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The relationship between a slave and the master
Slaves without masters analysis
Master – Slave Relationships
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The poem "The master and the slave go hand in hand" by Edwin Arlington Robinson is an Italian Sonnet demonstrating the power of the sonnet. The title itself enhances the theme of the poem by examining the ultimate use of power between the master and the slave. The theme of the poem is expressing the power and importance of writing the perfect sonnet over the poet. This is developed through the references to the imperial power of a master over a slave, and the literary devices used. An ultimate use of power is shown through the relationship between a master and his slave. A master is nothing without his slave, and similarly a slave is insignificant without his master as we understand the two "go hand in hand"(1). Using the term "But"(5), the poem shifts and introduces the relationship between the poet as a slave to the sonnet. Unlike any slave, "the sonnet-slave must understand/ The mission of his bondage"(5-6). The power of writing the ideal sonnet is being held over the poet, and as a result the poet experiences the bondage to his slavery. If the poet is unable to express the "perfect word"(8) and complete his mission, he will have wasted all previous efforts, and all will be lost. The dominance of the sonnet over the poet is evident through the extended metaphor comparing the relationship to the imperial power of a master over a slave. The figurative language used throughout the poem contributes to the development of the theme of power. Personification is used to express the urgency and importance of the poet's bondage to create the perfect word. If the poet is unable to accomplish the mission set forth, the "grave/ May clasp his bones"(6-7). The choice of the word JONES 2 "clasp"(7) implies that the poet may be taken at any time rather than an expected death. In this occasion, the connotation proves very effective in demonstrating the power a sonnet has over the poet. The power of a sonnet is again revealed when it is being associated to a crown; a symbol of supremacy. This extended metaphor compares the thoughts and insights of a sonnet to the "purest gold the jewel-stones"(10). Just as the precious jewel-stones of a crown demonstrate the ranking of a King, the thoughts within the poem demonstrate the quality of the sonnet. The capitalization of the word "Thoughts"(10) emphasizes the important role this thoughts have to the entirety of the poem.
Because the poem is written in two different formats it causes readers to want to know more from both perspectives. If reading the poem from the slave owners perspective the mood of the poem, revolves around happier times. Slavery is showcased to be a time of possibility and better times for everyone involved. But when reading it from the slave’s perspective, it is told from the business element. Although it is clear, they do not enjoy their job, you also see that they are overly dedicated. In the beginning, they state that they work from sun-up to sun-down doing the same thing every day. And although, they are doing the same thing every day their determination and hard work is clearly shown. Furthermore, it is also shown that even at a young age they started working as slaves. From the slave owner’s perspective, we see that they are content with how things were during slavery. But from slave side they are fed up with being viewed as a profit. Therefore, the two separate moods are clearly shown. However, one thing that is interesting is that both poems end with the same word “slavery”. The fact that both poems ended using the same word, show how although they are living in two separate worlds somehow they still will collide. It also shows, that although they have two different moods it all ties back to the word
In “Sonnet,” Billy Collins satirizes the classical sonnet’s volume to illustrate love in only “.fourteen lines.” (1). Collins’s poem subsists as a “Sonnet,” though there exists many differences in it, countering the customarily conventional structure of a sonnet. Like Collins’s “Sonnet,” Shakespeare’s “Sonnet 130” also faces incongruities with the classic sonnet form as he satirizes the concept of ideal beauty that was largely a convention of writings and art during the Elizabethan era. Although these poems venture through different techniques to appear individually different from the classic sonnet, the theme of love makes the poems analogous.
Lady Mary Wroth writes using a fairly conventional form of sonnet making, the "Carpe Diem" style. In using this style, she achieves an interesting internal critique of itself as poetic form. Wroth shows how the form is exclusive and at times self-defeating. Wroth exposes these faults by elaborating on images of masochistic love and how this type of love is furthered by the use of military metaphor. Lastly, I will discuss how Wroth's use of double narration and monologue format also serve to problematize the "Carpe Diem" style.
...e speaker admits she is worried and confused when she says, “The sonnet is the story of a woman’s struggle to make choices regarding love.” (14) Her mind is disturbed from the trials of love.
"Poetry is the revelation of a feeling that the poet believes to be interior and personal [but] which the reader recognizes as his own." (Salvatore Quasimodo). There is something about the human spirit that causes us to rejoice in shared experience. We can connect on a deep level with our fellow man when we believe that somehow someone else understands us as they relate their own joys and hardships; and perhaps nowhere better is this relationship expressed than in that of the poet and his reader. For the current assignment I had the privilege (and challenge) of writing an imitation of William Shakespeare’s "Sonnet 87". This poem touched a place in my heart because I have actually given this sonnet to someone before as it then communicated my thoughts and feelings far better than I could. For this reason, Sonnet 87 was an easy choice for this project, although not quite so easy an undertaking as I endeavored to match Shakespeare’s structure and bring out his themes through similar word choice.
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
The sonnet opens with a seemingly joyous and innocent tribute to the young friend who is vital to the poet's emotional well being. However, the poet quickly establishes the negative aspect of his dependence on his beloved, and the complimentary metaphor that the friend is food for his soul decays into ugly imagery of the poet alternating between starving and gorging himself on that food. The poet is disgusted and frightened by his dependence on the young friend. He is consumed by guilt over his passion. Words with implicit sexual meanings permeate the sonnet -- "enjoyer", "treasure", "pursuing", "possessing", "had" -- as do allusions to five of the seven "deadly" sins -- avarice (4), gluttony (9, 14), pride (5), lust (12), and envy (6).
In “Sonnet XVII,” the text begins by expressing the ways in which the narrator does not love, superficially. The narrator is captivated by his object of affection, and her inner beauty is of the upmost significance. The poem shows the narrator’s utter helplessness and vulnerability because it is characterized by raw emotions rather than logic. It then sculpts the image that the love created is so personal that the narrator is alone in his enchantment. Therefore, he is ultimately isolated because no one can fathom the love he is encountering. The narrator unveils his private thoughts, leaving him exposed and susceptible to ridicule and speculation. However, as the sonnet advances toward an end, it displays the true heartfelt description of love and finally shows how two people unite as one in an overwhelming intimacy.
..., D. E. (2009, November 7). The Sonnet, Subjectivity, and Gender. Retrieved October 11, 2011, from mit.edu: www.mit.edu/~shaslang/WGS/HendersonSSG.pdf
This paper explores the relations that existed between slaves and their masters as portrayed by Jaco...
---. "Sonnet 130." The Norton Anthology of English Literature, Vol. 1. M. H. Abrams, ed. W. W. Norton (New York): 1993.
Bender, Robert M., and Charles L. Squier, eds. The Sonnet: An Anthology. New York: Washington Square P, 1987.
Further reflecting this ordered logical method, hidden under the elaborate language is legal imagery. specifically sonnet 30 with words such as ‘session’, ‘summon’. The formality helps create a thought process for the reader. Through similar and repeated methods, routing in linguistic effects, the use. of the sonnet form and imagery, Shakespeare helps create a map of the
The fourteen line sonnet is constructed by three quatrains and one couplet. With the organization of the poem, Shakespeare accomplishes to work out a different idea in each of the three quatrains as he writes the sonnet to lend itself naturally. Each of the quatrain contains a pair of images that create one universal idea in the quatrain. The poem is written in a iambic pentameter with a rhyme scheme of ABAB CDCD EFEF GG. Giving the poem a smooth rhyming transition from stanza to
During the Renaissance period, most poets were writing love poems about their lovers/mistresses. The poets of this time often compared love to high, unrealistic, and unattainable beauty. Shakespeare, in his sonnet 18, continues the tradition of his time by comparing the speakers' love/mistress to the summer time of the year. It is during this time of the year that the flowers and the nature that surround them are at there peak for beauty. The theme of the poem is to show the speakers true interpretation of beauty. Beauties worst enemy is time and although beauty might fade it can still live on through a person's memory or words of a poem. The speaker realizes that beauty, like the subject of the poem, will remain perfect not in the eyes of the beholder but the eyes of those who read the poem. The idea of beauty living through the words of a poem is tactfully reinforced throughout the poem using linking devices such as similes and metaphors.