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Essay about Ernest Hemingway
Ethics of love and marriage
The life of Ernest Hemingway
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The Epiphany of Love When Faced With Death
The institution of marriage, meant to be held by two people who love each other beyond condition, is a very fragile affair. Through death, divorce, or a combo of both, marriages can very easily be deviated from their original course. Yet, is this better than existing in a marriage where both parties are unhappy; where one person may be bullied, or may not be content with that quality of life? Unfortunately, marriages like this do occur, and often end in death and sadness. But, people may not realize the seriousness of this situation until they are staring death in the face, when they begin to re-examine their marriages that they may have held throughout their lives. Many of these people do find fault and question their marriage, especially in Hemingway's historically sullen and bleak works. "The Snows of Kilimanjaro," "The Short Happy Life of Francis Macomber," and "In Another Country" are all prime examples of this trend. In this collection of short stories, Ernest Hemingway shows that in the face of death, people take more time to reexamine their marital affairs, finding faults and often questioning their choices.
Considered to be one of Hemingway's greatest short stories, "The Snows of Kilimanjaro," opens with the main character, Harry, who is slowly dying from an infected wound, which he received while in the jungle in Africa. While on his death bed, Harry begins to discover that he has issues with his wife, Helen, whom he begins to verbally abuse and state his true feelings. "You said you loved it,” Helen said, “I did when you were all right. But now I hate it... What have we done to have this happen to us?" (Hemingway 55). In this excerpt, the couple is discussing Har...
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...arles Scribner’s Sons, 1938. N. pag. Rpt. in The Short Stories. By Ernest Hemingway. New York: Charles Scribner’s Sons, 1955. 52-77. Print.
Milne, Ira Mark. “In Another Country.” Short Stories for Students. Vol. 8. Detroit: Gale Group, 2000. 120-138. Rpt. in Gale. N.p.: n.p., n.d. N. pag. Gale Virtual Reference Library. Web. 27 Mar. 2010. .
Smith, Jennifer. “The Snows of Kilimanjaro.” Short Stories for Students. Vol. 11. Detriot: Gale Group, 2001. 243-255. Rpt. in Gale Virtual Reference Library. N.p.: n.p., n.d. N. pag. Gale Virtual Reference Library. Web. 23 Mar. 2010. .
Wilson, Kathleen. “The Short Happy Life of Francis Macomber.” Short Stories for Students. Vol. 1. Detriot: Gale, 1997. 211-227. Rpt. in Gale . N.p.: n.p., n.d. N. pag. Gale Virtual Reference Library. Web. 24 Mar. 2010. .
Mowery, Carl. “An Overview of ‘Harrison Bergeron’.” Short Stories for Students. 5. (1999): The GaleGroup. Web. 3 March. 2014.
William Harwood Peden (1964). The American Short Story. Boston: Houghton Mifflin. p. 70. OCLC 270220.
May, C. E. (2012). Critical Survey of Short Fiction: World Writers (4th ed.). Ipswich: Salem Press.
Brockmeier’s short story represents a damaged marriage between a husband and a wife simply due to a different set of values and interests. Brockmeier reveals that there is a limit to love; husbands and wives will only go so far to continually show love for each other. Furthermore, he reveals that love can change as everything in this ever changing world does. More importantly, Brockmeier exposes the harshness and truth behind marriage and the detrimental effects on the people in the family that are involved. In the end, loving people forever seems too good to be true as affairs and divorces continually occur in the lives of numerous couples in society. However, Brockmeier encourages couples to face problems head on and to keep moving forward in a relationship. In the end, marriage is not a necessity needed to live life fully.
Wasserman, Loretta. "Paul’s Case." Short Stories for Students. Ed. Kathleen Wilson. Vol. 2. Detroit: Gale, 1997. 192-209. Short Stories for Students. Gale. Web. 21 Jan. 2010.
Wasserman, Loretta. "Paul’s Case." Short Stories for Students. Ed. Kathleen Wilson. Vol. 2. Detroit: Gale, 1997. 192-209. Short Stories for Students. Gale. Web. 21 Jan. 2010.
People go through life wanting to achieve their full potential; however, many never take a moment to analyze what may affect how their life turns out. In this essay, I will be identifying and analyzing the three most significant points of comparison shared by the character Harry in Hemingway’s “Snows of Kilimanjaro” and the narrator of T.S Elliot’s poem “The Love Song of J Alfred Prufrock”. The character Harry in “Snows of Kilimanjaro” has lived a good life and has traveled throughout many countries in Europe. Even though he pursued a career in writing, he is not well accomplished because he is drawn towards living a lazy luxurious life. While in Africa with his wife, he faces a huge conflict, which causes him to be regretful for how he has chosen to live is life. The narrator of T.S Elliot’s poem “The Love Song of J Alfred Prufrock” enters the dynamic consciousness of its character Alfred Prufrock whose feelings, thoughts, and emotions are displayed in an
Short Story Series, Revised Edition (2004): 1-2. Literary Reference Center Plus. Web. 23 Apr. 2014.
“Like a river flows so surely to the sea darling, so it goes some things are meant to be.” In literature there have been a copious amount of works that can be attributed to the theme of love and marriage. These works convey the thoughts and actions in which we as people handle every day, and are meant to depict how both love and marriage can effect one’s life. This theme is evident in both “The Storm” by Kate Chopin and “The Yellow Wallpaper” by Charlotte Gilman; both stories have the underlying theme of love and marriage, but are interpreted in different ways. Both in “The Storm” and in “The Yellow Wallpaper,” the women are the main focus of the story. In “The Storm” you have Calixta, a seemingly happy married woman who cheats on her husband with an “old-time infatuation” during a storm, and then proceeds to go about the rest of her day as if nothing has happened when her husband and son return. Then you have “The Yellow Wallpaper” where the narrator—who remains nameless—is basically kept prisoner in her own house by her husband and eventually is driven to the point of insanity.
In the short story, “The Story of an Hour,” author Kate Chopin presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. The relief, however, is short lived. The shock of seeing him alive is too much for her bear and she dies. The meaning of life and death take on opposite meaning for Mrs. Mallard in her marriage because she lacked the courage to stand up for herself.
Immediately, the narrator stereotypes the couple by saying “they looked unmistakably married” (1). The couple symbolizes a relationship. Because marriage is the deepest human relationship, Brush chose a married couple to underscore her message and strengthen the story. The husband’s words weaken their relationship. When the man rejects his wife’s gift with “punishing…quick, curt, and unkind” (19) words, he is being selfish. Selfishness is a matter of taking, just as love is a matter of giving. He has taken her emotional energy, and she is left “crying quietly and heartbrokenly” (21). Using unkind words, the husband drains his wife of emotional strength and damages their relationship.
Magill, Frank N., ed. Critical Survey of Short Fiction. Revised ed. Vol. 2. Pasadena: Salem Press, 1993. 7 vols.
Anton Chekhov and Ernest Hemingway both convey their ideas of love in their respective stories The Lady with the Pet Dog and Hills like White Elephants in different ways. However, their ideas are quite varying, and may be interpreted differently by each individual reader. In their own, unique way, both Chekhov and Hemingway evince what is; and what is not love. Upon proper contemplation, one may observe that Hemingway, although not stating explicitly what love is; the genius found in his story is that he gives a very robust example of what may be mistaken as love, although not being true love. On the other hand, Chekhov exposes love as a frame of mind that may only be achieved upon making the acquaintance of the “right person,” and not as an ideal that one may palpate at one instance, and at the another instance one may cease to feel; upon simple and conscious command of the brain. I agree with Hemingway’s view on love because it goes straight to the point of revealing some misconceptions of love.
In Margaret Atwood’s short story, “Happy Endings,” the central theme of fiction provides several different kinds of marriages and relationships that ultimately result in the same ending. The “Happy Endings” shows that it’s difficult to have complete control over day-to-day events. No matter how hard society tries to achieve the perfect life, it does not always go as planned. It doesn’t matter if the characters are bored and depressed, confused and guilty, or virtuous and lucky; the gradual path of version A is not always in reach.
Reynolds, Michael S. Hemingway’s First War: The Making of “A Farewell to Arms.” New Jersey: Princeton University Press, 1976.