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The Realistic Style of Robinson Crusoe
Robinson Crusoe analysis
Robinson Crusoe analysis
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Detail and consider those characteristics of the novel that you think are most central to the form. Your answer must deal with "Robinson Crusoe". The central characteristics of a novel are essential to keeping the story alive and the reader interested. A pervasive illusion of reality, individualized and believable characters and a plausible plot are the main characteristics that are most central to the novel form (Taormina, 2005). These three things are evident in Defoe’s 1719 novel Robinson Crusoe. In the early eighteenth century, when Robinson Crusoe was written, there were no set rules to follow in relation to the novel form. Critics have long argued over the authorship of the first novel with Ian Watt stating that in fact “Robinson Crusoe is certainly the first novel in the sense that it is the first fictional narrative in which an ordinary person’s daily activities are the centre of continuous literary attention” (1965, 74). Others like Peter Childs have a different view and claim that “It may be seen as the first realist novel, and its beginning is a useful example of the features of the genre” (2001).
To create an illusion of reality throughout the novel Defoe uses different narrative techniques such as epistolary and the use of lists. An example of this is by Defoe interweaving Crusoe’s personal diary entries into the story. Written by him during his time on the island they help give the reader a sense of how he felt and what he was thinking of. This style is typical of early eighteenth century novels “early eighteenth-centur...
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McCrum, Robert. The 100 best novels. The Guardian. September 2013.
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Taormina, Agatha. Novels. 2005
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Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000.
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Daniel Defoe wrote his fictional novel Robinson Crusoe during the 18th century, a time of colonization, and the British agricultural revolution. In the novel Robinson Crusoe desires civilization and comforts during his years on the island, so much that he alters the ecology of the fictional “island” in order to fulfill his craving. Consequently, Robinson Crusoe changes the ecology of the island, with the introduction of invasive species, European crops, and enclosures. Crusoe uses the practices of the British agricultural revolution to colonize the island, and to better his life during his stay.
Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000.
Daniel Defoe was an extraordinary man. Although he never had the benefit of a university education, he spoke six languages and was able to read even more. His curriculum included having been a government spy, a shopkeeper, and a journalist. As the latter, he was employed by both major parties. Of course, serving two lord is impossible, so after he got into trouble with both of these parties, he turned to writing as another means of living. The first major difference between Defoe's work and most other books dating from this time is that Robinson Crusoe is really entertaining, quite exhilarating and at times even amusing to read. This is in sharp contrast to most contemporary novels which stuck to a Spartan diet of unreality and dullness, their only charm lying in the complete strangeness to anything human. Basically, most stories at the time were chronicles of wonderful, magical events, not even attempting to resemble human life at all. Robinson Crusoe was one of the first few books to have characters with whom a reader could actually identify. Therefore, it was very popular and this idea of recognition of oneself in a character in a book is nowadays only discussed when it fails, implying that it now has become a natural 'recipe' for writing any book.
"Daniel Defoe achieved literary immortality when, in April 1719, he published Robinson Crusoe" (Stockton 2321). It dared to challenge the political, social, and economic status quo of his time. By depicting the utopian environment in which was created in the absence of society, Defoe criticizes the political and economic aspect of England's society, but is also able to show the narrator's relationship with nature in a vivid account of the personal growth and development that took place while stranded in solitude. Crusoe becomes "the universal representative, the person, for whom every reader could substitute himself" (Coleridge 2318). "Thus, Defoe persuades us to see remote islands and the solitude of the human soul. By believing fixedly in the solidity of the plot and its earthiness, he has subdued every other element to his design and has roped a whole universe into harmony" (Woolf 2303).
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Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000.
Daniel Defoe has frequently been considered the father of realism in regards to his novel, Robinson Crusoe. In the preface of the novel, the events are described as being “just history of fact” (Defoe and Richetti ). This sets the tone for the story to be presented as factual, while it is in of itself truly fiction. This is the first time that a narrative fictional novel has been written in a way that the story is represented as the truth. Realistic elements and precise details are presented unprecedented; the events that unfold in the novel resonate with readers of the middle-class in such a way that it seems as if the stories could be written about themselves. Defoe did not write his novel for the learned, he wrote it for the large public of tradesmen, apprentices and shopkeepers (Häusermann 439-456).
Abrams, M. H. The Norton Anthology of English Literature. New York: W. W. Norton & Company, Inc.,