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Tragedy King Oedipus
Oedipus the king, tragic hero
Aristotle's tragedy definition
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According to Aristotle, the appeal of tragedy, at its foundation, is katharsis: a purgation of the emotions pity and fear (Kennedy and Gioia 1203). Although scholars do not entirely agree on his meaning, it seems Aristotle had observed something that rings true today: that witnessing a person falling from the apex of achievement, to become humbled and utterly ruined, is inexplicably pleasurable. This is seldom more obvious today than in the keen attention paid to politicians embroiled in scandal, or celebrities having public meltdowns. Like the dramatic tragedies throughout the ages, those observing cannot help but become transfixed. When observed in literature or television it is harmless entertainment, often prompting deep reflection. When played out in the real world, it becomes a guilty pleasure. It often arouses disgust, yes, but also pity and fear. In Aristotle’s view, the protagonist of a tragedy must be someone whose misfortune could impact many, such as “a king or queen or other member of the royal family” (Kennedy and Gioia 1203). In some ways, it is inarguably it is more dramatic to witness the downfall of a person of great importance, as the resultant mess is quite spectacular. However, Arthur Miller’s Death of a Salesman is evidence that the tragic descent of the common man can be equally riveting. Moreover, if a proper tragedy should cause the audience to experience fear and pity, the ruination of an unremarkable person should hit much closer to home. Despite being separated by 2400 years, and having vastly different contexts, the tragedies Death of a Salesman and Oedipus the King both tell the story of a man doomed by too much pride and too little information. In experiencing the unravelling of the lives ... ... middle of paper ... ...n the others – one which kept them from seeing the truth or achieving their goals. While for most this will not result in a truly catastrophic (or tragic) demise, the tragic flaw is compelling because it is relatable, regardless of station in life or era of birth. Works Cited Kennedy, X. J. and Dana Gioia. "Aristotles Concept of Tragedy." Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X. J. Kennedy and Dana Gioia. Twelfth Edition. New York: Pearson, 2013. 127-146. Miller, Arthur. "Death of a Salesman." Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X. J. Kennedy and Dana Gioia. Twelfth Edition. New York: Pearson, 2013. 1764-1831. Sophocles. "Oedipus the King." Literature: An Introduction to Fiction, Poetry, Drama, and Writing. Ed. X. J. Kennedy and Dana Gioia. Twelfth Edition. New York: Pearson, 2013. 1205-1244.
...ods come for the free drugs that he offers. Johnny is a man for whom we feel pride, shame and pity all at once but such a contradictory character would be unstable and unpredictable. Aristotle defines tragedy according to seven characteristics. These are that it is characterized by mimicry, it is serious, it expresses a full story of a relevant length, it contains rhythm and harmony, the rhythm and harmony occur in different combinations in different parts of the tragedy, it is performed not narrated and that it provokes feelings of pity and fear then purges these feelings through catharsis the purging of the emotions and emotional tensions. The composition of a tragedy consists of six segments. In order of relevance, these are plot, character, thought, diction, melody, and performance. For a comedy the ending must be merry. Instead Jerusalem ends in death.
Miller, Arthur. Death of a Salesman. The Bedford Introduction to Literature. 8th ed.Ed. Michael Meyer. Boston: Bedford, 2008. 1908-1972. Print.
The "Oedipus the King." Literature: An Introduction to Fiction, Poetry, Drama, and Writing, Compact Edition, Interactive Edition. 5th ed.
Aristotle. " The Good." Dramatic Theory and Criticism. Ed. Bernard F. Dukore. Fort Worth: Harcourt, 1974.
Sophocles. "Oedipus the King." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 1902.
Boston: Pearson, 2013. 1396-1506. Print. The. Sophocles. “Oedipus the King” Literature: An Introduction to Fiction, Poetry, Drama, and Writing.
Aristotle (384-322 B.C. believed that tragedy, as an imitation or mimesis of life as it could be, held more importance than history, which simply records the past. He considered that performance of a tragedy provided the perfect cathartic experience for an audience, leaving them spiritually purified and inspired. He felt spectators seeing and experiencing great hardship befall the play’s hero or heroine would achieve this emotional state and benefit from it.
Two lovers took their own lives to avoid the consequences, and in contrast while a man gouged his eyes out to deal with his flaw. Although Romeo and Juliet and Oedipus the King were great tragedies, Oedipus the King contains more of the tragic figures described in Aristotle’s definition. First, the protagonist endured uncommon suffering. Second, the tragic hero recognized the consequences of their actions and took responsibility for them. Third and lastly, the audience experienced catharsis. Ignorance and impulsiveness can cause one to stumble and it can ultimately lead to their fate.
Myers, H. A. (1949). Aristotle's study of tragedy. Educational Theatre Journal, 1(2), 115. Retrieved from http://search.proquest.com/docview/1290192594?accountid=12085
Miller, Arthur. Death of a Salesman. Literature: An Introduction to Fiction, Poetry, and Drama. Seventh Edition. X.J. Kennedy, and Dana Gioia. New York: Addison Wesley Longman, Inc., 1999
Sophocles. "Oedipus the King" Literature: An Introduction to Fiction, Poetry, and Drama. 9th ed. Kennedy, X.J. and Dana Gioia, New York: Pearson Longman, 2005. 1365- 1433
Aristotle’s De Poetica defines tragedy as mimetic, serious and contains rhythm. A tragedy also contains six elements; plot, thought characters, song, diction, and spectacle. Tragedy arouses feelings of pity and fear and then turns these feelings with catharsis. According to the ideas laid out by Aristotle, for a tragedy to arouse pity and fear, a tragic hero’s life makes a wrong turn. As quoted by Aristotle he describes the perfect plot of a tragedy “A well-constructed plot should, therefore, be single in its issue, rather than double as some maintain. The change of fortune should be not from bad to good, but, reversely, from good to bad.” (17). The plot in M...
Miller, Arthur. Death of a Salesman. Literature: An Introduction to Fiction, Poetry, and Drama. Seventh Edition. X.J. Kennedy, and Dana Gioia. New York: Addison Wesley Longman, Inc., 1999. 1636-1707.
...n Aristotle’s view of characters. Aristotle also suggests that a tragedy should have the power to provoke audience’s emotion of pity and fear. The suffering and behavior of each character in Hamlet possess that power. The author agrees with the Aristotelian analysis of Hamlet, the story of Hamlet was perfectly based on Aristotle’s tragedy theory. However, the author thinks that the tragedy doesn’t always have to end up in misery. A tragic story can also have some hidden happiness in the suffering, misery of tragic hero(s), in which way can audience realize that there is still hopeful when your life is tragic and encourage people to strive hard to create a better life.
In Aristotle’s book, Poetics, he defines tragedy as, “an imitation of an action that is serious, complete, and possessing magnitude; in embellished language, each kind of which is used separately in the different parts; in the mode of action and not narrated; and effecting through pity and fear” (Aristotle 1149). Tragedy creates a cause and effect chain of actions that clearly gives the audience ideas of possible events. The six parts to Aristotle’s elements of tragedy are: Plot, character, language, thought, spectacle, and melody. According to Aristotle, the most important element is the plot. Aristotle writes in Poetics that, “It is not for the purpose of presenting their characters that the agents engage in action, but rather it is for the sake of their actions that they take on the characters they have” (Aristotle 1150). Plots should have a beginning, middle, and end that have a unity of actions throughout the play making it complete. In addition, the plot should be complex making it an effective tragedy. The second most important element is character. Characters...