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'Hotel on the Corner of Bitter and Sweet': Historical influences on characters
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Everyone remembers their first boyfriend or girlfriend - their first love. Though they may have been short, they will affect the other relationships in their life. In Hotel on the Corner of Bitter and Sweet, by Jamie Ford, Henry, a young Chinese teenager, has a Japanese friend, Keiko in 1942, the time of the Japanese Internment. Their friendship grows into a sweet young romance that affects all of Henry’s other relationships throughout his entire life. Although they weren’t even together for a year, Keiko had changed almost all of the other relationships in Henry’s life for many years to come. Ford depicts that one’s first relationship will affect all of one’s other relationships and the rest of their life in Hotel on the Corner of Bitter and …show more content…
When Henry runs to get the photos, his father threatens to disown him. Henry runs to get the pictures without a second of hesitation. Even after Henry apologizes for doing nothing wrong, Henry’s father whispers to him, “‘Saang jan.’ It meant ‘stranger.’ As in ‘You are a stranger to me’”(Ford 207). Once Henry’s father found out about Keiko, he completely ignored his son. Henry’s first love affected not only the rest of his love life, but the rest of his family life too. Their love for each other affected Henry’s relationship with his father. Henry’s first girlfriend not only affected his relationship with his father, but completely shattered it. Because she was Japanese, and Henry loved her, his father no longer showed Henry that he loved Henry. His first love, Keiko, changed his life forever by destroying the small relationship that he had with his father. It is evident how Henry’s relationship with his father has changed drastically because of his love for …show more content…
The clerk working at the post office was about his age, and she was always at the stand when Henry dropped off his letters. After never getting anything back from Keiko, he finally gives up and sends his last letter to Keiko. As he hands it over to the girl working there, “The clerk [Ethel] took the letter and attached the twelve-cent overland carriage postage”(Ford 252). His relationship with Keiko not only affects other relationships, but starts them. After Ethel sees a “Return to Sender” stamp put on his last letter to Keiko, Ethel then runs to Henry and also brings him flowers, for she is sorry for him. After Ethel’s gracious gesture, he starts to love her. Henry sending letters to his girlfriend Keiko begins his relationship with Ethel who will one day be his wife. His love for Keiko starts his love for Ethel. Henry’s first love affects him for the rest of his life, for it was Keiko who started the relationship with his future
I know the theme is acceptance strengthens bonds between family and friends.Because the text says Henry is on lunch duty in his all white school when he is joined by a Japanese girl named Keiko. At first, he is dumbfounded but slowly starts to accept her as the other white kids are teasing them. They share a can of peaches in the school pantry and Henry enjoys his time with her very much. A quote from the text Hotel on the Corner of Bitter and Sweet says “Then they ate their lunch, together, splitting a can of pears in the storage room. Henry thought they tasted especially good that day.” These sentences have a much deeper meaning than they appeared to have. The moment Henry and Keiko shared in the storage room was the blossom of their friendship.
Chances are rare to come by. Depending on one’s decision, it can affect one’s lifetime. Henry consciously, after so long when a second chance is given to him again, let his chance slips by without giving his all. As Henry was talking to Marty at his University, Henry says: “I had my chance, I let her go...I made my decisions...I could found her after the war. I could have hurt Ethel and had what I wanted, but it didn’t seem right. Not then. And not these past few years” (Ford 268). An unforeseen circumstance is given to Henry as another chance. Henry’s decision involving that chance is to marry Ethel and stay true to her; as a result, Henry let Keiko go. However, when it does seem right,...
Henry’s father is on his death bed; his last words are to Henry: “Wo wi ni zuo,” which translates to “I did it for you,” (Ford 263). For months Henry had sent letters to Keiko and seldom got a reply which lead him to believe that Keiko had lost interest in him and that she had moved on. This caused him much distress and disappointment. Upon hearing
...s inner self. What is seen as a relationship amongst these two young men is now torn apart by the transformation of Henry caused from his witnesses during warfare.
A parent may want to understand their child and connect to them, but they may not know how to do it. In Li-Young Lee’s poem “A Story”, the literary devices point of view, metaphors, and the structure of the poem are used to portray the complex relationship of the father and child and their inability to be able to connect with one another despite their wishes to do so.
Henry’s father, a strict, war-obsessed man essentially dictates Henry’s life, distancing the two as Henry continues to oppose his father’s views. Because of his father’s controlling ways, there is little love to be lost between the father and son. This animosity between them can be seen when Henry is about to leave his apartment to retrieve the family photos of his Japanese friend Keiko. His father tells him that should Henry leave to help Keiko, he “[is] no longer part of this family” (Ford 185).
In[a] the novel, Trouble, Henry respects Chay nearing the end of their adventure, because he learned about his tragic life in Cambodia. Henry had been an ordinary boy with the “Great Franklin Smith”, living his own ordinary life, until a tragic car accident ruins all of the Smiths plans for the future. Now Henry and Sanborn travel to Mt. Katahdin for Franklin, but Henry loathes Chay for killing Franklin. To avenge Franklin’s death, their epic adventure to Katahdin brings, troubles, hardships, origins, and anger between all members, making a unique journey for all.
There are different types of parent and child relationships. There are relationships based on structure, rules, and family hierarchy. While others are based on understanding, communication, trust, and support. Both may be full of love and good intentions but, it is unmistakable to see the impact each distinct relationship plays in the transformation of a person. In Chang’s story, “The Unforgetting”, and Lagerkvist’s story, “Father and I”, two different father and son relationships are portrayed. “The Unforgetting” interprets Ming and Charles Hwangs’ exchange as very apathetic, detached, and a disinterested. In contrast, the relationship illustrated in the “Father and I” is one of trust, guidance, and security. In comparing and contrasting the two stories, there are distinct differences as well as similarities of their portrayal of a father and son relationship in addition to a tie that influences a child’s rebellion or path in life.
Yang makes her topic of the treacherous history of the Hmong people an appealing one with the story of her parents. She brings emotion into her writing that makes her readers feel as if they are there in the jungle, experiencing the fear and love these two lovers felt. Yang makes us aware of how hard it was for a young Hmong couple to survive in this trying time. Fate and destruction brought Yang’s parents together, and like other Hmong people, love kept them moving forward.
The family's personal encounters with the destructive nature of the traditional family have forced them to think in modern ways so they will not follow the same destructive path that they've seen so many before them get lost on. In this new age struggle for happiness within the Kao family a cultural barrier is constructed between the modern youth and the traditional adults with Chueh-hsin teeter tottering on the edge, lost between them both. While the traditional family seems to be cracking and falling apart much like an iceberg in warm ocean waters, the bond between Chueh-min, Chueh-hui, Chin and their friends becomes as strong as the ocean itself.
Chang portrays the complexity of Henry’s character by showing the conflict that he faces both in his personal and professional life. His confusion towards his own Cultural identity is noticed in his relationships with his co-workers as well as with his family. His personal relationship with his family, especially with his father and his wife exemplifies the clash between the two cultures which seems to tear Henry apart. Leila, Henry’s wife, seems to epitomize the traditional American Culture which Henry tries very hard to be a part of. Her forthright nature along with the independence and individuality contradicts the stereotypical qualities of an Asian wife. However, Henry’s desperation is seen in his forgiving attitude towards Leila’s action and behavior. His deter...
Nonetheless, this really is a tale of compelling love between the boy and his father. The actions of the boy throughout the story indicate that he really does love his father and seems very torn between his mother expectations and his father’s light heartedness. Many adults and children know this family circumstance so well that one can easily see the characters’ identities without the author even giving the boy and his father a name. Even without other surrounding verification of their lives, the plot, characters, and narrative have meshed together quite well.
Janie was married to three unlike husband wish all of them were not the same and but in one way or another help Janie to find her own needs and objectives in life. Hurston state that Janie was only sixteen when she married her first husband Logan Killicks. Janie’s grandmother tucks Janie in believing that love will come in time. Janie was not interested in Mr. Killicks. “an ain’t gointuh do it no mo’ Nanny. Please don’t ‘make me marry Mr. Killicks. She begs her grandmother not to marry her with Mr. Killicks but, her request was in vein Nanny did not listen to Janie. Janie spoke with disgust about Mr. Killicks when her grandmother mentions his name this is one of those not admired by Janie, his appearance did not call Janie’s attention and his huge age difference and because “He look like som ole skullhead inde grave yard.” (Hurston 13) Despite the fact that Janie didn’t wanted that marriage Hurston stated that Janie “finally out of Nanny’s talk and her own conjectures she made a sort of comfort for herself. Yes, she would love Logan after they were married.” (Hurston 21) Janie convinces with the story her grandmother told her give in to getting married to Mr. Killicks. The marriage was arranged and Janie and Logon got married in Nanny’s parlor. Janie was not receiving the love that a married couple would have but she did receive verbal and treats from her first husband.
In the three marvelous works, Matchstick Men, Punch-Drunk Love, and “Mama Day”, people are all changed greatly, and for the better by romantic or father/child love. How everyone knows that there is no one on Earth who is perfect, yet when there is love, we come so close to it. Within these three works of art, one can analyze how there is actual change through people when there is love present.
On an afternoon, in the quarters of the sakadas, Mang Sixto is playing a guitar with the chords of an emotional song, "Walay Angay", while her daughter, and is playing outside the quarters. They were indifferent of each other for a while, but there is a sudden change in the mood of the two. The daughter of Mang Sixto finally notices the chords that her father was playing and along with the music is her father 's very emotional presence. They were then engaged in a sudden conversation. The daughter interrogated her father of the about the sad song he was playing along with his guitars. Her father told her that he was nostalgic. The daughter then realized, it was the memory of her past away mother that was bothering her father. Mang Sixto somehow