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The merchant canterbury tales character analysis
The Canterbury tales the clothing and how its important to the story
The merchant character canterbury tales
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Sometimes a character is not fully revealed right away in order to surprise and convey a specific purpose later on. Chaucer demonstrates this idea in The Canterbury Tales, specifically with the Merchant character. In the General Prologue, Chaucer portrays the Merchant as a respectable character; however, he hints aspects of the Merchants personality that question this respectable image. The Merchant’s entire personality is later revealed in his Prologue and Tale, as it is made evident of his cynical and pessimistic outlook, making him less respectful.
In this novel, the Merchant is categorized as a salesman and trader who imports and exports wholesale goods from several countries. Toward the end of the 14th century, merchants had an economic and political position, resulting in the rise of their social class (Reale 95-96). Chaucer’s first mention of the Merchant pilgrim describes his appearance; his “forking beard and motley dress” (Coghill 10) are an indication of his social class and type of profession. The bright clothing indicates a lower class and a specific London merchant group, or “livery,” suggesting a lack of integrity. However, the outlandish clothing allows this Merchant to stand out and gain attention, so people can remember him and what he is selling (Reale 94-95). In contrast, he wore “upon his head a Flemish beaver hat and on his feet daintily buckled boots,” (Coghill 10) items he could obtain since he was a trader. These clothing items were symbols of wealth and suggests he traded mostly wool, especially since he traded in “Harwich–Holland”, or referred to as Orwell and Middelburg on the Dutch Coast (Reale 95-96). Thus, his entire outfit indicates that although he is of social decline, he still is able to obtain ...
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...." The English Review (2009): 1-4. Student Resources in Context. Web. 3 December 2013.
Reale, Nancy M. "Chapter 9: A Merchant Was There With a Forked Berd." Chaucer’s Pilgrims: An Historical Guide to the Pilgrims in The Canterbury Tales. Ed. Laura C. Lambdin and Robert T. Lamdin. Westport: Praeger, 1999. 93-107. Print.
Owen, Charles A., Jr. “The Design of the Canterbury Tales.” Companion to Chaucer Studies. Rev. ed. Ed. Beryl Rowland. New York: Oxford University Press, 1976. Print.
Schoeck, Richard J., and Jerome Taylor. Chaucer Criticism; an Anthology. University of Notre Dame, 1960. Print.
Stillwell, Gardiner. “Chaucer’s Merchant: No Debts?” The Journal of English and Germanic Philology. University of Illinois Press, 1958. 192-96. Print.
Zesmer, David M. Guide to English Literature: from Beowulf through Chaucer and Medieval Drama. New York: Barnes, 1961. Print.
Boardman, Phillip C. "Geoffrey Chaucer (c. 1343-1400)." Enduring Legacies: Ancient and Medieval Cultures. 6th ed. Boston: Pearson Custom Pub., 2000. 430-54. Print.
Mandell, Jerome. Geoffrey Chaucer : building the fragments of the Canterbury tales. N.J. : Fairleigh Dickinson University Press, 1992.
Toswell, M.J. "Chaucer's Pardoner, Chaucer's World, Chaucer's Style: Three Approaches to Medieval Literature." College Literature 28.3 (2001): 155. Literature Resource Center. Web. 25 Feb. 2011.
Chaucer, Geoffrey. The Canterbury Tales. Norton Anthology of World Masterpieces. Ed Mack, Maynard et al. W. W. Norton and Co. New York, NY. 1992.
In The Canterbury Tales, written by Geoffrey Chaucer, the stereotypes and roles in society are reexamined and made new through the characters in the book. Chaucer discusses different stereotypes and separates his characters from the social norm by giving them highly ironic and/or unusual characteristics. Specifically, in the stories of The Wife of Bath and The Miller’s Tale, Chaucer examines stereotypes of women and men and attempts to define their basic wants and needs.
The structure Geoffrey Chaucer chose for his masterpiece, The Canterbury Tales, of utilizing a melange of narrative voices to tell separate tales allows him to explore and comment on subjects in a multitude of ways. Because of this structure of separate tales, the reader must regard as extremely significant when tales structurally overlap, for while the reader may find it difficult to render an accurate interpretation through one tale, comparing tales enables him to lessen the ambiguity of Chaucer’s meaning. The Clerk’s Tale and The Merchant’s Tale both take on the institution of marriage, but comment on it in entirely different manner, but both contain an indictment of patriarchal narcissism and conceit.
The Shipman in the General Prologue of Geoffrey Chaucer’s The Canterbury Tales is perfectly suited to his tale, The Shipman’s Tale. The Shipman in the General Prologue and the monk in The Shipman’s tale are both masters of trickery. They are both also very cunning, in a sly manner. Furthermore, neither the Shipman nor the monk show any signs of feeling regret, remorse, or sorrow for what they did. The Shipman and the monk in his tale are so much alike, that the monk can be seen as an extension of the Shipman himself.
The Canterbury Tales, written by Geoffrey Chaucer, has gone through many adaptations. Some authors decided to translate the story into verse, while others chose to write the as a narrative in prose. Although all adaptations are based off the same story, they are vastly different and can be the result of opposing interpretations of the original work. After reading a text translated by Nevill Coghill (referred to as Version I) and a text translated into a narrative by a different author (referred to as Version II), it is obvious that for each similarity they share, there are many more differences in language, syntax, and imagery as well.
Mitchell, J. Allan. (2005). Chaucer's Clerk's Tale and the Question of Ethical Monstrosity. Studies in Philology. Chapel Hill: Winter 2005. Vol.102, Iss. 1; pg. 1, 26 pgs
Many pilgrims in Geoffrey Chaucer’s Canterbury Tales held a religious position. Some of these people’s personal ideas have caused debates and criticism over Chaucer’s opinion of the Catholic Church. Critics have discussed the ideas that were presented both subtly and openly. Two of the pilgrims and their tales will be discussed: the Prioress and the Pardoner. Both of these tales offer points of criticism in the Catholic Church.
Geoffrey Chaucer’s Canterbury Tales embodies Middle Age ideas while incorporating his own values. He conveys these ideas and values by creating stories for twenty nine different men and women taking the religious pilgrimage to the Canterbury Cathedral. These characters include immoral clergymen, poor, yet virtuous farmers, an honorable knight and more. Chaucer’s value of honesty, humility, and hard work juxtaposes Middle age ideas such as religion, wealth and hierarchy.
The Canterbury Tales. Trans. Nevill Coghill. Literature: The British Tradition. Ed.
...an see, when reading a work such as The Canterbury Tales, there are many advantages and disadvantages to the work being in both middle and modern English. Before reading such a work, one must realize his or her own purpose for reading the work and then decide on which version to read. It is the opinion of many that it is beneficial to read both versions in order to educate one self about both languages as well as to experience the evolution of the English language. The English language has changed greatly over the many centuries since the time this work was written. However, this work helps create a bridge between the languages of the middle and modern English worlds. This was a work that transcended any work previously written and one that will continue to have an important place in the history of English literature and the English language as a whole.
Chaucer, Geoffrey. "The Project Gutenberg EBook of Troilus and Criseyde." 12 July 2008. Project Gutenberg. Web. 27 November 2013.
Chaucer is not some unknown literary author who is known only by a dozen people in the English field. Besides Shakespeare, Chaucer is probably one of the most well-known contributors to English literature, if not the most well-known. His name is instantly recognizable, and many a high school student learned of him through the oftentimes-painful reading of his most famous work, The Canterbury Tales. Chaucer’s work is an extremely important text in terms of the evolution of the English language; The Canterbury Tales set itself apart from other literary works at the time by being one of the first pieces of literature to be written in English instead of French, and its extreme popularity spurred the creations of even more English literature, allowing the language to regain its prominence and evolve into the English we know today (“Chaucer”; Kemmer). Today, it’s the most prominent example of Middle English work, and is studied not just for its literary worth but as evidence of what the language was like at the time. The Canterbury Tales and Chaucer’s importance are extreme, and the author enjoyed his fame during his life as well as long after, largely due to his abilities to make sound decisions, take risks, learned to learn as a professional, and transfer knowledge, skills that people even today can utilize to be successful.