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The passage and oppressive nature of time in one of the most important themes in William Faulkner’s The Sound and the Fury.
Throughout the novel the men of the Compson family are concerned with time in varying ways. How they deal with this seems to dominate their lives and the plot of the novel. Each of the three men in the newest generation of the family, Benjamin, Quentin, and Jason all struggle against it and this leads to the ultimate destruction of the family. While the obsession varies between these men in both style and severity, it does lead these men down the paths that they take. Benjy is a slave to time and the past. Quentin is obsessed with it and cannot move on. Jason is completely unable or unwilling to see it and learn from it. The family is ultimately doomed far before the beginning of the narrative as this story is told very much in the form of flashbacks or broken narratives. It takes time lines and very close reading to string together the past events from the present. In some points the narrative breaks down completely to what appears to be just random thoughts. Also due to the fact that the only third person narrative exists in the final section, the reader may not be inclined to believe most of what Quentin or Jason may be saying. The two most trustworthy characters are Dilsey who is a single step above a slave and Benjy who has a major mental deficiency. These flashbacks that may not be entire truths make the novel what it is though. As Faulkner said: “The past is never dead. It’s not even past”.
The Compson family was a strong figure of southern lifestyle. Going back to a former Governor it now ends finally with a bitter, greedy, farm store clerk. Through time the family has decayed into somethin...
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... Quentin the one most dominated by time is so obsessed with the past and how he cannot control or change it that it eventually leads to his suicide while away from home. The old codes and ways of honor that used to define the south are finally dead with this family. There is little hope that the family could have ever been saved. Unable or unwilling to change they pass by into obscurity just as each second passes by seamlessly and unendingly into the oblivion that is the past.
Works Cited
Fletcher, Mary D. "Edenic Images in "The Sound and the Fury"" John Hopkins
University Press 40.4 (1980): 142-44. Print.
Faulkner, William. The sound and the fury: the corrected text. New York: Vintage
Books, 1990. Print.
Kartiganer, Donald M. "The Sound and the Fury and Faulkner's Quest for Form." John
Hopkins University Press 37.4 (1970): 613-39. Print.
Faulkner allows these devices to explain for him the physical incapabilities of the then modern day writers to truly write, for " ...the young man or woman writing today has forgotten the problems of the human heart in conflict with itself..." This philosophical notion that allows the audience to feel a personal connection with the conflicts within this heart is then completed with a metaphor emphasizing the pressure and responsibilities of writers of the era, as " ... [the problems of the human heart in conflict with itself] alone can make good writing because only that is worth writing about, worth the agony and the sweat." Although the act of writing may not be as toilsome as Faulkner insists, this metaphor allows the audience to understand his vision that writers alone can reinstall the previous truths of a world at
The author was emphasizing that time is of the essence and how you can not repeat the past no matter what is said or done. Also, the book's main characters were very wealthy and sometimes took that for granted. I believe the novel was written to suggest that the aspiration to become wealthy in America was in reality, not as great as people imagined it to be. In this way, it is a novel of disillusionment.
As he begins to understand the people in his life and their actions, Jack learns that one can rarely make sense of an event until that event has become a part of the past, to be reconstructed and eventually understood in memory. T.S. Eliot expresses this idea in “The Dry Salvages”: “We had the experience but missed the meaning, / And approach to the meaning restores the experience / In a different form, beyond any meaning / We can assign to happiness" (194). Only by deliberately recalling the past can one understand the metaphysical and spiritual significance of his experiences. For this reason, Jack cannot make sense of the fateful day of Willie Stark’s murder until “long after…when I had been able to gather the pieces of the puzzle up and put them together to see the pattern" (Warren 407). The pattern of the past reveals the pattern of fallen human nature, thus opening man’s eyes to his own folly and enabling him to grow in wisdom.
Sheetz 1 Sarah Sheetz Ms. Rosenberger English 4 October 17, 2016 Faulkner’s Self Help Book In “Barn Burning,” Faulkner illustrates a boy’s coming to age story, including his struggle in choosing whether to stand by in the midst of his father’s destructive cycle of spiteful burning or stand up for his own belief in civic duty. While most readers do not relate to having a father that habitually burns others’ belongings in a strange power scheme, readers relate to the struggle between blood ties and their own values. Taking the theme even broader, readers relate to any struggle with making a decision. Through imagery, reoccurring motifs, and diction, Faulkner creates an intense pressure which enhances readers understanding of Sarty, his struggle,
Although the story is only a few pages long, it covers approximately three-quarters of a century. Faulkner cleverly constructed the story to show the elusive nature of time and memory. Several critics have written papers in attempts to devise a chronology for the story. It would surely please Faulkner that few of these chronologies are consistent with each other. In "A Rose for Emily, he is not concerned with actual dates. He is more interested in the conflict between time as a subjective experience and time as a force of physics. For example, in section five of the story, the narrator describes the very old men gathered at Emily 's funeral The old men, some who fought in the Civil War, mistakenly believe that Emily was a contemporary of theirs when in fact Emily was born sometime around the Civil War. The old men have confused ". . .time with its mathematical progression, as the old do, to whom all the past is not a diminishing road but, instead, a huge meadow which no winter ever quite touches, divided from them now by the narrow bottleneck of the most recent decade of years." Here, Faulkner profoundly and poetically comments on the human need to deny the passage of time and the astounding capacity of the human mind to use memory in that ultimately futile denial. Emily, of course, has other methods of denying
...rs and situations to help explain the societal issues surrounding the time period. The dreadfulness comes from the controversial issues and feelings these characters experience. These characters must overcome these dreadful experiences in order to change what society deems as acceptable in the future.
Over the course of Kurt Vonnegut’s career, an unorthodox handling of time became one of many signature features in his fictional works (Allen 37). Despite The Sirens of Titan (1959) being only his second novel, this trademark is still prevalent. When delving into science fiction, it is often helpful to incorporate ideas from other works within the genre. This concept is exemplified by the “megatext,” an aspect of science fiction that involves the application of a reader’s own knowledge of the genre to a new encounter (Evans xiii). By working within the megatext, Ursula K. Le Guin’s The Dispossessed (1974) provides an insightful avenue in exploring the handling of time and its consequences in Vonnegut’s The Sirens of Titan.
Quentin thinks that maybe our creations, including the stories we tell, are not separate but, perhaps, it takes all the tellings of a story to create it. As he is told and as he retells the tale of Sutpen, he is creating Sutpen even though Sutpen already was. The blending of selves also happens again as when he says, “we are both father”. They are all each other and themselves at once. It takes their knowledge of each other for them to be who they are. Without Quentin telling Shreve about his father then Mr. Compson would not exist to Shreve, so it takes “Shreve and [Quentin] both to make Father.” The oral tradition is necessary to keep alive the past and the legacy of the Sutpen family.
In conclusion, we have learnt that nostalgia is what will keep an individual from reaching the future and any further longing for the past, will lead to an end of the possibility of a future for the individual. Gatsby, being an example in the story, was delusionally filled with nostalgia and as a result he met the tragic fate that he met at the end of chapter 8, with his death after being shot by George Wilson. Overall, the lesson that Fitzgerald has taught to his readers, is that we must leave the past behind and move forward towards the future or else the past will pull us behind with it and the future will no longer exist for us, for a tragic end is the result of delusionally continuing to be nostalgic.
Nevertheless, the change came, and the Reconstruction of the civil values after the Civil War changed the way people behave, think and nourish. This change swept many an aristocratic families like Faulkner as neither they could accept the change nor they could really adjust to it, that made the consequences all the more horrible for the Faulkner family as this became the core destroyer and corrupter of the fundamental family norms. The corrupter was Mr. Compson himself, and he later on passed on this corruption to his son. Compson had three sons that were overprotective of his daughter Caddy, obsessed by her mere presence. While Caddy was inclined to find a way out of this confusion, Quentin was over simplified in his way to clutch to the same old past values. This rebelled Caddy who later played a very influential role. But this cha...
People tend to forget the negative parts of the past, holding onto the positive and idealizing it to create nostalgia. It is easy to romanticize and live in the past in order to avoid difficulties in the present. The past becomes a false illusion and an enchanted safe haven from the corruption in reality. However, trying to apply false illusions into reality leads to isolation and corruption. F. Scott Fitzgerald’s book, The Great Gatsby, investigates the detrimental effects of craving the false sense of security in the past. Gatsby’s obsession of a false hope and idealization of the past contrasts the Lost Generation’s attempt to find self-fulfillment after war and the American Dream disillusioned them.
Brooks, Cleanth. "William Faulkner: Visions of Good and Evil." Faulkner, New Perspectives. Ed. Richard H. Brodhead. Englewood Cliffs, New Jersey : Prentice-Hall, 1983.
The economic status of the main characters is poor, without hope of improving their condition, and at the mercy of a quasi-feudal system in North America during the late 1800's. Being a sharecropper, Ab and his family had to share half or two-thirds of the harvest with the landowner and out of their share pay for the necessities of life. As a result of this status, Ab and his family know from the start what the future will hold -- hard work for their landlord and mere survival for them.
William Faulkner’s epic mode, The Sound and The Fury (1929) in his last chapter entitled “April 8, 1928,” occurs on Easter Sunday is a tale told from an omniscient narrator in third-person who primarily identifies with the values of the Compson’s servant, Dilsey Gibson. Dilsey is the Compson’s “negro” cook and is the pillar of the Compsons who are suffering economically as being at the verge of The Great Depression. Melancholy appears to be The Compson’s latest song as a result of the affects of the period. Accordingly, the family experiences many hindrances toward any progression or prosperity and their hope is deteriorating. In turn this causing them to lose the perpetuation of the family name, the Southern Aristocratic Values and faith. The Compsons are not only dissolving away emotionally but also of their worldly possessions due to financial uncertainty. Moreover, they are suffering from the decrease of their family members due to the deaths of Mr. Compson, Jason III and his oldest son, Quentin. The head of the household accordingly shifted from the father to the son, Jason IV. However, he was a man whom one could not lean on emotionally or depend on economically inasmuch as he is not a stable man. Jason is a steady whiner, greedy, mean-spirited, petty and very cynical man. Consequently, it becomes evident that Dilsey – female, the dark Other, enduring – is the pillar of strength for the Compson family, and using the theoretical perspective of Monique Wittig developing an effective critique of the Dilsey section comes to light that this chapter is the core of The Sound and The Fury.
... your time trying to recreate it, and live your life thinking about the present and the future. Specific examples of this have been shown in Gatsby and Daisy’s relationship, Tom and Daisy’s failing marriage, and Gatsby expecting Daisy to be the person she was before she met Tom. From this novel, the theme of not living in the past and taking advantages of opportunities when they are given shows that it is miserable trying to fix things that already happen. You will never learn to live in the present if you try to fix everything in your past. I If you do not make any mistakes how do you know what not to do? Fitzgerald successfully stated that the theme of this novel was that you cannot live in the past, and try to take advantage of opportunities that have already passed.