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The use of violence in literary
The use of violence in literary
How violence is used as a tool in literature
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Novelist, Norman Mailer, in his narrative essay, “The Death of Benny Paret,” recounts his experience as he witnesses a first-hand account of the tragic death of the boxer, Benny Paret. Mailer’s purpose is to convince the audience that boxing is inhumane through the use of many rhetorical devices, such as simile, animalistic diction and syntax.
Mailer strengthens his essay and proves that boxing is bad by using many similes to help portray the uncontrollable Griffith and the unbelievable death of a champion. “Griffith was in like a cat ready to rip the life out of a huge boxed rat.” This implies that Griffith had looked like a huge animal ready to go in for the kill just before he had started hitting Paret, which proves how violent and
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animal like he really was during this fight. And by saying “while he attacked , the right hand whipping like a piston rod which has broken through the crankcase or like a baseball bat demolishing a pumpkin,” vividly implants a gruesome image in the reader’s mind. Mailer suggests that Griffith’s fist is the baseball bat which is smashing through the pumpkin, which is meant to me Perat’s head. Mailer uses this simile to prove just how hard Griffith had been hitting Perat that day and to show the readers the viciousness of the opposing fighter, when he punched Paret numerous times in just a few seconds. By comparing Griffith to inanimate objects like the “piston”and the “baseball bat,” and being called an “uncontrollable beast” that couldn’t even be stopped by his handlers really suggests his nonhuman characteristics and how boxing his just animalistic in general. Mailer creates an animalistic diction through the use of some of the violent words that he choses to use in his essaynto prove how inhumane boxing really is. Throughout the entire essay, Mailer throws in words to describe the fight he had seen between Griffith and Perat. Phrases like, “Griffith came alive and was dominating Paret…” describes how Griffith had been attacking him like an animal during the entirety of the fight. By saying, “...Griffith caught him. Paret got trapped in a corner,” makes the audience think of a situation where a beast has just backed its prey into a corner and intimidating the prey before actually going in for the kill. Mailer uses other animalistic words like, “maulings” , “dominating” , “whimpering” , “attack” , “leaped” , and “uncontrollable” to get the readers to really get a grasp on just how violent and uncivilized this fight had been. Mailer uses syntax to really keep the readers engaged in the story so they won’t want to stop reading about this infamous fight.
The statement “Paret died on his feet” was different from his usual style of long and descriptive sentences throughout the rest of the essay. The shortness of this sentence stands out more and is very compelling to the readers. The abruptness surprises the audience and basically says that death is no big deal and that life can be thrown away in an instant. Just like the audience at the fight, the readers may have had to think twice or even three times about what had just happened, because the death had been so fast and the people watching probably didn’t even realize what had just happened right in front of them. But then right after he tells the audience that Paret has just died, he goes back to the moment that Paret was passing away in the ring. He says that “his death reached out to us. One felt it hover in the air,”. Mailer and the rest of the people that had seen the fight had obviously felt the pain that Paret had felt as he slowly sank to the ground and died. Paret had been fighting to stay alive and he “went down more slowly than any fighter had ever gone down… second by second into [his] grave.” When Paret died, it seemed to last forever. The description and the details of how Paret had slowly died even while Griffith was still attacking him convinces the audience that he had still been fighting even after he had already
passed. Mailer once again proves why he believes that boxing is just a terrible thing by informing the audience just how quickly someone can die from it. Through Mailer’s use of multiple rhetorical devices such as similes, diction and syntax and many others, he vividly re-enacts the slow and painful death of Benny Paret and affects the audience by making them feel sympathetic, shocked and disgusted as he describes how violent and uncivilized this boxing match had been.
In 102 Minutes, Chapter 7, authors Dwyer and Flynn use ethos, logos, and pathos to appeal to the readers’ consciences, minds and hearts regarding what happened to the people inside the Twin Towers on 9/11. Of particular interest are the following uses of the three appeals.
Jared Diamond makes a great and compelling argument about how inequality across the entire globe originated. The main components that were agreeing with this argument were guns germs and steel. Guns meaning the advancement in weaponry, military warfare and military sophistication. Germs meaning the harmful disease and other foul illness that wiped out humans throughout History. Then the third and final point steel, which was about the advancement in societies and the complex sophistication with their technology, which lead to building great architecture and devices that were completely impactful.
Colonel for the army, Miles Quaritch, in his rules to pandora speech for the soldiers just landing, informs the soldiers of the rules of being on this new planet and what to expect. Quaritch explicitly states that their not in Kansas anymore they're on a new planet. He creates a serious tone in order to get it in the soldiers heads where they are and what to expect by using ethos, logos and pathos.
Throughout the course of this novel, Ishmael Beah keeps the readers on the edge of their seat by incorporating interchanging tones. At the beginning of the novel, the tone can be depicted as naïve, for Beah was unaware to what was actually occurring with the rebels. Eventually, the tone shifts to being very cynical and dark when he depicts the fighting he has endured both physically and mentally. However, the most game changing tone is towards the end of the novel in chapters nineteen and twenty. His tone can be understood as independent or prevailing. It can be portrayed as independent because Beah learns how to survive on his own and to take care of himself. At the same time, it is perceived as prevailing and uplifting because Beah was able to demonstrate that there is hope. Later in the novel, Beah travels to
“He say Mr. Parris must be kill! Mr. Parris no goodly man, Mr. Parris mean man and no gentle man and he bid me rise out of bed and cut your throat!” (Miller 47).
Despite there being hundreds of video game releases every year, most of these games are unoriginal and therefore unplayable. There are countless video game genres, but one of the most popular genres in the past few years have been the zombie games, also called survival games. I was thoroughly convinced that all the games in this genre were clichéd and overdone, until I played the video game The Last of Us. Even though it is a survival game, the focus is not on gruesome zombies or gratuitous violence, making it already vastly different from the others. Instead, the focus is on telling a story. Between the gorgeous graphics, serene music, and flawless acting, it already goes beyond being just another “zombie game,” but this isn’t even accounting
I chose this word because the tone of the first chapter seems rather dark. We hear stories of the hopes with which the Puritans arrived in the new world; however, these hopes quickly turned dark because the Purtains found that the first buildings they needed to create were a prison, which alludes to the sins they committed; and a cemetery, which contradicts the new life they hoped to create for themselves.
Fierce, vehement, and feral, Emile Griffith punched Benny Paret 18 times within a mere 3 seconds. These crucial 3 seconds became life-changing for the enduring Benny Paret as he confronted death; unfortunately, Paret could not bear the deep wound inflicted to him by Griffith and has passed away. In the stands, the audience was frightened by what they saw, but one in particular, Norman Mailer, was also appalled and incredulous in what he had witnessed. Afterwards, Norman Mailer published a passage, The Death of Benny Paret, describing the brutal fight and delineating his perspective on the issue. In The Death of Benny Paret, Norman Mailer utilized stylistic devices such as diction, literary devices, and syntax to give the reader an overall dismal mood about the brawl throughout the passage, because that is how Mailer felt that mournful day.
20 were executed” (Blumberg). The Crucible setting is based on The Salem Witch trials, but the plot is based on The Red Scare. The author employs strict tone and rhetorical questions to convey power. This connects to the purpose of how a occurring can devastate a whole community and the people in it. Arthur Miller, the author of The Crucible, employs empowerment by expressing the challenges within each character and their influence on the trial through the characters John Proctor, Abigail, and Danforth.
Anticipation is prevalent throughout The Road, which is set by the narrative pace, creating a tense and suspenseful feeling and tone.
Prevailing Purposes in “The Crucible” Playwright and essayist, Arthur Miller, in his play, “The Crucible”, utilizes pathos, symbolism, and irony to convey his purpose of how the events of the Salem Witch Trials had detrimental effects on the society and how far the elites went to protect their reputation . Miller’s reasoning is to expand Parris’ and Danforth purpose for their side of the argument during the witch trials. He adapts a contrasting tone in order to appeal to similar feelings with reasoning in his american readers.
Authors use figurative language to express nuanced ideas, those that beggar literal description. Such language provides the author an opportunity to play with his reader’s imagination and sense. A piece of literature that uses figurative language is more intriguing and engaging than a writing that aims only to explain. Ralph Ellison’s use of figurative language in “The Battle Royal” paints a powerful and unique story of oppression and the struggle for self-discovery. His juxtaposition of literal and figural language gave the story a dream like quality, all while creating a profound and vivid image.
In 1729, Jonathan Swift published a pamphlet called “A Modest Proposal”. It is a satirical piece that described a radical and humorous proposal to a very serious problem. The problem Swift was attacking was the poverty and state of destitution that Ireland was in at the time. Swift wanted to bring attention to the seriousness of the problem and does so by satirically proposing to eat the babies of poor families in order to rid Ireland of poverty. Clearly, this proposal is not to be taken seriously, but merely to prompt others to work to better the state of the nation. Swift hoped to reach not only the people of Ireland who he was calling to action, but the British, who were oppressing the poor. He writes with contempt for those who are oppressing the Irish and also dissatisfaction with the people in Ireland themselves to be oppressed.
Literary critic, Norman German, creates an interesting spin on “Battle Royal.” Published in the CLA (College Language Association) journal in 1988, German emphasizes Ellison’s use of animal imagery which graphically stresses his theme (German). The narrator (the main character) struggles with his grandfather’s dying words, “Live with your head in the lion’s mouth.” (The animal symbolism in the quote through his dying grandfather lived his life in the hands of “whites.”) The narrator, although he strongly disagrees, has his grandfather’s words embedded in his mind. The constants in the “battle royal” are portrayed as foreign creatures as they are herded “like cattle” into the servant’s elevator. German believes, that because the rich white men treat the black men as animals and the naked white woman as a sexual object, it ironically reduces the white men to animals:
The narrator in “Battle Royal”, by Ralph Ellison, is too naive and meek to challenge his place in a society ruled by whites. He is a young, black man trapped in a world blighted with social inequality with limited opportunity to advance in life just because of his race. He is torn apart by his grandfather's advice and by his desire to please members of white society. Ellison uses satire and symbolism to depict the narrators struggle for equality and identity.