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Fire motif in fahrenheit 451
Fire motif in fahrenheit 451
Fire motif in fahrenheit 451
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Charlotte Brontë's 1847 novel Jane Eyre depicts the passionate love Jane Eyre and Edward Rochester have for each other, and as Bertha Mason stands in the way of the happiness of Brontë's heroine, the reader sees Mason as little more than a villainous demon and a raving lunatic. Jean Rhys' serves as Mason's defendant, as the author's 1966 novella Wide Sargasso Sea, a prequel to Jane Eyre, seeks to explore and explain Bertha's (or Antoinette Cosway's) descent into madness. Rhys rejects the notion that Antoinette has been born into a family of lunatics and is therefore destined to become one herself. Instead, Rhys suggests that the Cosways are sane people thrown into madness as a result of oppression. Parallels are drawn between Jane and Antoinette in an attempt to win the latter the reader's sympathy and understanding. Just as they did in Jane Eyre, readers of Wide Sargasso Sea bear witness to a young woman's struggle to escape and overcome her repressive surroundings. Brontë makes heavy use of the motif of fire in her novel and Rhys does the same in Wide Sargasso Sea. In Rhys' novella, fire represents defiance in the face of oppression and the destructive nature of this resistance.
For the rioters, Coco the parrot, and Antoinette, fire offers an instrument of escape from and rebellion against the oppressive actions of their respective captors. Wide Sargasso Sea takes place shortly after the emancipation of Jamaican slaves. Annette's husbands, first Alexander Cosway and then Mr. Mason, have both profited immorally off of the exploitation of black Jamaicans. Unsurprisingly, the former slaves feel great hatred towards the Cosways--- hatred that boils over when the ex-slaves set fire to Annette's house (35). The significance of th...
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... and an indication of Antoinette's fate. The most destructive fire in Wide Sargasso Sea comes at the end of the novella, when Antoinette burns Thornfield Hall down to the ground. While this action serves as an escape and an act of defiance, it is also destructive, as Bertha takes her own life in the process of taking power from her husband: "Then I turned around and saw the sky. It was red and all my life was in it... I saw the orchids and the stephanotis and the jasmine and the tree of life in flames" (170). Antoinette's ultimate act of rebellion will, of course, lead to her ultimate destruction--- the life that she sees in the burning sky will be extinguished when she comes crashing to the ground. Rhys' use of fire in moments that show or foreshadow physical and emotional devastation reflects the role of fire as a symbol of destruction in Wide Sargasso Sea.
Jane Eyre, written in 1847 by Charlotte Bronte, relates a tale of tragedy, mystery, and gothic romance. Covering the multiple issues of England in that time, Bronte writes of orphan treatment, social class, and Britain’s controversial law of prohibiting divorce in all circumstances. Orphaned at a young age and unwanted by her guardian Mrs. Reed, Jane searches for higher prospects in education at Lowood, eventually earning a position as a governess at Thornfield. Complications disrupt her life, when she becomes engaged to her employer, Mr. Rochester, and soon after discovers that he is already married to a lunatic. Leaving Thornfield, Jane finds a home with St. John and his two sisters. Eventually, she returns to her former employer, discovering Thornfield in ashes, Mrs. Rochester dead, and Mr. Rochester blind and free from wedlock. Flooded with motifs, Jane’s continual struggles between her passions and responsibility prevail as the main theme of Bronte’s entrancing narrative.
In conclusion, Fire has 3 different meanings which lead you to new thinking and insight towards the world. Fire represents change which is shown through Montag’s symbolic change from using fire to burn knowledge into using fire to help him find knowledge; fire can represent knowledge as demonstrated through Faber, and fire can represent rebirth of knowledge as demonstrated through the phoenix. Overall fires representation is not one of destruction but one of knowledge, thinking, new insight, and acknowledgment.
There are many instances in Jane Eyre where Charlotte Bronte uses or alludes to other literary works. One work in particular, Samuel Johnson’s fable, Rasselas, has important implications for the novel. Rasselas is the book Helen Burns is reading when Jane first encounters her at Lowood. Bronte did not choose this work at random. She was familiar with Johnson’s works, and she relied on the contemporary Victorian reader’s knowledge of it, as she clearly states the title rather than just alluding to it. A knowledge of Johnson’s famous work is especially important in understanding the relationship between Helen and Jane. Many aspects from Rasselas come out through Helen in the novel. Themes in Rasselas are evident throughout Bronte’s novel, and understanding these similarities gives insight into aspects of the novel, especially in regards to such things as Jane’s quest for permanent happiness.
...rown puts it “Each of us is born with a box of matches inside us but we can't strike them all by ourselves; we need oxygen and a candle to help” (Esquivel 115), in Tita’s case the candle was an actual candle and the fire took the form of real fire, in order to bring the extended metaphor or fire and matches as a symbolic representation of the soul to a magical and passionate climax. Esquivel uses fire to symbolically represent passion and love, which in just like fire, is not without negative effects. Passion and love can be used as a tool of spite, as it was by the ghost of Mama Elena or it can be pure bliss. Either way, the exaggeration of the attributes and pivotal role of fire as the driving force of life illustrate a deeper truth about the dualistic nature of passion.
The novel Jane Eyre by Charlotte Brontë is an early 19th-century English literature; a literary work that is evocative and riveting. It depicts acts of betrayal between family members, loved ones and self-inflicted betrayal. The acts of betrayals are done by Mrs. Reed, Mr. Rochester and Jane Eyre herself.
Jane Eyre has been acclaimed as one of the best gothic novels in the Victorian Era. With Bronte’s ability to make the pages come alive with mystery, tension, excitement, and a variety of other emotions. Readers are left with rich insight into the life of a strong female lead, Jane, who is obedient, impatient, and passionate as a child, but because of the emotional and physical abuse she endures, becomes brave, patient, and forgiving as an adult. She is a complex character overall but it is only because of the emotional and physical abuse she went through as a child that allowed her to become a dynamic character.
...ing novels of their time. They both revise aspects of their era, that would rarely, if ever, have been touched on. Wide Sargasso Sea having the double revision of challenging Jane Eyre, as well as social beliefs. “The devices that connect the two texts also rupture the boundary between them. Although this rupture completes Rhys’ text, it results in a breakdown of the integrity of Bronte’s.” As much as Bronte’s text was revolutionary of her time, so too was Rhys’. Time changed and what was once revolutionary became simplified and unbelievable. The fact remains, that without Jane Eyre, there would be no Wide Sargasso Sea, the two text’s are mutually exclusive, and just as revolutionary now as when they were written.
The sense of fear attributed to the setting in 'Wide Sargasso Sea' may have been influenced by Rhys' own experiences as a creole woman growing up in the Caribbean. Rhys' great-grandfather's house was burned down by members of the local black community in an act of revenge, as he was a slave-owner. This event is often considered to have inspired Rhys to write about the arson of Coulibri. This supports the idea that Rhys was influenced by her own feelings of fear in her own home, which indicates that fear is a vital part of the setting in the
The novel, Jane Eyre, by Charlotte Bronte, has a plot that is filled with an extraordinary amount of problems. Or so it seems as you are reading it. However, it comes to your attention after you have finished it, that there is a common thread running throughout the book. There are many little difficulties that the main character, the indomitable Jane Eyre, must deal with, but once you reach the end of the book you begin to realize that all of Jane's problems are based around one thing. Jane searches throughout the book for love and acceptance, and is forced to endure many hardships before finding them. First, she must cope with the betrayal of the people who are supposed to be her family - her aunt, Mrs. Reed, and her children, Eliza, Georgiana, and John. Then there is the issue of Jane's time at Lowood School, and how Jane goes out on her own after her best friend leaves. She takes a position at Thornfield Hall as a tutor, and makes some new friendships and even a romance. Yet her newfound happiness is taken away from her and she once again must start over. Then finally, after enduring so much, during the course of the book, Jane finally finds a true family and love, in rather unexpected places.
Jane Eyre’s inner struggle over leaving an already married Rochester is the epitome of the new "lovemad" woman in nineteenth-century literature. Jane Eyre is the story of a lovemad woman who has two parts to her personality (herself and Bertha Mason) to accommodate this madness. Charlotte Bronte takes the already used character of the lovemad woman and uses her to be an outlet for the confinement that comes from being in a male-dominated society. Jane has to control this madness, whereas the other part of her personality, her counterpart, Bertha Mason, is able to express her rage at being caged up. As what it means to be insane was changing during Bronte’s time, Bronte changed insanity in literature so that it is made not to be a weakness but rather a form of rebellion. Jane ultimately is able to overcome her lovemadness through sheer force of her will.
Jean Rhys obviously had Charlotte Bronte's Jane Eyre in mind while writing Wide Sargasso Sea. Each novel contains events that echo other events or themes in the other. The destruction of Coulibri at the beginning of Wide Sargasso Sea reminds the reader of the fire at Thornfield towards the end of Jane Eyre. While each scene refers to events in its own book and clarifies events in its companion, one cannot conclude that Rhys simply reconstructed Thornfield's fall in Coulibri's. Though they exhibit some similarities, to directly compare these two scenes without considering their impact on the novels as whole works would be ridiculous. Each scene's main importance, and contribution to the overall intertextual meaning, lies elsewhere in the two works, not simply within the confines of the scenes themselves.
In the novel Jane Eyre, Charlotte Bronte shows us that all people have a feeling inside of them to recognizing what their personal desires and what their duty to others is. In Jane Eyre, the endless theme of unforgettable war between a passion and responsibility always appears, with a strong set of principles Jane is able to decide what is right. Throw out the book Charlotte Bronte show us that Jane’s integrity to her self is more important than what anybody else thinks of her. Duty and desire plays a huge role in which Jane has to learn to control her desire of her anger outburst and her duty to herself.
Wide Sargasso Sea is unique from Jane Eyre and Mansfield Park in that the issue of race plays a huge part in how the characters themselves relate to themselves and their place within their society. Its unique nature comes from the way the story is written from the point of view of the characters themselves rather than the author. The writing style within the novel shows how racial stereotypes and prejudices influenced portraying people of color within 19th century writings and attitudes.
Rhys, Jean, and Judith L. Raiskin. "Wide Sargasso Sea." Wide Saragossa Sea: Backgrounds, Criticism. New York: W.W. Norton, 1998. 3-112. Print.
In Wide Sargasso Sea, Jean Rhys confronts the possibility of another side to Jane Eyre. The story of Bertha, the first Mrs Rochester, Wide Sargasso Sea is not only a brilliant deconstruction of Brontë's legacy, but is also a damning history of colonialism in the Caribbean.