characters. The women in Disney movies are always beautiful, which helps them to find a man.
55-67. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&AuthType=cookie,ip,url,custuid&custid=magn0117&db=hus&AN=31549689&site=eds-live. This work follows the evolution of Disney’s princesses over time and how they were represented. It examines their development and social influences. It also introduces the idea of
Disney princesses are fun for all ages, but their target audience is young children and “as children grow and develop, they can be easily influenced by what they see and hear”. Therefore, what they see and hear in Disney movies leaves an impression on them. The first princess, Snow White, was created in a time where each gender and race had a specific role in society. Recently, many believe that Disney has come a long way in regards to gender and race since Snow White, as several multi-cultural protagonists have been introduced subsequently, and gender roles do not appear to be as stereotypical as they once were. However, many of the apparent innocent messages about race and gender in these movies, can be exposed as otherwise. Despite their mask of progression, Disney princesses still have the potential to corrupt the minds of young children through sexism and racism.
Media is a powerful agent in entertaining children. It also influences and teaches the youth of society the suitable and appropriate gender roles that they inevitably try to make sense of. The power of media is very influential especially in the minds of the youth. Disney movies target the youth and plant certain ideas and concepts about social culture into the vulnerable minds of children. Media uses gender to its advantage, just like Disney productions. Humorous caricatures reveal some harsh realities about the portrayal of Disney Princesses in many movies made by the Walt Disney Company. Disney mixes innocence with the ultimate form of fantasy to capture an audience. Predominantly, Disney helps highlight the gender roles by showing the audience simply what they want to see. In the attempt to stick to the norm and portray stereotypical female characters, Disney created Princesses. Presented as damsels in distress and inferior beings to men, Disney Princesses give children an inaccurate portrayal of gender roles at a young age. Through Disney’s social success and intriguing films, such as The Little Mermaid, Snow White, Aladdin, Sleeping Beauty, Cinderella, and Beauty and the Beast, Disney Princess movies portray stereotypical representation of gender roles through the denigration of the female image, targeting and ruining the perception of youth today.
In the article Construction of the Female Self: Feminist Readings Of the Disney Heroine, Jill Birmie Henke, Diane Zimmerman Umble, and Nancy J. Smith are looking at the female self and how it was developed based on two theories: Standpoint by Parker Follet and the psychological development of girls by Gilligam. That by examines gender identity especially girls and how media exposure affects them through analyzing five of Disney movies: Cinderella, Sleeping Beauty, The little Mermaid, Beauty and the Beast, and Pocahontas. They segmented the article into three titles: The Oxymoron of Power and the Perfect Girl where they introduced the two theories in which they built their critic on, Construction of the Female Self where they talk about the evolution in the female character from Cinderella to Pocahontas, and Construction of Self in Relation to Others where they talk about the evolution of the self in relation to others from power-over to power-with until power-to. Finally they concluded that even if the female character in Disney’s movies was changing to become more
England, D. E., Descartes, L., & Collier-meek, M. (2011). Proquest. “Gender role portrayal and the disney princesses”. Sex Roles, 64(7-8), 555-567.
Each Disney princess has different positive attributes that make her unique, the most recent Disney princesses are especially fitting in today’s society. In Jena Stephens’ analysis of the three most recent princesses, excluding Anna and Elsa, she describes Rapunzel by saying, “Her forward thinking, desire to prove she is just as capable as a man, and realistic dreaming make her a great role model for young girls”. Whether it is to become a princess and marry her true love like Cinderella or open a restaurant like Princess Tiana, all of the Disney princesses have aspirations. Jena Stephens says, “The words that Tiana sings about the necessary hard work it will take for her to reach her dream stand out as a message to young viewersone that does not covey that love is the only thing that will make girls happy”. Not only do Disney princesses have dreams but they make their dreams come true with hard work. As Liz Gumbinner described her trip to Disney World with her daughters, “The princess luncheon led to a great discussion later in our hotel room, in which we told our girls that it is okay to be strong, smart, hardworking and still dream of marrying a prince”. Disney princesses carry themselves in a humble and confident manner. The princesses are beautiful but they are not conceited. Lastly, they are never stuck up but rather loving and independent which makes their character so
In Disney motion pictures they exhibit exceptional enlivened movies to make satisfaction through deception of reality which is profoundly established in close perception of this present reality and goes for greatest solace for gathering of people. Remote motion pictures from Disney such as Aladdin, Mulan, and Pocahontas are based off of customary stories. Disney is getting more pluralism and giving individuals a perspective of remote societies. Mulan is a decent case of a Disney motion picture where Orientalism is seen all through. Disney depict every one of the characters with yellow skin, meager lips and inclination eyes paying little heed to the way that Asians are all diverse and have novel attributes.
"Disney Princesses: Classic Fairy Tales Or Gender Stereotypes?" Hartford Courant, 27 Aug. 2012. Web. 09 Dec. 2013.
Garcia, Nadia. "Disney Princesses Are Still a Favorite, Reaserchers Discuss Negative Influence." The Prospector :. The Prospector, 1 Oct. 2013. Web. 17 Oct. 2013.
This chapter provides an overview of past researchers knowledge sharing and insights. It will introduce a framework for the study of identity portrayal and identity change in Disney princesses which are the main focus of the research.
Tales that make frequent references to the appearance of women are constantly being remade, such as “Cinderella” and “Snow White”. “Tales that make frequent reference to physical appearance and beauty for women are likely to have been reproduced… those that have been reproduced the most are precisely the ones that promote a feminine beauty ideal” (Baker-Sperry and Grauerholz). References to women’s beauty and physical appearance isn’t limited long stories, but also shortened stories keep the feminine beauty within them. Detail to attractiveness in fairy tales has increased over time (and still is). Fairy tales that have been remade or rewritten suggests that women (and men) are manipulated by media and their ideals of attractiveness. “Beauty, for beauty’s sake,” (Baker-Sperry and Grauerholz) plays a very big part in fairy tales, especially for women. There is a difference in messages between women’s beauty and male’s attractiveness and is consistent in a social control perspective. Fairy tales aren’t always popular because of the (feminine) beauty within, but also because