The Complete Maus And The Terror Of The Holocaust

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When Germany was left to handle the aftermath of losing World War I, the Nazi Party, led by Adolf Hitler, promoted extreme German nationalism and anti-Semitism to unite and give the Germans something to believe in, justifying the genocide of Jewish people in the Holocaust. Using illustrations, The Complete Maus details the experience of Vladek Spiegelman, a Holocaust survivor, in the concentration camps and uncovers how his experience has affected his life after. Without the cloud of words, the simplicity of the graphic element in Maus exposes and magnifies the terror of enduring the Holocaust. In my paper, I will address the importance that the artwork in Maus contributes to the overall story. Specifically, using visual examples from Maus, I will argue that the hatred inflicted by the Nazis, the dehumanization of the Jews, and the lasting impact on Vladek’s life emphasizes the terror of the Nazis’ repressive control. Then using Origins of Totalitarianism, I will connect ideas that serve to explain the rise of racism to the graphics of Maus to get an in-depth understanding of the visual representation. With Hannah Arendt’s Origins of Totalitarianism as a tool for analysis, I will argue that the graphic element implemented into Art Spiegelman’s The Complete Maus magnifies the terror of the Holocaust by portraying the Nazis as a menacing oppressor, the Jews as an innocent victim, and the scenes set in the present as an awakening to the long-term effects of racism.

It was instilled into the minds of the Germans that they held the highest level of the social hierarchy and that Jews occupied the lowest. This mindset was translated into the illustrations of the Nazis in Maus. Figure 1 (Spiegelman 1991: 185) displays the ...

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...ncentration camps. As illustrated, the characterization of the Nazis as persecutors, categorization of Jews as innocent, and storyline breaks as revelations to the presence of racism project beyond the page to the realization that the events illustrated in the book were real and serve as a lesson from which to be learned. Similar to how the graphics used in Maus magnify an authenticity and add a powerfulness that cannot be portrayed through words, the Post-Colonial film, The Battle of Algiers, which depicts the Algerian’s fight for independence against the French, uses video and sound to exude an impartial portrayal of the terror felt by both the Algerians and French. Despite the heaviness of the content, the images from The Complete Maus and video from The Battle of Algiers are able evoke a poignancy and portray veraciousness more effectively than words alone.

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