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Major themes in Sargasso sea
Racial tensions in wide sargasso sea
Wide sargasso sea
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The novel Wide Sargasso Sea isn't just a prequel to Jane Eyre, but rather a significant re-writing of the classic Victorian aged writings. This time around Antoinette (Bertha) Mason, a young Creole girl living in the British Colony of Jamaica, and Rochester's marriage is no longer a harsh sub-story. It is actually the main plot in which the genders battle over emotional and economical control. Throughout the blend of twisted romance, island mystery, and deceptive magic, the deep rooted love themes appear. The many emotions of desire, lust, trust, and happiness are portrayed, but also hate, fear, and jealousy.
Romantic love, or dreamy love, is continuously portrayed in the novel as the characters bring it into their relationships. They bring their past baggage from previous relationships and their thought on class, race, and gender. In the quote, “All loved by rich and handsome young men. That flawless crystal that, once broken, can never be mended. (I.2.4.2-3)” This shows that as part of her religious education, Antoinette hears a lot of stories about young maidens who choose a life “married” to their God, as opposed to attractive young men. These stories reinforce what she learned from her mother's unhappy marriage to Mr. Mason; romantic love isn't possible, and sexual desire can only corrupt and degrade. A simple statement made in the novel, “I'll trust you if you'll trust me. Is that a bargain? (II.2.26),” makes one feel compelled to repeat here that maybe Rochester isn't such a terrible guy. In an honorable mood, Rochester touches on the one thing that Antoinette and he both need if their marriage is to survive: mutual trust. Of course, the rest of the novel is just a long series of betrayals.
Hate, fear, and jealousy are all...
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...r orgasm. But Rochester here is careful to distinguish between love and sex between his way of “dying” and hers. It seems that his way of dying is sex, but Antoinette's words seem to indicate that she associates dying with happiness. In contrast to the convent, where happiness is associated with chastity, Antoinette is experimenting with happiness as sexual desire. Also in, "I hate [the place] now like I hate you and before I die I will show you how much I hate you. (II.6.6.33)”, it's interesting that Antoinette and Rochester never express their love to each other. Antoinette is more ready to express her love for a place than for a person.
The many emotions of desire, lust, trust, and happiness are portrayed, but also hate, fear, and jealousy. It is a masterpiece of love and betrayal; a world of passion and sensuality; and an unforgettable story of sexual obsession.
“Sula,” however, was in Ohio during the first half of the twentieth century, nearly 100 years after “Jane Eyre”. It is the story of a young woman who was raised by her mother and grandmother whom both did not have a good reputation in the town they lived in. Sula later leaves the town for a period of 10 years, has many affairs and lives a wild life. When Sula returns to the town, many people look upon her as evil because of how she lives her life. Sula’s story is contrasted with that of her best friend Nel, who was raised by a family with more social morals and later chose to settle in a life as a wife and mother. “Sula” deals with several different themes like race, family, gender and social conventions.
Janet M. Ellerby analyzes “Lust” in her essay titled, “Lust”. In this essay, Ellerby goes through and gives a brief but accurate summary of the short story. Then she gives her interpretations of what this story was supposed to mean. She finally talks about the techniques Susan Minot used in order to get the atmosphere and emotions she wanted the reader to experience. I agree with how Ellerby interprets this story and it will be evident throughout this paper. Because I agree with what this essay had to say, I will be able to use it as evidence to support my ideas.
The women in this novel are fairly passive and tend to let the men manipulate them. According to Martha Duffy, Smiley sees a link between the exploitation of women and that of the land. The land is stronger than the women in this novel in that despite the fact that men manipulate and attempt to change it as much as possible, it is still its own entity. This presents a contrast to what occurs when the women are dominated.
Throughout Romeo and Juliet, love and hate are combined. However, even though they are combined, love still remains the principal theme in the play. Although in the play, the theme of hatred can be just as important and sometimes it intensifies the theme of love. For example, Romeo and Juliet’s love wouldn’t have been so extreme and powerful unless there was the hatred between the Montague’s and Capulet’s. We observe this from the very beginning of the prologue.
From the very first line, the speaker associates the "femme" with the Sargasso Sea, and this
Antoinette’s initial exposure to exile with her mother and brother forces her to grow up assuming all men are dishonest. Throughout Wide Sargasso Sea, Antoinette clearly has some trust issues. While she initially feels Rochester drawing her in like a moth to the flame, she has second thoughts about marrying him and almost cancels their wedding. Without giving much of a reason, she simply says, “I’m afraid of what may happen” if she were to marry him (Rhys 46). Readers, not left with much context, can easily infer that she is untrusting by Rochester’s next line.
Cottino-Jones sums up love and the community in this story in her book. She says, "the lovers in this books are constantly faced with violence, death and isolation when their affairs come into conflict with society’s rigid behavior codes "(Cottino-Jones, 79). Lack of communication and social factors made everyone in the story unhappy or dead.
In both ‘Eve Green’ and ‘Wide Sargasso Sea’, the protagonists experience fear in many guises. Although traumatic events in both Eve and Antoinette’s lives do lead to moments of sudden, striking fear, fear is also presented as having the potential to be subtle and muted, and therefore, “haunting”. Fletcher and Rhys seem to suggest that this form of fear is more damaging to the psyche than fear in its more conspicuous manifestations, as it is more deeply intertwined with the characterisations of the protagonists, therefore allowing for the fear to “pervade” the novels. As a result, it could be argued that fear has an almost constant presence in each novel, particularly because fear is seemingly linked to other prominent themes in each novel.
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
Charlotte Brontë's 1847 novel Jane Eyre depicts the passionate love Jane Eyre and Edward Rochester have for each other, and as Bertha Mason stands in the way of the happiness of Brontë's heroine, the reader sees Mason as little more than a villainous demon and a raving lunatic. Jean Rhys' serves as Mason's defendant, as the author's 1966 novella Wide Sargasso Sea, a prequel to Jane Eyre, seeks to explore and explain Bertha's (or Antoinette Cosway's) descent into madness. Rhys rejects the notion that Antoinette has been born into a family of lunatics and is therefore destined to become one herself. Instead, Rhys suggests that the Cosways are sane people thrown into madness as a result of oppression. Parallels are drawn between Jane and Antoinette in an attempt to win the latter the reader's sympathy and understanding. Just as they did in Jane Eyre, readers of Wide Sargasso Sea bear witness to a young woman's struggle to escape and overcome her repressive surroundings. Brontë makes heavy use of the motif of fire in her novel and Rhys does the same in Wide Sargasso Sea. In Rhys' novella, fire represents defiance in the face of oppression and the destructive nature of this resistance.
Rochester embodies the idea of love which she has so long been denied of. As I
In conclusion, the novel of Wide Sargasso Sea paints a unique vision of the inherent racism within 19th century British culture. While the criticism that the portrayal character who are people of color is often one-sided and flat; they are painted through the eyes of the White and Creole characters that hold power and influence. This method of writing sets it apart vastly from that of Jane Eyre and Mansfield Park.
Hay, Eloise Knapp. The Political Novels of Joseph Conrad: a Critical Study. Chicago: University of Chicago, 1972. 120. Print.
In "A Midsummer Night's Dream," William Shakespeare explains the difficulties of the nature of love. Both false love and true love prevail in the end, leading the reader to come to the conclusion that all types of love can triumph. Hermia and Lysander represent the existence of a "true love", while Helena and Demertrius represent the opposite extreme. Shakespeare presents the idea that love is unpredictable and can cause great confusion. Love is something that cannot be explained, it can only be experienced. Shakespeare challenges us to develop our own idea of what love truly is.
In Wide Sargasso Sea, Jean Rhys confronts the possibility of another side to Jane Eyre. The story of Bertha, the first Mrs Rochester, Wide Sargasso Sea is not only a brilliant deconstruction of Brontë's legacy, but is also a damning history of colonialism in the Caribbean.