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Analysis of The Count of Monte Cristo
The theme of The Count of Monte Cristo is one of vengeance and forgiveness, power and powerlessness. When Dantes is unfairly given a life-prison sentence by his enemies (Villefort, Danglars, and Fernand), he spends every waking moment planning his revenge. As soon as Dantes miraculously escapes and returns to the world with riches, he sees it as a sign that God has opened for him the door of revenge.
He is no longer his former self. Fourteen years behind bars in a dark cell has given him a criminal’s mind. Instead of the innocent, carefree, life-loving boy of nineteen, Dantes is now a hardened, cynical, and mistrustful man in his mid-thirties. It seems a reverse baptism of sorts takes place instantly as Dantes hits the water after being thrown off the cliff by the prison guards. Immediately Dantes begins lying to and using those around him. No longer is Dantes the clear-cut hero.
To show that he is a different person, Dumas refers to Dantes as the Count of Monte Cristo once he returns to society. Now the count, now he has enemies, and plays games with those he dislikes. Though he rewards those who treated him and his father well, most of the story is devoted to Monte Cristo’s desire for vengeance. Throughout the story, Dantes changes disguises in order to deceive those around him and further his own agenda of punishment for his enemies.
Yet when he sees Villefort’s dead son, a truly innocent victim, the count realizes that he has gone too far. For the first time he comes to the realization that perhaps he doesn’t have the gift of Providence, the right to punish others. In efforts to reconcile these feelings, Monte Cristo arranges the marriage between Maximilien and Valentine.
At first he hopes to punish himself by committing suicide, but when Haydee admits her love for him, the count takes it as a sign from God that he is forgiven.
One of the major themes of Alexandre Dumas’s book ‘The Count of Monte Cristo’ is the theme of despair and loss of hope. This theme is shown through many different characters and their struggles throughout the book. I think that this is an important theme because all though the book follows The Count of Monte Cristo through him seeking out vengeance, everything can be lead back to despair and the loss of hope. First, the Dantes family goes through loss of despair and loses hope many times throughout the novel.
As everyone is thinking that Dantes is dead from prison, he really escaped and changed his name to The Count of Monte Cristo. Changing his name was a way to disguise him from being Dantes. After being locked up for so long, no one knew who he was. This disguise kept him from not having to go back to prison, and also helped with getting revenge on those who sent him to prison for no reason. In this novel, since Dantes was not able to be recognized, he used this dishonesty to back at Danglars, Mercedes, Benedetto, and Caderousse.
The Count of Monte Cristo, a captivating novel written by Alexander Dumas, tells the story of a young French sailor, Edmond Dantès, in 1815 who spends fourteen years in prison through the acts of his jealous and conspiring enemies. He eventually escapes with hatred and a vengeance that calculatingly dictates the kind of man he develops into. In this novel the Count of Monte Cristo, in secret Dantès, seeks nearly unrelenting revenge when he returns to Marseilles looking for his enemies. Acting under the self proclamation of divine providence, Dantès spends the first ten years of freedom, a prisoner of no emotion other then vengeful hatred.
“Humble yourself or life will do it for you.” Having too much pride can cause karma to hit you very hard in life. The Count of Monte Cristo and Ozymandias are very common because they have very similar themes of being humble instead of having too much ego. In The Count of Monte Cristo Edmond Dantes, the main character, is in love with a beautiful young lady, Mercedes. His life is going very good to begin with anyway. He was promoted to captain of the Pharaon and was now making much more money than he used to be making. Although Edmond was a very happy and sympathetic person, some people were very envious of him. So Ferdinand, Danglars, and Caderousse, which were envious for very diverse reasons, decided to write a letter to the public prosecutor stating edmond’s visit to The Isle of Elba actually did indeed happen. The public prosecutor, Villefort, sees that the letter was intended to be
Though he may seem acquitted and amiable, Gerard de Villefort can be dangerous and even murderous. Gerard has done numerous things in his life to corroborate his sinfulness, including the assayed murder of his son, Andrea, by burying him alive when he was a newborn. Gerard is also one of the three main conspirators in the Count's arrest and imprisonment; it is he who is the most measurable of the three. The Count, Edmond Dantes, was an innocent man about to be married, before Gerard’s conception between right and wrong was twisted by the name of his father in a letter. Also, Gerard forces his wife to commit suicide; even though he had had many faults of his own.
While he lies on the ground gasping for breath, Caderousse tells the Abbe Busoni that he does not believe in God. Only moments later, Edmond Dantes reveals himself to him, and he spends his dying breath asking the Lord to forgive him. Edmond Dantes, looking at his corpse, whispers “one”. This was the first evident moment in Alexandre Dumas’s The Count of Monte Cristo where Edmond Dantes achieves any justification on his enemies for the wrongs they have done to him. After twenty years of meticulous planning, Dantes carries out his plan of ultimate revenge on his enemies in order to achieve the justice he believes he deserves. In his novel, Dumas shows that to obtain true justice—whether personal or societal—one must understand the limits of
The story begins with the Marquise de Merteuil corresponding with Vicomte de Valmont regarding a luscious new act of ‘revenge’, as she describes it, against the Comte de Gercourt. The young Cecile de Volanges has just come home from the convent and her marriage to Gercourt has been arranged. However, before he can wed the innocent child, Merteuil proposes Valmont ‘educate’ her, thus spoiling Gercourt’s fancy for untarnished convent girls. Valmont is uninterested in such an easy seduction and is far more aroused by the thought of lulling The Presidente’ de Tourvel, the very epitome of virtue, into submission. And so the tale unfolds.
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
At the Capulet feast, Romeo and Juliet’s first kiss is interrupted by the nurse, who warns that he is the only son of her family’s worst enemy. The contradictory ideas of “only love” and “only hate” are expressed in a paradox that signifies the grave consequences of Juliet’s love.
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Dante's "Inferno" is full of themes. But the most frequent is that of the weakness of human nature. Dante's descent into hell is initially so that Dante can see how he can better live his life, free of weaknesses that may ultimately be his ticket to hell. Through the first ten cantos, Dante portrays how each level of his hell is a manifestation of human weakness and a loss of hope, which ultimately Dante uses to purge and learn from. Dante, himself, is about to fall into the weaknesses of humans, before there is some divine intervention on the part of his love Beatrice, who is in heaven. He is sent on a journey to hell in order for Dante to see, smell, and hear hell. As we see this experience brings out Dante's weakness' of cowardice, wrath and unworthiness. He is lead by Virgil, who is a representation of intellect. Through Dante's experiences he will purge his sins.
Dante makes himself everyman, and the journey that God decreed through hell is one man’s personal transcendent journey from deep intellectual moral confusion to a sound and steadfast faith and hope, in which Dante renews his faith. Dante awakens our hope, and warns against moral complacency by peeling away the dangerous illusions of adequacy, leading one upward, toward the eternal heart of reality. Dante compels the reader to share his growing abhorrence of sin and his obligation to uphold God’s will. The poem’s purpose is to re-awaken Dante, and, by extension, the reader, to the reality of sin and the accompanying need for confession and repentance, to return to the straight path that leads to eternal salvation.
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradise. Dante presents these principles in Inferno, where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell, the degrees of sin get progressively worse, as do the severity of punishment.
(For clearer explanation in this essay, Edmond Dantès refers to Edmond Dantès and what he becomes later novel after his symbolic death in prison, the Count of Monte Cristo.) In action of his revenge, the murder of Caderousse’s wife, Monsieur le Marquis de Saint-Méran and Madame la Marquise de Saint Méran, Héloïse de Villefort, and Barrois happen with no from remorse Dantès. These victims most had nothing to do with the Dantès directly. They were just pawns of his little game of revenge. “The problem of innocent suffering does not trouble Monte Cristo, even though his revenge wreaks devastation on whole families.”(Aubrey 2) Even though he is sent to prison wrongfully, he should not be able to ruin so many lives for his act of revenge. Also, over the course of the book, he confuses his desire for revenge and claims various times that his revenge is for justice. “Revenge is mostly about “acting out” (typically through violence) markedly negative emotions. Revenge is, by nature, personal; justice is impersonal, impartial, and both a social and legal phenomenon.” (Seltzer 1) Revenge is the thing that clouds his morals most, and the fact that he even thinks he is God-like for most of the story shows how disconnected he is, morally. “Dantès puts himself in a position that is god-like to exercise complete
Juliet cries a lot when she finds out about her husbands fate. Her parents think that she is grieving about the death of her cousin, but instead Juliet is crying for the murderer of her deceased cousin. The nurse brings Juliet the bad news about Romeo (Juliet’s husband) and Tybalt (Juliet’s cousin). She tells Juliet that Romeo has been banished form Verona for murdering Tybalt, who killed Mercutio. Juliet is devastated by this news and starts to mourn about her banished husband (Romeo). Later that day, Paris comes over to the Capulet residence to talk abou...