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Who is the real tragic hero in The Madea, Madea, the princess of Colchis or Jason, the king of Iolcus? The tragic story is about a woman Madea, whom gives up her home, family and everything else in her life for Jason. Against her father’s wishes she helps Jason defeat his quest to a Golden Fleece. Madea eventually marries Jason and raises two sons. Unfortunately, Jason abandons Madea and marries the beautiful daughter of Corinth. Madea went from a lover and partner in crime to an obsessive prideful monster. Madea becomes furious and comes up with a plan to make everyone around her suffer, including her children but especially Jason. By looking at the story The Madea, one can see the plot is a tragedy, which is important because of the murders Madea commits. Madea’s obsessive pride and inability of the separation of her and Jason drove her to destroy everyone she loves. Jason cannot be the tragic hero because he brought the situation upon himself. Madea gave up her family and life for him and Jason does not appreciate anything she did for him in order to escape and marry him.
Aristotle’s De Poetica defines tragedy as mimetic, serious and contains rhythm. A tragedy also contains six elements; plot, thought characters, song, diction, and spectacle. Tragedy arouses feelings of pity and fear and then turns these feelings with catharsis. According to the ideas laid out by Aristotle, for a tragedy to arouse pity and fear, a tragic hero’s life makes a wrong turn. As quoted by Aristotle he describes the perfect plot of a tragedy “A well-constructed plot should, therefore, be single in its issue, rather than double as some maintain. The change of fortune should be not from bad to good, but, reversely, from good to bad.” (17). The plot in M...
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... pity because her husband Jason abandons her but the choices she made were extremely evil. The audience always knew Madea had some evil characteristics to her when she murdered her brother tossed the pieces of his corpse with no shame or dignity to buy some time in her escape with Jason.
In conclusion, The Madea and Oedipus the King both have the same criteria Aristotle states in The Poetics. Both tales had the audience with feelings of catharsis regardless of the complex plot. Madea and Oedipus went through extreme measures for people they loved only to find out nothing was not worth it. Their noble nature to help others and to be involved leads them to downfall and leaves them lonely and depressed.
Works Cited
Butcher, S.H. The Poetics of Aristotle trans. Pennsylvania State University: The Electronic Classic Series, Copyright 2000-2013. Web. 24 February 2014.
...ods come for the free drugs that he offers. Johnny is a man for whom we feel pride, shame and pity all at once but such a contradictory character would be unstable and unpredictable. Aristotle defines tragedy according to seven characteristics. These are that it is characterized by mimicry, it is serious, it expresses a full story of a relevant length, it contains rhythm and harmony, the rhythm and harmony occur in different combinations in different parts of the tragedy, it is performed not narrated and that it provokes feelings of pity and fear then purges these feelings through catharsis the purging of the emotions and emotional tensions. The composition of a tragedy consists of six segments. In order of relevance, these are plot, character, thought, diction, melody, and performance. For a comedy the ending must be merry. Instead Jerusalem ends in death.
Medea was wronged by Jason, she was a loyal wife and mother who was betrayed by her husband and reacted in a way...
She gave the children the dress she made and the diadem, submerged with poison and instructed her to give these gifts to the princess under the false impression that she wants to please her so she may convince her father to allow the children to stay in Corinth. After the death of the king and the princess, Medea kills her two children. The only time the children have spoken and they plead to live. There is no future for the children, to escape their mother’s wrath and anger and her drive to hurt and destroy everything and everyone that Jason loves and cares about. Medea contributes to the work as a whole because we see her side of the story and understand the motives behind her action and the consequences as the result of her madness. Medea is the rising action and the climax of the play. We also see Jason side of the story from his conversations with Medea and his explanation was awful. He is the reason for the conflict and issues for Medea but Jason does not take care of the problems he created nor does he take the responsibility for the consequences of his actions. He married a sorceress and not a normal Greek
Aphrodite, caring for only Jason, causes Medea to fall in love with him because of her known magical talents. To help Jason, Medea kills her own brother, betting that her father would stop for her brother’s body parts and allow her escape with Jason. While her escape plan works due to her innate sense of the way people react, Medea is now homeless. Still, the society expected Medea to give up everything for Jason, while he was allowed to ditch her with no social consequences. “And she herself helped Jason in every way. This is indeed the greatest salvation of all,-For the wife not to stand apart from the husband.” (Medea, pg. 616, line
By the end, the husband and wife are left devoid of love and purpose as the tragedy closes. In Medea, a woman betrays her homeland because of her love for a man. Jason is the husband that she ferociously loves and makes sacrifices for. They have two children together: Antigone and Ismeme. In Jason's quest for the golden fleece, Medea assists him in multiple ways.
When Jason left Medea to marry Glauce, Medea was plagued with sadness and then with anger. The man she loved, the man that she gave up her life for, had betrayed her. In the patriarchal society that Medea lived in, it was not acceptable for a woman to protest any decision made by her husband. Medea went against all social standards and took revenge on Jason for the wrongs that he had committed. She was willing to take any chance and sacrifice even her most valued possessions. Medea knew that the best way to avenge the wrongs of Jason was to kill Glauce and the children. It was a huge sacrifice for Medea to kill the children that she loved, but she allowed herself to look past that love and only see her hate and contempt for Jason. Medea was willing to go against every rule that society set, so that her husband wouldn't get away with leaving her for political reasons.
In Medea, a play by Euripides, Jason possesses many traits that lead to his downfall. After Medea assists Jason in his quest to get the Golden Fleece, killing her brother and disgracing her father and her native land in the process, Jason finds a new bride despite swearing an oath of fidelity to Medea. Medea is devastated when she finds out that Jason left her for another woman after two children and now wants to banish her. Medea plots revenge on Jason after he gives her one day to leave. Medea later acts peculiarly as a subservient woman to Jason who is oblivious to the evil that will be unleashed and lets the children remain in Corinth. The children later deliver a poisoned gown to Jason’s new bride that also kills the King of Corinth. Medea then kills the children. Later, she refuses to let Jason bury the bodies or say goodbye to the dead children he now loves so dearly. Jason is cursed with many catastrophic flaws that lead to his downfall and that of others around him.
The stories characters, Medea and Jason, can be seen as representations of two different responses to life. For hundreds of years, society has judged each others actions and reactions based on just cause. This story, to me, has a type of underlying theme that drags the reader into a moral debate, which forces you to really question your own belief system.
...n Aristotle’s view of characters. Aristotle also suggests that a tragedy should have the power to provoke audience’s emotion of pity and fear. The suffering and behavior of each character in Hamlet possess that power. The author agrees with the Aristotelian analysis of Hamlet, the story of Hamlet was perfectly based on Aristotle’s tragedy theory. However, the author thinks that the tragedy doesn’t always have to end up in misery. A tragic story can also have some hidden happiness in the suffering, misery of tragic hero(s), in which way can audience realize that there is still hopeful when your life is tragic and encourage people to strive hard to create a better life.
Courageous and admirable with noble qualities defines a heroine. In Aristotle’s Poetics he describes a tragic hero as a character who is larger than life and through fate and a flaw they destroy themselves. Additionally, Aristotle states excessive pride is the hubris of a tragic hero. The hero is very self-involved; they are blind to their surroundings and commit a tragic action. A tragedy describes a story that evokes sadness and awe, something larger than life. Furthermore, a tragedy of a play results in the destruction of a hero, evoking catharsis and feelings of pity and fear among the audience. Aristotle states, "It should, moreover, imitate actions which excite pity and fear, this being the distinctive mark of tragic imitation." (18) For a tragedy to arouse fear, the audience believes similar fate might happen to them and the sight of the suffering of others arouses pity. A tragedy's plot includes peripeteia, anagnorisis, hamartia and catharsis. Using Aristotle’s criteria, both characters in Oedipus The King and The Medea share similar qualities that define a tragic hero such as being of noble birth, having excessive pride, and making poor choices. They both gain recognition through their downfall and the audience feels pity and fear.
According to Aristotle, a tragedy must be an imitation of life in the form of a serious story that is complete in itself among many other things. Oedipus is often portrayed as the perfect example of what a tragedy should be in terms of Aristotle’s Poetics. Reason being that Oedipus seems to include correctly all of the concepts that Aristotle describes as inherent to dramatic tragedy. These elements include: the importance of plot, reversal and recognition, unity of time, the cathartic purging and evocation of pity and fear, the presence of a fatal flaw in the “hero”, and the use of law of probability.
The dramatic ending serves a purpose as he wants to point out the flaws for Greek marriage traditions. He revealed the sexism in Greek marriages with Jason and Medea. Jason was very domineering and also portrayed as the antagonist, thus making his wrongdoings very unforgiving. His justification of leaving Medea was unreasonable and only made his situation worse. Jason, once the hero, is satirized by Euripides. His actions are not seen as heroic, even if he thinks about the well being of his sons. Medea, on the other hand, can be sympathized at first by seen from suffering from the lost of her love to an unfair reason. Her erratic behavior was well justified, she had the right to grieve over everything she had lost. However, her act of revenge went out of hand. Her act of revenge was worse than Jason’s act of betrayal. Her revenge add a dramatic effect which was intended to send a message. Euripides brought up a taboo aspect of marriage and divorce in Medea to show the flaws in Greek belief. Marriages were not fair, as shown in Medea. The character Medea, was used to send message that there needs to be justice for
According to Aristotle, the importance of tragedy as a genre is to represent action. Thus unity of action purportedly has the strongest implications for the effectiveness of the work itself. Aristotle posits “a story, since it is the representation of action, should concern an action that is single and entire, with its several incidents so structured that the displacement or removal of any one of them would disturb and dislocate the whole.” (Aristotle 27) and deems this claim imperative. A good plot, and thereby an effective tragedy, does not include events, which are not connected to each other or specifically the main plot. In theory, these unconnected events are distracting from the main action and dissipate the tragic effect. With Aristotle’s definition, no sub-plot should exist in tragedy. For all events to be “necessary or [have] probable connection with each other.” (Aristotle 27) none should exist not directly related to the main action. Again, unity allows for the tragic effect to be concentrated, intending to allow for increased feelings of pity and
Mrs. Compson only showed her love for Jason, even though Jason is perhaps the worst of the children. Mrs. Compson only trusted Jason out of all four of her children. Jason took advantage of his mother and stole large amounts of money from his mother. Jason doesn’t really care about anyone, but himself.
In Aristotle’s book, Poetics, he defines tragedy as, “an imitation of an action that is serious, complete, and possessing magnitude; in embellished language, each kind of which is used separately in the different parts; in the mode of action and not narrated; and effecting through pity and fear” (Aristotle 1149). Tragedy creates a cause and effect chain of actions that clearly gives the audience ideas of possible events. The six parts to Aristotle’s elements of tragedy are: Plot, character, language, thought, spectacle, and melody. According to Aristotle, the most important element is the plot. Aristotle writes in Poetics that, “It is not for the purpose of presenting their characters that the agents engage in action, but rather it is for the sake of their actions that they take on the characters they have” (Aristotle 1150). Plots should have a beginning, middle, and end that have a unity of actions throughout the play making it complete. In addition, the plot should be complex making it an effective tragedy. The second most important element is character. Characters...