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Symbolism of water in literature
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The motif of water is used as a symbol in the novel, The Elephant Vanishes, which is crucial to this work. Water symbolises different ideas in the stories Sleep and The Elephant Vanishes. In Sleep, water symbolises the fear of the protagonist and has caused effects on the protagonist. However, in the story - The Elephant Vanishes, water is used to reinforce the idea that people in the town are aware of the disappearance of the elephant and express the sense of desolation.
In Sleep, water represents the fear of the protagonist. In the story, the protagonist is a housewife who spends seventeen days without sleep. In these seventeen days, she has a nightmare continuously where an old man pours water on her feet. Murakami starts the story with
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“I could not feel the water. I could see it and hear it splashing down onto my feet, but I couldn’t feel a thing” . Later, the author suggests that the protagonist begins to fear because the pitcher never runs dry and states “I began to worry that my feet would eventually rot and melt away” . This is just the protagonist’s imagination. Murakami then states “When it occurred to me, my feet were going to rot and melt away, I couldn’t take it any longer” to show that protagonist’s fear. Later in the story, Murakami uses this to explain the idea that the protagonist is afraid of the water, which means she cannot distinguish between reality and dream. The protagonist is desperate to stop the water from pouring onto her feet. So, she later tries to halt the water by closing her eyes and screaming as hard as she can, but the water never leaves her body no matter how hard she tries. The author describes the water as “tearing through me, shutting down my heart. Everything inside my head turned white for a moment as the scream penetrated my every cell” . It feels like “something inside me died. Something melted away, leaving only a shuddering vacuum” . Here, it can be seen that the protagonist is afraid of water because the water that pours onto her feet is a form of torture. Furthermore, the water has other unusual effects on the protagonist.
After waking up, she goes to the living room to drink a cup of brandy and read Anna Karenina until late morning. Murakami suggests that she does this because “I wanted to warm my body more, to calm my nerves down more” . Unfortunately, it has the opposite effect, which she stays up all night without feeling tired. She also has more energy than before. This continues for seventeen days. Later, Murakami states “Though the terror was leaving me, the trembling of my body would not stop” . Murakami states that the protagonist swims longer than usual, “I…swam my usual thirty minutes…I swam another fifteen minutes, ending with a crawl at maximum speed for two full lengths” . The protagonist does not feel tired, “I was out of breath, but still felt nothing but energy welling up inside my body” . Murakami here suggests that this is bizarre because usually she would not swim for this long and would feel tired after swimming. Later, “I ran the house without a thought in my head, feeding snacks to my son, chatting with my husband” . The protagonist would usually not talk to her husband because she does not like him. Later in the story, the protagonist gives up on sleep, “it occurred to me what a simple thing reality is, how easy it is to make it work” . This also shows that she has gone a significant change. Water in this story represents the fear of the protagonist, which causes trauma but eventually results in …show more content…
positive effects on her life and relationships. In the story, The Elephant Vanishes, the motif of water is used to represent the disappearance of something significant and special in people’s lives, such as the elephant. The protagonist in the story is obsessed with the missing elephant. Murakami begins with “Amid the endless surge and ebb of everyday life, interest in a missing elephant could not last forever” . The memory of the elephant gradually fades over a few months following its disappearance. The author later states “It had been raining that day from morning to night - the…misty rain that often falls at that time of year, washing away bit by bit the memories of summer burned into the earth” . Murakami then states “Coursing down the gutters, all those memories flowed into the sewers and rivers, to be carried to the deep dark ocean” . Symbolically, rain gradually washes away people’s memories of the elephant with the passing of time. The water here conveys the loss of something special. The motif of water expresses a sense of desolation in The Elephant Vanishes through the impact of the elephant’s disappearance.
The empty elephant house is described as having “an air of doom and desolation that hung there like a huge, oppressive rain cloud” . Murakami uses the image of rain to express the sense of sadness. Later, Murakami states “A soundless rain went on falling outside the lounge’s panoramic window, the lights of the city sending blurry messages through the mist” . This description represents how the protagonist is putting force on the existence of a thing that is ruthless and corrosive. The author states that the protagonist starts their conversation with the missing elephant. However, Murakami states “I could see that the ice had melted and that the water was working its way through the cocktail like a tiny ocean current” . Murakami here is comparing the melting ice in the editor’s drink to the ocean to create an image of an atmosphere which dissolves in a force that is both insidious and veiled. In this story, water is a reflection of the vanishing and the idea of impermanence. It suggests the narrator’s sense of being unsettled by the world out of balance. Water is also a depiction of an action just like time wiping the memories as it passes and the sense of
desolation. Using water as a symbol is a very powerful writing technique in The Elephant Vanishes. In Sleep, water represents the fear of the protagonist, which resolves into unusual and even positive effects for the protagonist. This fear comes from the nightmare she has. Even though the protagonist knows that this is just a dream that does not exist in reality at all, she is still frightened by it. In The Elephant Vanishes, Murakami uses water as a symbol to represent something significant and special in people’s lives and express the sense of desolation. Consequently, water as a symbol becomes vital in writing short stories in The Elephant Vanishes.
She started to try and forget and just fall asleep, but her thoughts would always wander too far for her to return to her natural state of mind. She contemplated with herself, why she was running away? What she was running away from?
... flood, is nevertheless unthinkable” (173). The word ‘thundering’ was used to captivate the sudden and dangerous circumstances of the flooding river. “I can hear rocks the size of bowling balls grinding along the bottom, rolled downstream by the powerful current” (173). Krakauer used a metaphor to analogize the size of the rocks. His analogy was used to describe how strong the river was, to push bowling ball sized rocks downstream. “A few inches away sits a skull the size of a watermelon, think ivory fangs jutting from its bleached maxillae” (179). The analogy here was used to compare the bear’s skull that was found in the bus to the size of a watermelon. The comparison of the two tells how massive the bear must have been and generates fear of that bear before it was killed.
The story also is powered by the idea that elephants do not forget anything that happens to them in their lives, they remember everything and that if an elephant is not killed prematurely, and then in old age it will go insane and senile with so many useless memories. Being written with a third-person omniscient point of view, as reader it is easy to pick-up the thoughts and ideas of all characters. Originally it is thought that in the beginning of the book that Mud will be the only
Antonio prefers the river for company rather than any other place in town; therefore, he was devastated when a misfortunate event tarnished his memory of this beloved landmark. “How would I ever wash away the stain of blood from the sweet waters of my river!” (23). Antonio has established an ardent relationship with the river, yet the tragedy of Lupito’s death ruins the serenity that accompanies his memory of that breathtaking location. The series of events that play out all take place at or around the river, which proves symbolic of the correlation that the people have with that area. Not only does it often stand as the setting of many occasions, the river also is a recurring figure in Antonio’s dreams. “...that the sweet water of the moon which falls as rain is the same water that gathers into rivers and flows to fill the seas.”(121). The river in Antonio’s dream denotes the connection between his two completely opposite families all intercorrelated by Earth. Through the river, there is a unique peace and unity, similar to Antonio bringing his own uniqueness as he upholds and represents his two families. From a feeling of oneness to placidity, the river represents a variety of themes that prove significant in Antonio’s paramount transition from a child to an adult, many of which help the reader understand the crucial role
The plot that develops from the setting is that when the narrator and the man are next to the river, it could be perceived as calming since that is how she felt
Elephants'." Studies in Short Fiction. 17.1 (Winter 1980): 75-77. Rpt. in Literature Resource Center. Detroit: Gale, 75-77. Literature Resource Center. Gale.
“The Swimmer” is an allegory that is narrated in third person point of view as someone who is observing Neddy’s journey. This enables the reader to discover the reactions of friends and neighbors as Neddy arrives at their homes while still revealing the shift of the round character’s own attitude and feelings as his journey through life continues. Cheever wisely tells the story from a perspective in which the reader can still be connected to Neddy from the beginning to the end of the story while learning how his actions have disappointed others and not just himself. It also uncovers the involvement of each character and their relationship with Neddy before and after his mid-life crisis. If this story was told from any other point of view then the reader would only be obtaining one sided, in a sense a close minded, version whereas with a third person point of view the reader is approached to the entire situation given all perspectives. It guides the reader from one meaningful piece to another on an even level without any bias impressions while the story is being delivered.
In a well-written short story, different literary elements and terms are incorporated into the story by the author. Ernest Hemingway frequently uses various literary elements in his writing to entice the reader and enhance each piece that he writes. In Hills Like White Elephants, Hemingway uses symbols to teach the reader certain things that one may encounter during daily life. Symbolism may be defined as relating to, using, or proceeding by means of symbols (Princeton). The use of symbols in Hills Like White Elephants is utterly important to the plot line and to the fundamental meaning of the story. Through this use of symbolism, the reader can begin to reveal the hidden themes in this short story.
The narrator, already suffering from a "nervous condition," is forced to stay in her bedroom for most of the story. Her husband does not let her do anything that may take the least bit of energy because she needs to concentrate her energy on getting well. Her mental condition quickly deteriorates from the original "nervous condition" to complete insanity due to this isolation. As the narrator begins to see figures behind the wallpaper, the reader realizes that the wallpaper is a manifestation of her condition.
“The Hills like White Elephants” takes place in a train station in Spain. “The station [is] between two lines of rails in the sun”(Hills Like White Elephants-Litarary Analysis ). The rails run through a river valley with hills on one side of the valley; dry and barren and those on the other side are described with imagery of living, growing thing; in choosing whether to abort or to have the child, the couple have to choice between two ways of life. The two rails go separate ways, foreshadowing what will become of the couple after the story is over. The bamboo bead curtain in the station is acting as a curtain that is limiting the couple’s options, and their conversations; symbolizing that the pregnancy is also acting as a curtain between the couple, and at the end becomes a wall between them. The couple then has two choices: have an abortion and stay together like the American wants, or to have the baby and go their separate ways, leaving the girl to settle down and have a family of her own. The abortion is associated with the dry infertility of the hills on the barren side of the valley and by extension with the aimless, self-indulgent life they have been leading, and having the child is associated with the lifelike features on the other side of the valley, the “fields of grain and trees along the banks of the Ebro,” (DiYanni) that symbolizes the stream of life.
In conclusion, the short story ‘Hills like White Elephants’ contains symbolism to a high degree. The most important of all symbolism is perhaps the "white elephant". As we all know, a white elephant is a gift that nobody wants. To correlate this to the story, the white elephant is the baby who wants to abort template hesitant.
The narrator is ordered by her husband, who is serving as her physician as well, that she is “absolutely forbidden to work” and instead get “perfect rest,” and “all the air” the narrator can get (Gilman, 549). The narrator is confined to spend her time in a room which is playing tricks on her mind until she can no longer identify reality from her imagination. Another cause of the narrator’s loneliness is her husband’s rare presence at home due to his work as a physician, “away all day, and even some nights when his cases are serious,” leaving the narrator with his sister, who even then also leaves the narrator alone most of the time (Gilman, 550). The narrator falls into a state of insanity because she hardly had anyone with her to normally interact with. The only interaction she did have was that of the yellow wallpaper which constantly plagued her
During the summer of Edna's awakening, the sea's influence increases as she learns how to swim, an event which holds much more significance that her fellow vacationers realize. “To her friends, she has accomplished a simple feat; to Edna, she has accomplished a miracle” (Showalter 114). She has found a peace and tranquility in swimming which gives her the feeling of freedom. The narrator tells us that as she swims, "she seem[s] to be reaching out for the unlimited in which to lose herself" (Chopin 74). She sees the freedom t...
The opening paragraph of the story emphasizes the limitations of the individual’s vision of nature. From the beginning, the four characters in the dingy do not know “the colors of the sky,” but all of them know “the colors of the sea.” This opening strongly suggests the symbolic situations in which average peo...
The novel open with a description of the sight of the river Ebro, and the mountains beyond it, from a train station in Spain. A man from America and a woman are drinking some beers outside the station bar as they wait for the train from Barcelona to Madrid. As they drink, the woman tell that American man that hills in the distance remind her of white elephants. The man tries to convince the woman, Jig, to get an abortion, but only, he says, if she thinks it is right. She agrees to have the abortion, but she states she is only doing it because she now no longer cares about herself. In addition, she demonstrates despair over her decision and feels like everything is now lost. She wants the man to stop talking and threatens to scream at him. The bartender who has been giving their drinks tell the couple that the train will soon arrive, and the man gets up to take their luggage