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Baroque art difference between french and italian
The role of women in the art
Baroque art difference between french and italian
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The painting “The Child in a Red Apron” was created in 1886. The artist of this painting is Berthe Morisot, she was a French painter who lived from 1841-1895. The mediums she used were oil on canvas. The scene she painted consisted of her daughter looking outside to the snowy landscape. The colors of the painting draws the viewer’s attention to the little girl, the lines also help make the little girl stick out, and the space of the painting focuses on the little girl.
In the painting “The Child in a Red Apron” the painter uses a lot of reds and blues that create contrast. Soft colors in the background contrast with the brighter reds and blues to get the viewer to focus on the girl. In the Baroque time period reds and blues were used to show the importance of the person that was painted. These colors are used on the central figure of this painting to show the child as the most important part of the painting. Berthe Morisot was selective with her colors, she did not use very many different color. Red, blue, light blue, green, brown and a little white were used. The
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She has been placed in the foreground and is more detailed than the background. In the middle ground there are trees and in the background a small town can be seen. There is the illusion that the child is in a room and looking out at the snowy town. There is the illusion that there is a window between the outside and the central figure. In the painting the girl is painted in the center to highlight that she is the main focus. She also encompasses most of the canvas. Berthe Morisot painted the girl as the largest figure to show she was the central focus. There is illusion of space, if this painting was bigger it would be like the viewer was standing behind the girl watching her look outside at the snowy landscape. The viewer would feel like they are in a room that is not completely shown in the
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
Since the painting focuses on depth, the picture is read near to far, starting with the obvious painstaking details in the foreground, and ending with the massive background.
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
The piece shows Marie posing with her three children, the reason for this painting was to create a public message depicting her as more than just elegance and put her on the same level as the general public. Because the painting was meant for the eyes of the general public the painting is rather bland and lacks detail. Instead of Marie looking down on the population showing off her lavish and extravagant items she has just her children attempting to depict herself as a regular mother just like every other female raising children. There is very little details in the paint except for the empty baby carriage which was most likely only included to honor the death of one of her children at a young
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
When looking at the painting it gives us a glimpse of the past. It looks almost like a photograph. The fine detail from the building on the right with the statue on top. The citizens walking around.
The painting has an order and there are different shapes and angles. Rectangular shape is main trend around this piece, including the wooden chest, the leg rest and the canvass. Also things overlap, creating the illusion of the shape look closer to viewer than the shape behind it. The example in this piece would be the chair on which Adelaide Labille Guiard sits be close to viewer than the girls behind it. This adds depth to the space. Also due to linear perspective girls behind the chair are smaller due to being farther away.
She shows the true culture of her family’s life and how they act. Artistically, this frame includes lots of detail and is realistic. Behind the doors and windows is a blank, only shaded area. The conversation between the two sides shows the ignorance of her parents. While the child looks angry and seems to have looked everywhere (with the draws being opened already). This shows that the family does have transparency and doesn’t constantly cover-up the truth.
The painting is intimate, almost as if was not meant for the eyes of the viewer. The mother gently holds the baby, within her arms, as she feeds him. The mother’s gaze is met by the child as it reaches out to touch her face. The background is simple, emphasizing the closeness between the mother and child, much like Le Brun’s piece. Additionally, Cassatt’s The Child's Bath, 1893 “with its striking and unorthodox composition, is one of Cassatt’s masterworks” (“The Child's Bath”). Within this composition, she employed the use of unconventional devices such as cropped forms, bold patterns and outlines, and a flattened perspective (“The Child's Bath”). Cassatt utilizes a pastel-like color scheme, exemplifying the delicateness and tenderness between the mother and her bathing child. Her brush strokes are swift and gentle, again, suggesting the passionate, yet soft, love the mother has for her child. The elevated vantage point invites the viewer to observe this intimate moment, but not to
There is a lot of repetition of the vertical lines of the forest in the background of the painting, these vertical lines draw the eye up into the clouds and the sky. These repeated vertical lines contrast harshly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, is quite static and flat, whereas the foreground and middle ground of the painting have quite a lot of depth. This static effect is made up for in the immaculate amount of d...
The painting can be found at the Washington’s National Art Gallery. Further, this artwork is an important piece of art created during her mature career. Cassatt depicts the young girl alone within a domestic exterior. The informal posture, as well as the evident brushwork, are attributed to impressionism while the asymmetrical structure, the hasty scene cropping, and the shallow space indicate the Japanese art inspirations. Additionally, the young girl seated in an unselfconscious and sprawling manner is a reminder to the viewer of her young age
This painting of four girls in an elegant room and doorway of what I presume to be their home, is a very posed, stagnant depiction. Three of the girls appear to be staring blankly at the painter, while one stands facing to the side, staring forward, away from the painter. None of the girls is engaged in the scene. It does not appear, however to be frozen in time, as no girl is actively acknowledging another, nor actively playing with their toys and dolls, as in the case of the girl sitting on the rug. Two of the girls stands in the darkened doorway, similarly dressed, with one a bit more stiffly posed than the other. In the front, a girl stands at attention behind and to the side of the child sitting on the floor. The curiosity I found with this painting is that for the most part they do not appear comfortable in their surroundings. The one noticeable dissent to that is that one girl in the doorway leans back against a large porcelain vase, probably a very expensive one, and so I would think that a child leaning against such a thing would cause great alarm to a parent for fear that it might be broken accidentally. Representing the child leaning against it leaves me to question whether she is simply very comfortable in her home, or perhaps upset or angry and responded by carelessly leaning against such a lavish piece of art. Theoretically, Sargent posed the girls himself, however I could not devise a reason for placing the girl facing off to the side the way she is.
This is his focus of the painting. The focus can be defined as the main point of a painting, the area
...ause the look of curiosity of the girl extends beyond the frame. This gives the painting a sense of curiosity.
The design of the painting is composed to draw your eye to the arguing couple because they are lit up and it is the only none dark area. Once you see them, your eye automatically moved to the child semi hidden between the lit space and the dark space. As I mentioned before the parents portray how the child lives in real life, as the hung picture in the hallway portray how any child would rather live, happy and safe, not scared. The colors used are very dark reds, yellows, grays and black, even the yellow lit up area is dingy and grayish making the picture very depressing and sad. If this was to show a happy family conversation, the colors would be more neutral with bright whites and not so much darkened areas. With the author’s background in art therapy and working with domestic violence victim’s and hearing their stories, I think she did a pretty good job in showing a real situation. I would use her as a credible source in the