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Recommended: Sophocles philosphy
The Curse of Cupid: Antigone’s Downfall
What is the saying, love conquers all? Such a simple saying, yet it invokes all sorts of meanings. If it is such a good thing that love conquers all, why does the phrase have “conquers” in it to give it a bad connotation? However, that saying is not the purpose of this essay. This essay is written to discuss the relationships between certain characters in the Greek play Antigone, written by Sophocles, and how their love for one another effects the story. Going back to the first statement, it does not matter whether this type of love is good or bad, rather its effects on the characters in Antigone. Going on even further, you will see that love comes in all shapes and sizes and doesn’t have to be all giggles and rainbows. Let’s now begin the actual essay and get this talk of philosophical lines done with,
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shall we? At the beginning of the story, we are first introduced to Antigone and her sister Ismene who are talking about burying their brother Polyneices. From this short conversation we get, we can tell that Antigone and Ismene have a friendly sister rivalry but truly love each other. Even when Antigone says, “Go away Ismene: I will be hating you soon, and the dead will too, For your words are hateful,” (Prologue. 77-79), we are shown that Ismene is not affected by her sister’s profound words. She even speaks up saying, “You are unwise, But a loyal friend to those who love you,” (Prologue. 83-84). When we later see Antigone and Ismene together, Ismene is not only trying to be there for her sister, but decides that if Antigone should die then she should die too. Through their shared dialogue, we see Antigone care for her sister as much as Ismene cares for her, although Antigone’s way of showing it is well hidden. Their shared love for each other effects Ismene as she now has to share the punishment with Antigone, albeit at a lower sentence. We move on to the love between Antigone and Haimon which was not shown with their interactions with each other, unless you count the scene with him and her body, but with their own individual reactions to it.
However, we do not really see if Antigone really loves him, but we should not assume she doesn’t. We just do not have any have any textual evidence to support it. We do get textual evidence that not only is Haimon in love with Antigone, but he is deeply and truly in love with her. We do not see this at first when we are first introduced to Haimon, who is having a conversation with his father Creon. As a result of his love for Antigone, this conversation eventually turns into an argument and Haimon rushes out to Antigone’s burial site to see his beloved. When Haimon walks into her chamber and finds Antigone, he feels grief for his recently departed beloved. The Messenger even says that, “Haimon lay beside hers, His arms around her waist, lamenting her, His love lost under ground.” (Exodus. 960-962). Consequently this makes Haimon try to murder his father, but we will discuss this in more detail in the next
paragraph. Thus we move to the final, and perhaps the most tragic of all the character’s relationships which is the relationship between Haimon and Creon. They actually have a very father-son love relationship at the beginning. Therefore, when Haimon is trying to get Creon to release Antigone, he tries to keep the situation calm. This does not work in the end and we see the cracks in their relationship start to form. They are still on good terms, not great, but this argument affects Haimon enough to go see Antigone. What he finds at the her chamber is something that breaks Haimon and Creon’s relationship. What was once love has evolved into hate for his father. Therefore, when Creon walks into the chamber and sees his son, Haimon lunges and tries to kill Creon. This event is discussed by the Messenger who states that, “He said not a word, Staring--- And suddenly drew his sword back, And lunged.”(Exodus. 968-970) The development of Haimon’s death consequently causes Haimon’s wife Eurydice to commit suicide. Creon is deeply affected by all of these events and could barely handle it. The effects of love run deep into this play. It could be argued by some commentators that it is the main theme of this story. We could even go back to point at the beginning of the essay. In this story, love does indeed conquer all. Love caused Ismene to try to share in Antigone’s fault. Love caused Haimon to at least attempt to convince Creon to change his mind. Love caused Haimon to try to kill his father. Love even caused Antigone to try to bury her brother, which ultimately caused the events of this story to take place. Therefore, the line that would more accurately describe this play is, “love giveth, and love taketh away.”
Human emotions and beliefs can be some of the most powerful and forceful factors in the world. They can often time cause humans to overlook their moral and civil duties and instead confront the demands of a private passion. Two people that have contrasting views about passion and responsibility can cause a major conflict which could cause a “classic war” in literature. In the play Antigone, the differences in Antigone and Creon’s passions and responsibilities helps Sophocles illustrate their central flaws. By doing so, the playwright implies that one needs to achieve a balance of passion and responsibility in order to maintain a sense if inner peace and political stability.
Sophocles play titled Antigone, embellishes the opposing conflicts between Antigone who stands for the values of family, and Creon who stands for the values of state. Sophocles explores the depths of Antigone’s morality and the duty based on consequence throughout the play, as well as the practical consequences of Creon who is passionate and close-minded. Although Antigone’s moral decisions appear to be more logical and favorable than Creon’s, a personal argument would be that both characters’ decisions in society can be equally justified.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
The notion of honor and justice is prevalent throughout all types of literature. In Greek culture, honor is essential for creating a solid foundation within a society and family. Honor will follow you until the day you perish, and beyond. The honor for men in Greece is spiritual in that loved ones show respect to the deceased by giving them a proper burial. Nevertheless, when a man acts upon betrayal of the city, that man looses the privilege to die in such honor. This is evident in the life of Antigone when her two brothers, Polyneices and Eteocles, both die at each other’s hands at war when deciding the ruler of Thebes. Polyneices cannot have a proper burial, because the new king, Antigone’s uncle, Creon created a law that decrees that anyone who tries to give Polyneices a proper burial will have a dire consequence: death. In Sophocles’ Antigone, the quest that Antigone endures to stay true to her pure intentions of honoring Polyneices by giving him a proper burial is in juxtaposition with the fact that her defiance towards Creon is not only to do with Polyneices, but also to show appeasement to the gods.
Creon a new king of Thebes, demanded that Antigone shall not bury her brother Polyneices and yet she buried him anyway. Creon thinks that Polyneices is a betrayer and he did not deserve to be buried and should be fed to the animals. Antigone follows orders from the gods, but she does not seem to listen to Creon's laws. This causes Antigone to hang herself and her husband after that, hangs himself too. The only one left of her family is her sister who escapes the curse, but she has to deal with the suffering of her family. After hearing about her son’s death, Eurydice(Creon’s wife) kills herself too. In the end the chorus learned that Creon made a mistake not letting Antigone bury her brother. On page 55 it says, “Future is in greater hands.” This is saying your fate can not be changed and your fate is chosen before you are even
He anxiously awaits the day when he can call Antigone his wife, but because she defies King Creon, she deprives him of that opportunity. At first, Haemon tries to be loyal to his father. He tells Creon that he supports his decision to execute Antigone. However, as the conversation continues, he reveals that the community members are starting to renounce Creon’s decision. As the pain of potentially losing his fiancé becomes too much, he also renounces his father’s decision, arguing that the Gods would not condone it. In an act against his father, Haemon hurries to the cave Antigone was exiled to, in hopes to save her, but instead finds her hanging from the veil she was supposed to wear on her wedding day. Instantly overwhelmed with grief, Haemon, “[bewails] the loss of his bride” (Sophocles 152). Similarly, to Ismene’s case, Haemon cannot picture himself living on Earth without Antigone by his side, and commits suicide. In Antigone’s desire to appease the Gods, she abandons her loved ones, and causes them great suffering. This could have been avoided has she not pursued her desire to bury
Despite the male dominant society of Ancient Greece, the women in Sophocles’ play Antigone all express capabilities of powerful influence and each individually possess unique characteristics, showing both similarities and contrasts. The women in the play are a pivotal aspect that keeps the plot moving and ultimately leads to the catharsis of this tragedy. Beginning from the argument between Antigone and Ismene to Eurydice’s suicide, a male takes his own life and another loses everything he had all as a result of the acts these women part take in. The women all put their own family members above all else, but the way they go about showing that cherishment separates them amongst many other things.
In Sophocles’ Antigone, Antigone saw her action of burying her brother as a just one. It may not have been just in the eyes of Creon and the people of Thebes, but she was not concerned with the laws that mortals had made. Antigone saw the divine laws of the gods to be much more important than those of mortals. She felt that if she died while upholding the laws of the gods, that her afterlife would be better than if she had not. Our lives on this earth are so short, that to see a good afterlife over the horizon will make people go against the laws of humans.
In Antigone by Sophocles, Antigone and Ismene’s straining relationship is held together by a thin thread. Antigone’s father exiles himself then dies. Her brothers’ become the kings; Polyneices deceives them and joins the offenders. Etocles and Polynieces fight and they both die. Creon becomes king and gives Etocles a warrior burial while Polynieces was left for the buzzards. Antigone asks Ismene to help her, Ismene says no, so Antigone does it herself. Creon sentences Antigone to death, she kills herself and Haemon (Creon’s son/Antigone’s fiancé) kills himself. Creon’s wife kills herself receiving the news from the messenger, leaving Creon and Ismene alone. Antigone loves her sister but what type of relationship is there between Antigone and Ismene?
Antigone causes the death of three people, whether directly or indirectly. First of all, she directly causes her own death because she hangs herself, rather than starving to death inside the sealed up tomb the Creon had her put into. Second, she directly causes the death of Haemon because he loved her and truly cared for her and her did not want to live without her. Lastly, Antigone indirectly causes Eurydice, Haemon’s mother and Creon’s wife, to kill herself when Eurydice learns that Haemon killed himself. “Thy wife, [Creon,] the mother—mother of the dead—is, by a blow just fallen, haplessly slain.” This shows that Eurydice was mad enough to kill her, because many thing have happened to her, the death of her son, her husband’s excessive pride, etc. She also knew he and his pride was the cause of this mess.
Nearly everyone experiences the feeling of love. Whether it’s for another person or for food, almost everyone feels love during their lifetime. In the play Antigone, the writer, Sophocles, illustrates a very important fact regarding love: love is our most important and most dangerous motivation for doing anything, and without moderation, love can be deadly.
In the play of Antigone, Haemon’s love to Antigone is the most pure. He states that, “Not here, no; she will not die here, King. And you will never see my face again. Go on raving as long as you’ve a friend to endure you” (Sophocles, 2037). Haemon is extremely loyal to Antigone because of how he displays a love of Antigone that is so strong that it overpowers everything else, even his loyalty toward his father and the city. Haemon love for Antigone, in spite of its purity and goodness, can also be viewed as Haemon tragic flaw.
Ultimately`, William Shakespeare shows in many different ways throughout the play, ‘Romeo and Juliet’, that love is the more powerful force than hate. The readers see how the characters continuously forgive one another, even when the conditions are tough. The friendships between specific characters display a loving bond that cannot be broken with hate. Shakespeare demonstrates that Romeo and Juliet’s love can overpower the hate of many events in the play. He shows that their love can even overpower the death of one of their own family members. Romeo and Juliet’s love brings friendship between their feuding families. This story is a true example of how love can conquer all.
The play “Antigone” by Sophocles displays many qualities that make it a great tragedy. A tragedy is defined as a dramatic or literary work in which the principal character engages in a morally significant struggle ending in ruin or profound disappointment. In creating his tragedy “Antigone”, Sophocles uses many techniques to create the feelings of fear and pity in his readers. This in turn creates an excellent tragedy.
In classical Greek literature the subject of love is commonly a prominent theme. However, throughout these varied texts the subject of Love becomes a multi-faceted being. From this common occurrence in literature we can assume that this subject had a large impact on day-to-day life. One text that explores the many faces of love in everyday life is Plato’s Symposium. In this text we hear a number of views on the subject of love and what the true nature of love is. This essay will focus on a speech by Pausanius. Pausanius’s speech concentrates on the goddess Aphrodite. In particular he looks at her two forms, as a promoter of “Celestial Love” as well as “Common Love.” This idea of “Common Love” can be seen in a real life context in the tragedy “Hippolytus” by Euripides. This brings the philosophical views made by Pausanius into a real-life context.