Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Sonnet 73 critical analysis
Sonnet 73 critical analysis
Critical appreciation of sonnet no 73
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Sonnet 73 critical analysis
In Shakespeare’s (Sonnet 73) “That time of year thou mayst in me behold”, the focus is on the narrator’s anxiety of growing old and his impending death. Each quatrain expresses this in a distinctive way, associating the narrator's stage of life with a variety of analogies showing how time passes in nature. There is a marked reduction of time from seasons to days to minutes. As the length of time decreases, the speed in which the narrator approaches death increases. In the end, death is imminent and it is obvious to the narrator while becoming obvious to his audience and the reader.
In the first quatrain (Q1), the narrator relates himself to the season of autumn transpiring quickly into winter, the time of year when the leaves of the trees change from green, to red and yellow and then begin to lose them. John Hurley explains Q1 as “a fine analogy, [of] a man in the winter of his life, clearly winter, for the leaves are few and those which remain are yellow”.(Hurley 1) The narrator is painting a portrait of himself as an old man, but a lover nonetheless. The fact that he is a lover is depicted by the use of a more intimate word thou rather than you in the opening line. As the narrator further paints himself as the leafless tree with shaking boughs that are now empty, but once held many singing birds, Shakespeare is making an intellectual appeal for the reader to see the narrator is in the winter of his life and that death is near.
In quatrain two (Q2) the narrator shortens his time left from seasons to days. Being in the twilight of his life, the narrator is still facing death and still complaining "In me thou seest the twilight of such day / As after sunset fadeth in the west,".(lines 5-6) Once again there is an analogy between l...
... middle of paper ...
...hard). The order of images used, also dictated by “pathos”, ranges from the year, as depicted by the seasons; to the day, as shown by the sun setting; to the fire burning and reminding readers that aging and death are a part of life. The fact is that death is imminent as it relates to the end of all cycles: the dying year, the dying day, the dying fire, the dying human. This is emphasized and repeated in such a manner that the audience and the reader can easily perceive.
Works Cited
Frank, Berhard. "Shakespeare's Sonnet 73." The Explicator 62.1 (2003): 3+. Literature Resources from Gale. Web. 10 Apr. 2011.
Hurley, John. Shakespeare as Teacher. 1998. ERIC. EBSCO. Web. 10 Apr. 2011.
Shakespeare, William. “That time of year thou mayst in me behold.” The Bedford Introduction to Literature. Ed. Michael Meyer. 9th ed. Boston: Bedford/St. Martin’s, 2011. 1344. Print
The timeline carries on chronologically, the intense imagery exaggerated to allow the poem to mimic childlike mannerisms. This, subjectively, lets the reader experience the adventure through the young speaker’s eyes. The personification of “sunset”, (5) “shutters”, (8) “shadows”, (19) and “lamplights” (10) makes the world appear alive and allows nothing to be a passing detail, very akin to a child’s imagination. The sunset, alive as it may seem, ordinarily depicts a euphemism for death, similar to the image of the “shutters closing like the eyelids”
The sun has been an endless source of inspiration, both physical and spiritual, throughout the ages. For its light, warmth, and the essential role it has played in the maintenance of the fragile balance of life on earth, the sun has been honored and celebrated in most of the world's religions. While the regeneration of light is constant, the relative length of time between the rising and setting of the sun is affected by the changing of the seasons. Hippocrates postulated centuries ago that these changing patterns of light and dark might cause mood changes (9). Seasonal downward mood changes of late fall and winter have been the subject of many sorrowful turn-of-the-century poems of lost love and empty souls. For some, however, “the relationship between darkness and despair is more than metaphoric (6).
... the end of the poem until “the rose tree’s thread of scent draws thin and snaps upon the air”, terminating life and dictating the start of another season.
"Poetry is the revelation of a feeling that the poet believes to be interior and personal [but] which the reader recognizes as his own." (Salvatore Quasimodo). There is something about the human spirit that causes us to rejoice in shared experience. We can connect on a deep level with our fellow man when we believe that somehow someone else understands us as they relate their own joys and hardships; and perhaps nowhere better is this relationship expressed than in that of the poet and his reader. For the current assignment I had the privilege (and challenge) of writing an imitation of William Shakespeare’s "Sonnet 87". This poem touched a place in my heart because I have actually given this sonnet to someone before as it then communicated my thoughts and feelings far better than I could. For this reason, Sonnet 87 was an easy choice for this project, although not quite so easy an undertaking as I endeavored to match Shakespeare’s structure and bring out his themes through similar word choice.
Dutton, R., & Howard, J.E. (2003). A Companion to Shakespeare’s Works.(p. 9) Maiden, MA: Blackwell Pub.
Clark, W. G. and Wright, W. Aldis , ed. The Complete Works of William Shakespeare. Vol. 1. New York: Nelson-Doubleday
Another metaphor in this sonnet is the comparison of death to nightfall, "In me thou seest the twilight of such day" (568). He continues, "Which by and by black night doth take away, death's second self, that seals up all rest" (568). Shakespeare perfectly describes death as the fading of a bright day to a dark black night.
William Shakespeare 's 'Sonnet 73 ' highlights the continuous anxiety; of speaker the due to the inevitability of old age. Through various poetic techniques Shakespeare underlines that the deterioration of time is arbitrary; and it therefore naturally decays beauty and life. However there is a sense that he expresses love as a stronger force which overcomes the constant decline of youth and time. This is strongly represented by the use of seasonal imagery. Similarly, John Donne utilizes formal aspects in 'A Valediction Forbidding Mourning ' to convey the same view of the strong force of love. Unlike, Shakespeare 's constant reflection on deterioration; Donne presents arguments to reassure his lover that their love can overcome all aspects.
Unlike most of Shakespeare's earlier plays, The Winter's Tale moves from tragedy to comedy. The disastrous consequences of Leontes' jealousy and tyranny are resolved by the passing of time. Only after sixteen years can the two royal families come together again. Time also plays a significant role in the reading of the chosen passage. The passage is full of commas, colons, semi-colons, and periods, which force the lines to be slowed and pausing. The frequent punctuations draw the reader's attention to time and its effects on the words being spoken by the characters. The scansion of the passage illustrates Shakespeare's mastery of time as he manipulates the rhythm of the lines using varying foots and meters. Time seems to be the crucial element in not only the scansion of this passage, but in the development of the play as a whole.
Sonnet 71 follows the typical rhyme scheme of the form, ABAB CDCD EFEF GG and is composed in iambic pentameter. The way the lines rhyme creates a rhythm that lingers in the minds of the readers by flowing flawlessly. Shakespeare use of many doleful sounding adjectives provides us with a better understanding of what the poet is talking about. For example, the poet uses the word “vile” when he’s describing the world which in turn helps us gather the sense that he thinks of the world is evil. During the Renaissance Era, the world was often considered a vile
There are several death related motifs present in the poem. For instance, the poem opens with a passage from Dante’s Inferno, foreshadowing the theme of death in the poem. The speaker says “I know the voices dying with a dying fall.” He also references Lazarus from the Bible, who was raised from the dead, further developing the death motif. The speaker also seems to be looking back on life, referring to past experiences and his aging, as if he believes his death is imminent. He seems to have an obsession with hiding his age. According to the Psychoanalytic Criticism Chapter, the greater our fear of something is, the greater our obsession becomes (24). The speaker's fear of death has lead him to wear clothes that are fashionable for young people, such as rolling his trousers, and goes to great lengths to cover his age in other ways, such as parting his hair behind to cover a bald spot. The last stanza of the poem has a rather depressing and sad ending, a result of fear of
Shakespeare's Sonnet 73 well fills and fits the three quatrains and single couplet of the Elizabethan sonnet. We can be sure there is no doubt to believe that some of Shakespeare's sonnets, like Sonnet 73, were well known and he was surely placed at the head of the dramatists and high among the non-dramatic poets. As Bender and Squier claimed (75), in the sixteenth century, Shakespeare is England's greatest playwright and the best of the Elizabethan sonneteers.
Roger Allersand and Rob Minkoff directed the animated Disney movie, The Lion King. The particular song I will be discussing, “Circle of Life,” composed by Elton John and scored by Hans Zimmer, plays at the very beginning of the movie and serves as the introduction of Simba to the animal kingdom as well as to the viewing audience. The scene starts out with a sunrise and then cuts to numerous different camera shots of animals from all over the animal kingdom including rhinos, meerkats, cheetahs and others. They appear as if they are all heading towards the same location, which is then shown as a plateau that is being over looked by a mountain ledge. The focus then moves to baby Simba who is being prepared for an introduction to the rest of the kingdom. Simba is then thrust towards the heavens, which leads to the other animals celebrating wildly, and then the scene ends. Throughout this paper, I will show that the texture of the music, through the use of different musical techniques, is essential in creating the particular setting and mood of this scene.
The simplified argument is an attempt by Shakespeare to persuade his subject to produce an heir. and therefore retain his beauty through his child, to avoid wasting. such a beautiful image. The opening quatrain through use of imagery focuses on the devastating effect that time has on beauty. The opening line deals with time in terms of the seasons, specifically winter.
In the second quatrain, the speaker depicts a moving image of a twilight that can be seen fading on him as the sun sets in the west and soon turns into darkness. Symbolizing the last moments of life the speaker has. In the third quatrain the speaker depicts an image with a similar meaning as the previous, except for one distinct last thought. The speaker depicts a living image of a bonfire extinguishing and turning into ashes, ashes that may represent his well lived youth. The image gives the idea that ashes represent what once was a beautiful life to the speaker.