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The count of monte cristo characters analysis
Count of monte cristo and revenge and forgiveness
Count of monte cristo and revenge and forgiveness
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In The Count of Monte Cristo by Alexandre Dumas it is possible to see the disguises of Edmond Dantes being used to achieve his goals and inflict revenge on various characters throughout the book. The disguises of Lord Wilmore, Abbe Busoni, and Monte Cristo all help to mask Edmond Dantes's true self, a generous, loving man. All these disguises Edmond Dantes deploys during the novel arise the question of whether he is able to recover his true identity by the novel’s end. Edmond Dantes uses the “false faces” so that he can obtain his goals and to help enact his vengeful actions against them as a retribution for what they do to him.
One “false face” or disguise Edmond Dantes uses to inflict revenge on characters throughout the book is the disguise of an Englishman, named Lord Wilmore. First, Lord Wilmore sends a file to Benedetto so that he can saw off his chains and escape from jail. Caderousse, Benedetto’s companion in chains, also uses to the file to escape. They both return to Paris and Monte Cristo hires Benedetto as an actor, Andrea Cavalcanti, to use to his advantage for a dinner party. Benedetto runs into his old friend Caderousse and they later decide that they are going to rob Monte Cristo’s home for the potential money they can earn. While Caderousse is inside the house he is caught by Monte Cristo dressed up as Abbe Busoni. He lets him go knowing that Benedetto is going to kill him as soon as he leaves. Benedetto kills him because he does not want his new position to be destroyed and then flees. This shows that Lord Wilmore indirectly kills Caderousse on purpose as revenge because Lord Wilmore gets Benedetto to escape by sending a file for him to escape which leads to Benedetto killing Caderousse so that he can save his ...
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... bonds plummet but after he learns that the news is false the bonds skyrocket. This causes him to lose upwards of millions of francs. This is vengeful because Baron Danglars love his money and Monte Cristo destroys some of his love. Secondly, Monte Cristo is used when he lets Benedetto reveal himself as the illegitimate son of Madame Danglars and Gerard de Villefort. After Villefort is embarrassed by this event he realizes that condemning his wife for being a murderer is making him a hypocrite. He goes back to his home to find her and apologize but is too late. Madame Danglars kills herself and along with her son, Edward. This is revengeful because Monte Cristo gets Villefort to see that he is a terrible person and an equal to his wife after she kills herself. Finally, The Count of Monte Cristo is introduced to his former friends by saving Albert de Morcerf from
1. Cyrano de Bergerac Cyrano de Bergerac is a classy, intelligent man who writes for a living and his role is that he serves as the gateway for Christian to be with Roxane. Cyrano is so significance because he is stuck in a love problem where he has to help Christian, through his writings to get him and Roxane together but Cyrano also loves Roxane in which he can’t be known that the letters Roxane thinks Christian wrote are actually Cyrano’s feelings. Cyrano is a very intelligent, noble, skillful swordsman who is full of knowledge and creativity to allow him to write his writings. Cyrano shows loving character because he delivers a letter to Roxane every day, of his own feelings and helpful when helping Christian and his struggles with
Danglars was the ringleader in the arrest of Dantes, as he wrote the letter that got Dantes arrested and took his position of the captain of the Pharaon. As he later became a very rich and successful banker, the Count of Monte Cristo approached him as a potential client and proceeded to embarrass Danglars with his extreme wealth. Then, Dantes manipulated the radio to send a fake telegraph that predicted a revolution in Spain, causing Danglars to sell all of his bonds, only to later buy them back at a higher value after learning that the radio message was a false alarm, losing one million francs in the process. Later, the Count got Danglars kidnapped by his friend, the famous bandit, Luigi Vampa, and the Count planned to not pay the ransom and just let Danglars die, but the Count had a change of heart. The Count of Monte Cristo decided to let Danglars off the hook and allow him to live the rest of his life in peace, as he felt that he had done enough to his victims. The Count stated, “Do you repent? Then I forgive you” (Dumas 522) as he decided to spare the life of Danglars after robbing him of his family, money, and dignity. However, this shows a great shift in the motivations of the Count, as he went from manipulating all of those who convicted him to forgiving his last victim and
Cyrano De Bergerac is an inspiring play based on a tragic love. The characters are revealed within unique backgrounds, creating life and depth between our imaginations. There are a variety of important characters throughout the play besides Cyrano De Bergerac. The play consists of more important characters than Christian De Neuvillette, although he is the most admirable. Three admirable qualities that Christian possessed are courtesy, modesty and bravery.
"The Count of Monte Cristo" is a book which contains few characters but many identities. Edmond Dantes if not the main character, than one of the main characters kind of has a reality dysfunctional problem. In the book, Edmond Dantes creates various identities to fulfill his missions(fantasies). One of the few characters that Edmond Dantes transformed into was Sinbad the Sailor.
Though he may seem acquitted and amiable, Gerard de Villefort can be dangerous and even murderous. Gerard has done numerous things in his life to corroborate his sinfulness, including the assayed murder of his son, Andrea, by burying him alive when he was a newborn. Gerard is also one of the three main conspirators in the Count's arrest and imprisonment; it is he who is the most measurable of the three. The Count, Edmond Dantes, was an innocent man about to be married, before Gerard’s conception between right and wrong was twisted by the name of his father in a letter. Also, Gerard forces his wife to commit suicide; even though he had had many faults of his own.
While he lies on the ground gasping for breath, Caderousse tells the Abbe Busoni that he does not believe in God. Only moments later, Edmond Dantes reveals himself to him, and he spends his dying breath asking the Lord to forgive him. Edmond Dantes, looking at his corpse, whispers “one”. This was the first evident moment in Alexandre Dumas’s The Count of Monte Cristo where Edmond Dantes achieves any justification on his enemies for the wrongs they have done to him. After twenty years of meticulous planning, Dantes carries out his plan of ultimate revenge on his enemies in order to achieve the justice he believes he deserves. In his novel, Dumas shows that to obtain true justice—whether personal or societal—one must understand the limits of
A minor character adds a lot of depth to a novel, they are usually the protagonist’s closest companion who plays a larger role than the reader can recognize. The main minor character in Treasure Island is Dr. Livesey, a very trustworthy and honorable man. Jim Hawkins puts his trust in him by handing over the map and information about the treasure to Dr. Livesey. “‘Here it is sir,’ said I, and gave him the oilskin packet. The doctor looked it all over, as if his fingers were itching to open it; but instead of doing that, he put it quietly in the pocket of his coat” (Stevenson, 44). In an earlier part of the novel, Jim was nearly attacked by men for the
It is believed by many that it is human nature to deem themselves to be a tantamount to God. Such is the case when one decides to take revenge against those who wrong him. Though vengeance seems like the perfect way to achieve justice, a sense of equity, in actuality it is merely an unsatisfactory hypocritical action. This is the definitive realization of the protagonist, Edmond Dantès in Alexandre Dumas’ “The Count of Monte Cristo”. The protagonist comes to understand that after a lifetime of searching for justice, he really only yearns justice from himself. Akin to many of Alexandre Dumas’ other masterpieces, “The Count of Monte Cristo” is a dramatic tale of mystery and intrigue that paints a dazzling, dueling, exuberant vision of the Napoleonic era in France. In this thrilling adventure, Edmond Dantès is toiling with the endeavor of attaining ultimate revenge, after being punished by his enemies and thrown into a secret dungeon in the Chateau d’If. He reluctantly learns that his long intolerable years in captivity, miraculous escape and carefully wrought revenge are all merely vital parts in his journey of awakening to the notion that there is no such thing as happiness or unhappiness, there is merely the comparison between the two. Ultimately, the irony that Dumas is presenting through this novel suggests that the inability to attain happiness through the hypocrisy that is revenge is because one is really avenging their own self. This becomes evident through his dramatic transformations from a naïve, young sailor, to a cold, cynical mastermind of vengeance, and finally to a remorseful, humble man who is simply content.
"The Count of Monte Cristo" is a movie that has piracy, Napoleon in exile, betrayal, prison, secret messages, escape tunnels, comic relief, a treasure map, and sweet revenge, and brings it in at under two hours, with performances by good actors who are well known in the acting community. Jim Caviezel stars, as Edmund Dantes, a very poor second mate on a supply ship owned by his best friend, Fernand Mondego (played by Guy Pearce) and his family. This film is based in France during 1815 before Napoleon returns from exile to invade Europe. This Action, Adventure, and Drama film will keep you on the edge of your seats as you go through all the mixed emotions of Edmund Dantes. The film is directed by Kevin Reynolds who has also directed movies such as Robin Hood: Prince of Thieves, Waterworld and most recently on the History Channel, Hatfields and McCoys. It’s strange with this director that we don’t see Kevin Costner in this film, but I’m glad they kept him out. Jim Caviezel does a great job with his role.
Nearly every character in the play at some point has to make inferences from what he or she sees, has been told or overhears. Likewise, nearly every character in the play at some point plays a part of consciously pretending to be what they are not. The idea of acting and the illusion it creates is rarely far from the surface - Don Pedro acts to Hero, Don John acts the part of an honest friend, concerned for his brother's and Claudio's honour; Leonato and his family act as if Hero were dead, encouraged to this deception by, of all people, the Friar who feels that deception may be the way to get at truth; and all the main characters in the plot pretend to Benedick and Beatrice so convincingly that they reverse their normal attitudes to each other.
Appearance verses reality of deception is a strong theme present in the play. Deception is perceived as a powerful and destructive force. In one of the first scenes of the film, it becomes the main source of tension between the protagonists, and continues to degenerate their metal state throughout the film. Eventually a web of deception crafted by Iago leads to the final downfall of the main characters.
The Crucible was the turning point in literature and in history. It showed how people were convicted with only a minute amount of evidence. The only thing that would have caused a person to be convicted was if people went into hysterics. However, for someone to be accused of using witchcraft, someone else has to say he or she had seen them practicing it or they were the only person who could see it. The trials caused some of the characters to learn new attributes about themselves. Elizabeth Proctor is more reserved. John Proctor, on the other hand, is more prideful; whereas, Reverend Hale is more confident. These three characters go through their own personal journeys and uncover the person within them beneath the surface, which in turn broadcasts their true identity to the audience.
In Shakespeare’s Hamlet, the characters are very deceptive, and show a clear distinction between their appearance and reality. Claudius pretends to be a loving father, Rosencrantz and Guildenstern pretend to be loyal friends, and Hamlet pretends to be mad. How they appear varies greatly from reality. They lie to protect themselves, and they lie in order to trick others. This is indicative of real life, where people often hide who they truly are. Through the theme of appearance versus reality, Hamlet proves the truth is rarely as it appears.
Then there is the. And finally, Hamlet appears to be mad and insane, but really. He is using his madness to hide his intentions of seeking justice for his father's murder, and his death. The question of appearance versus reality is one. of most significance in philosophy.
...disguise to add comic effect by encouraging humour of an audience via the ‘theories of laughter’. Comic effect is accurately demonstrated by Shakespeare’s incorporation of confusion, disorder and farce. However, it can be concluded that Shakespeare’s use of mistaken identity and disguise was for the purpose of more than just for comic effect, but to highlight the audience more serious topics and challenge social norms and values of the period. Ironically, it can be inferred that Shakespeare has masked his underlying purpose of mistaken identity and disguise with comedy.