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Clueless as an adaptation of Emma
Comparing emma and clueless
Comparing emma and clueless
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Recommended: Clueless as an adaptation of Emma
The Connection Between Clueless and Emma
A valuable connection can be made be made between Jane Austen's 'Emma'
and Amy Heckerling's 'Clueless' although fashion, customs, society and
language differ between the two. The connection is made through the
plot, characters and inevitable human nature. The themes of vanity,
rank, status and gossip link the two medias and create a valuable
linkage in relating the 19th century life with the contemporary world.
Fashion is constantly changing, season to season, year to year, decade
to decade. Despite these changes, the human urge of vanity allows for
the nature of fashion to always remain the same; it is a reflection of
the person underneath and their position in society. Although Austen
does not give us much physical description of Emma's world we know
that dressing right is important. Mrs. Elton comments that Emma's
dress "did not have enough lace" therefore implying that the dress was
cheap; a daring insult. The world of 'Clueless' revolves around
fashion. Keeping up with the trends and dressing to suit one's image
is very important. Cher insults Amber by suggesting that she is
wearing "designer impostor perfume" and this is insulting because it
is only accepted to have the real thing which is ten times more
expensive. So although we know that we will never see Emma in a mini
skirt or Cher in a full body corset, the nature of fashion is a valid
link between 'Emma' and 'Clueless'.
Customs, values and society all interrelate and rely on each other to
form one's lifestyle, including their rank and status. Customs, values
and society differ in every race and as time goes by, it is constantly...
... middle of paper ...
...e, setting,
culture and fashions are different; rich, smart, spoiled girl, living
a charmed life. The characters directly link the novel to the movie,
as the contemporary stars are new adaptations of their classical
counterparts. Cher is Emma, Josh is Mr. Knightly, Christian is Mr.
Churchill and so on. Therefore, 'Clueless' is a transformation of
'Emma', connected by the plot and characters.
In summation, the valuable connection can be made between 'Emma' and
'Clueless' via the common messages portrayed and the plot and
characters. Vanity, rank, status and gossip are examples of the many
themes that establish the link through mere, unchangeable, timeless
human nature along with the plot and characters. Heckerling has
successfully transformed 'Emma', making it a valuable media allowing
it to be appreciated by all.
She has got tall slender body with slim legs and nice feet. Due to her body structure, every dresses flatter her appearance and make her look adorable. She is usually seen wearing skirts and pants. She is also seen wearing informal like jeans when she is not working. She usually wears high heels that suits her dresses and feet.
When Emma Goldman is searched, there is usually one word associated with her. The word most commonly seen is Anarchism. Emma Goldman was an Anarchist, and that title along with other details about Goldman affected and followed her for the rest of her life and even afterwards. Goldman’s gave a speech titled “Address to the Jury” on July 9, 1917, and this address became one of her most remembered speeches. Goldman’s gave “Address to the Jury” because of her history and Anarchism, and she used the speech to share her point of views.
What particular points was Amy Heckerling trying to make when she transformed Emma into Clueless?
In the novel, “A Lesson Before Dying,” Jefferson is convicted of a murder that he did not commit. As his defense attorney pleads with the jury, “Gentlemen of the jury, be merciful. For God's sake, be merciful. He is innocent of all charges brought against him. What justice would there be to take this life? Justice, gentlemen? Why, I would just as soon put a hog in the electric chair as this." (Gaines 6). Throughout the novel, Jefferson’s humanity is lost and he loses hope in himself as a human being. He associates his self-worth with a filthy animal, dehumanizing himself and taking the public defender's words to heart. He has little value for himself because he knows that society doesn't value him either. Miss Emma makes it her sole priority to
the brim and a navy blue dress with a small white dot in the print. Her collar and cuffs
Novels: the first form of social media. Jane Austen’s works continue to suggest how society should function. In her most highly lauded novel, Emma, Jane Austen creates a blueprint for the foundation of a well-matched, highly-mannered, and cohesive community. Consequently, contemporary authors and journalists reference well known characters in Emma to provide readers with a more grounded foundation to fully grasp the whole concept of the passage or article. Although Emma is a two century-old novel about a woman’s encounters with love, people continue to incorporate its message and plot into everyday life. (add a stronger thesis here)
Jane Austen’s Emma and the Romantic Imagination "To see a world in a grain of sand And a heaven in a wild flower Hold infinity in the palm of your hand And eternity in an hour." —William Blake, ‘Auguries of Innocence’ Imagination, to the people of the eighteenth century of whom William Blake and Jane Austen are but two, involves the twisting of the relationship between fantasy and reality to arrive at a fantastical point at which a world can be extrapolated from a single grain of sand, and all the time that has been and ever will be can be compressed into the space of an hour. What is proposed by Blake is clearly ludicrous—it runs against the very tide of reason and sense—and yet the picture that the imagination paints of his verse inspires awe. The human imagination supplies the emotional undercurrents that allows us to see the next wild flower we pass on the side of the road in an entirely different and amazing light. In Austen’s Emma, the imagination is less strenuously taxed because her story of sensibility is more easily enhanced by the imagination, more easily given life than Blake’s abstract vision of the great in the small because Emma is more aesthetically realistic. However, both rely on the fact that "[t]he correspondence of world and subject is at the center of any sensibility story, yet that correspondence is often twisted in unusual and terrifying shapes," (Edward Young, 1741). The heroine of Austen’s novel, Emma Woodhouse, a girl of immense imagination, maintains it by keeping up with her reading and art because, as Young contends, these are the mediums through which imagination is chiefly expressed by manipulating the relationships between the world and the subject at hand. However, even in this, Emma’s imagination falls short. "The soul might have the capacity to take in the ‘world’ or the ‘atom’ if it weren’t for the body’s limitations getting in the way," (Joseph Addison, 1712). As Addison supposes, the limitations of Emma’s body keeps her from seeing the truths that her soul, if let free, would show her. One of these is that Frank Churchill, a handsome and well-bred man, is insincere and fake, while Mr. Knightley truly loves her like no other. In Emma’s love theme, Austen shows us how emotions and imagination can augment each other. "[I]t was…sensibility which originally aroused imagination;…on the other hand…imagination increases and prolongs…sensibility," (Dugald Stewart, 1792).
Emma Woodhouse of the Jane Austen novel Emma, is part of the rich, upscale society of a well off village in nineteenth century England, while Cher Horowitz the main character of the movie version Clueless, lives in the upscale Beverly Hills of California. The Woodhouse family is very highly looked upon in Highbury, and Cher and her father are also viewed as the cultural elite. The abuse of power and wealth, arrogance, and a lack of acceptance all prove that the class status of these families plays a significant role in the shaping of both the novel and the video.
Women in this period wore dresses, formally known as gowns, or skirts for daily activities and formal occasions. The gowns of the sixteenth century are considered the most beautiful gowns of any era (Pendergast & Pendergast 469). The styles changed from year to year, but the basic style of a tight-fitting upper body and a full skirt that reached one’s ankles remained (Hanson). Females of the lower class wore less tight undergarments because they ...
Emma also transforms into a proper woman through correcting her original neglect. Trollope states that “[i]n every passage of the book she is in fault for some folly, some vanity, some ignorance, or indeed for some meanness” (7)19. Because of her ignorance toward attitudes of her neighbors, Emma interferes through their lives in a way that makes them unhappy, for “she had often been negligent” (Austen 359)20. Mr. Knightley predicts the outcome of Emma’s plans in the beginning of the novel when he states that “[y]ou are more likely to have done harm to yourself, than good to them by interference” (Austen 8)21 and also that “[v]anity working on a weak head produces every sort of mischief” (Austen 53)22. Not only is Emma stubborn toward her actions, but she is also negligent to herself when she convinces herself “I cannot really change for the better” (Austen 73)23. On other matters about her plans for others, Emma’s consideration falls short through her own selfishness and withholding of her pride, for “[t]he longer she considered it, the greater was her sense of its expediency” (Austen 27)24.
Emma, a novel by Jane Austen, is the story of a young woman, Emma, who is rich, stubborn, conniving, and occupies her time meddling into others' business. There are several recurring themes throughout the novel; the ideas of marriage, social class, women's confinement, and the power of imagination to blind the one from the truth, which all become delineated and reach a climax during the trip to Box Hill. The scene at Box Hill exposes many underlying emotions that have been built up throughout the novel, and sets the stage for the events that conclude it.
In Jane Austen’s Emma, an emphasis is placed on the importance of female friendships. In particular, Austen places a great deal of emphasis on how Emma treats the women she calls her friends. In many ways, Emma manipulates the people in her life to fit her specific expectations for them. This can be seen in her matchmaking, especially Harriet’s relationship with Mr. Martin. Emma’s manipulation of various relationships serves as a way to control the friendships she has with the women in her life. By matching her friends with the men she has chosen for them, Emma can not only elevate their status but also keep these women in her life as well. It is only when her friendships are affected by marriage that Emma re-evaluates the role of marriage in her own life.
To be a mentor is to hold influence over a person’s actions or education. Overall, “Emma” is a novel about the influence that people hold over each other, and how that influence can affect people. Conflict is built by different characters who view themselves as mentors struggling to assert their opinions over others and pupil characters who accept their mentor’s opinions without bothering to form their own.
In Jane Austen’s social class and coming of age novel, Emma, the relationships between irony, insight and education are based upon the premise of the character of Emma Woodhouse herself. The persona of Emma is portrayed through her ironic and naive tone as she is perceived as a character that seems to know everything, which brings out the comedic disparities of ironies within the narrative. Emma is seen as a little fish in a larger pond, a subject of manipulating people in order to reflect her own perceptions and judgments. Her education is her moral recognition to love outside her own sheltered fancies and her understandings of her society as a whole.
choose a white and lavender dress. It looked like one of those dresses that Cinderella