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Sustainable architecture and urbanization
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Introduction
The city of Paris is famous for its obsession and its long tradition of designing its urban spaces, fact demonstrated from the large number of more than 450 designed public spaces (gardens, squares, parks, promenades etc.) included in its greater area. In the same time, many of the parisian gardens and parks seem to be heritage from its royal past or presents from previous presidents and mayors of the city and often tend to be ‘museumfied’.
An exceptional example between this plethora of designed urban spaces Paris has to offer is Jardins d’Éole. Designed in 2005 from Michel and Claire Corajoud and Georges Descombes as a “living space” or “space for life”, Jardins d’Éole distinguishes itself from the rest of the cases for several reasons; Firtsly, its location: Cour du Maroc (as the site’s name was before its redesign and rename to Jardins d’Éole), was a 4,2 hectars former rail yard stripe, placed near the center of the city between the 18th and the 19th arrondisement, in an interesting but complex urban area, between the built environment and the railway. The surrounding destrict is historically inhabited by a low-income, predominately immigrant, multicultural, underprivilleged and diverse community of users. The new park is a fruit of ten years of activism and environmental mobilization of its community ,represented by a neighborhood association, claiming the space as essential for the improvement of their everyday life conditions in the most dense area of Paris. Finally, the sucessful role of Jardins d’Éole as an inclusive urban space and interactive platform for its users, trying to reduce social and spatial inequalities make it an innovative examble of suastainable urban design.
History of the site...
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...he linearity of the site and introduces different recreational and interactive functions to its visitors combined with environmental issues. Entering from south east an open lawn meant for picnics and relaxing is located between a linear space of a swatch of gravel meant to be a wildflower garden and the large clay wallunder the viaduct. The clay wall is created by the artist Carmen Perrrin and
Works Cited
Newman, Andrew; Contested Ecologies: Environmental Activism and Urban Space in Immigrant Paris , published online, City & Society, Vol. 23, Issue 2, 2011 p. 192–209
Malcolm, Woollen; Les Jardins d’Éole: extending the picturesque, Studies in the History of Gardens & Designed Landscapes: An International
Quarterly, 33:4,2013, p. 290-304
Jole, Michel; The public of parks: in between observation and action, Urbani izziv, vol. 19, No. 2, Ljubljana, 2008
Henri Lefebvre was a French social theorist and philosopher who had been appropriated into the world of urban studies by a generation of geographers, architects and urban planners. The Production of Space is often cited as Lefebvre’s best-known work despite the English translation not being issued until 1991, 17 years after its first publication in French (1974). In France, Lefebvre is known as a “Marxist philosopher cum rural-urban sociologist” who “brought an accessible Marx to a whole generation of French scholars” (Merrifield 2006: xxxvii). During Lefebvre’s career he penned 67 books; however, to this day the majority have not been translated into English, which explains why The Production of Space is his most influent work in English speaking countries. The book itself takes in a vast array of disciplines and is informed by the “project of a different society, a different mode of production, where social practice would be governed by differe...
During the last half of the 1800’s and the early part of the 1900’s urban population in western Europe made enormous increases. During this period France’s overall population living in cities increased twenty percent, and in Germany the increase was almost thirty percent. This great flow of people into cities created many problems in resource demands and patterns of urban life. These demands created a revolution in sanitation and medicine. Part of this revolution was the redesigning of cities. G.E. Baron Von Haussmann was the genius behind the new plans for the city of Paris.
Of the many problems affecting urban communities, both locally and abroad, there is one issue in particular, that has been victimizing the impoverished within urban communities for nearly a century; that would be the problem of gentrification. Gentrification is a word used to describe the process by which urban communities are coerced into adopting improvements respective to housing, businesses, and general presentation. Usually hidden behind less abrasive, or less stigmatized terms such as; “urban renewal” or “community revitalization” what the process of gentrification attempts to do, is remove all undesirable elements from a particular community or neighborhood, in favor of commercial and residential enhancements designed to improve both the function and aesthetic appeal of that particular community. The purpose of this paper is to make the reader aware about the significance of process of gentrification and its underlying impact over the community and the community participation.
In chapter 8, the author Barry Bergdoll has written about how urban planners were reinventing new concepts to change and improve urban life as well as solve problems relating to poverty and congestion. The author continues the chapter discussing further in depth problems that occurred in Paris, France. For example, due to the narrow streets in Paris it limited and prevented military officers from stopping riots. However, for Napoleon Bonaparte the narrow streets were in his favor when he overthrew the government. Additionally, Napoleon Bonaparte had a goal to create a new more Modernist architecture layout for Medieval Paris by replacing the old layout. Also, Napoleon Bonaparte’s vision for the city of Paris included widen streets, so that
The main driving element in William Morris’s life has been the nature around him and the houses he lived in. The most prominent influence was the Kelmscott Manor. Therefore, I chose to go with Kelmscott Manor’s layout plan that exhibits the “inspirational garden “ that led to most of his design decisions, a map that depicts the pockets in the manor and how Morris was inspired by it. In addition to this, an original drawing of the Kelmscott Manor’s exterior that depicts how the manor amalgamated within the garden. To reinforce this, I picked a watercolor of the Kelmscott Manor and a photo that captivates the various perspectives of the garden in the manor. Moving on to his designs that interprets his love for nature I picked up the very first of his wallpaper design of the trellis that has a very naturalistic touch to it with the vines which seemed to be an extension of the “inspiration garden” on to the paper. Also chose one of the wallpapers he designed during the middle of his lifetime and one of his last designs as well. The underlying concept behind picking those was to outline the consistency in his design concept throughout his life. William Morris was a poet , whose poetry and compositions were also inspired by nature, and to depict his poetry in form of naturalism concept I picked a stance from one of his compositions that talks about forest, flora and fauna which directly ties to his underlying concept. Also the compositions he wrote always had engraved borders which was ...
That’s why it holds the title of most filmed public park in the world. Awesome!
Haussmann separated the city by making it into a geometric grid, with the majority of his "Grands Boulevards" running east to west and north to south. This plan brought a new symmetry to Paris, which it desperately needed. The narrow, winding streets that Paris was kn...
Items displayed in museums hold historical significance and are representative of society’s culture. Preserving valuable collections for education and enjoyment is a primary role of museums. While fulfilling this role, the architecture of the museum is also an important factor. Historical buildings are converted into museums and architects must consider the use of the space and the museum’s purpose during their initial design. Other museums are built with a clear purpose in mind. As museums are designed, many characteristics are determined. Display and storage spaces as well as visitor services impacts museum’s functionality. Based on the function of a museum, architectural requirements are different.
Kleiner, F.S., Mamiya, C.J., Tansey, R.G. (2001) Gardeners Art Through the Ages. Eleventh Edition, Harcourt College Publishers, Orlando, USA.
As there was a lot of modern thinkers, y were also many modernisms. To reaffirm what distinguishes the modernist in the modern was a new spatial sensitivity often influenced by modernist architecture and/or of a vocabulary, which has drawn in recent surveys in the field of plastic arts. to a gross level the distinction could also be made between a classic modernism which transforms and supplied a spatial structure classic, and the other more rigorously applied the liberalization of the spatial structure colored by more painterly or sculptural sets of forms. In the former category falls the beginning of the work of the Japanese architect Sutemi Horiguchi. In the gardens of the modern landscape, Christopher Tunnard published images of the garden
But how does one even begin to fathom what makes a public space worthy to the users and the city? Is it purely the design of the building? Or is it the function of the building? Or is it in fact how the function of the desired spaces and the vision of the designer work together to create the experience?
On September 9th, 2017 at approximately 7 p.m., I went to Gracedale Public Park to carefully conduct my observation on the individuals, who were at the park and their specific activities in the one hour of time. When I got there, the weather was beautiful with soft winds, a clear sky and with some dim sunlight. The park was full of people of all ages. Though, there were more kids than adults and some teenagers. There were many bicycles and strollers parked beside the tree I sat under. After a couple of minutes, the park filled up with more and more individuals and everyone seemed busy doing their own actions.
Over the 50 years of documentation of the city of Montreal through the films seen in class, this city carries on the vibrant energy and busy atmosphere. A common factor from these films portrays Montreal’s never ending construction and poor road conditions. Nonetheless, many changes have been induced that could be seen as positive or negative depending on one’s perspective. The architecture of the city has changed due to the hope of creating a much better living buildings, notably its people and culture have changed. From the films, Montreal by Night from 1947, Le Cinq Septembre a St-Henri from 1962, La Memoire des Anges from 2008, showcase the changing evolution of fashion, climate, religion and open-air activities.
“The Belly of Paris” is a novel by Emile Zola that illustrates the series of events of Florent upon arriving into Paris. The novel is centered around Florent’s need for revenge against the French Empire that had wrongly accused him of plotting to overthrow the government. Zola uses vivid imagery and engaging characters to describe the social and political constructs of Paris during the 1850s. To provide historical background, 1850s France was a highly stratified society upon the rise of the bourgeoisie class (Jackson). The rise of the middle class created an increasing tension both socially between classes and politically against the Second French Empire (Jackson).
... architectures would led to a more organic organization beneficial to the people that choose to make their lives in this city. Although this model of a sustainable city is not a perfectly closed loop, it lays the foundation for one that is. Over time, with constantly evolving and improving technology and new methods of design from the scale of products to buildings, the gaps in the loop could be closed, and a “true” sustainable city could be fully realized.