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Essays on Wuthering Heights
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Essays on Wuthering Heights
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Emily Bronte's Wuthering Heights
Often in literature, the fictional written word mimics or mirrors the non-fictional actions of the time. These reflections may be social, historical, biographical, or a combination of these. Through setting, characters, and story line, an author can recreate in linear form on paper some of the abstract concepts and ideas from the world s/he is living in. In the case of Emily Bronte, her novel Wuthering Heights very closely mirrors her own life and the lives of her family members. Bronte's own life emerges on the pages of this novel through the setting, characters, and story line of Wuthering Heights.
This novel is set in the open moors of England, where Bronte grew up. Nelly Dean, the narrator, describes the setting when she and young Cathy go for a walk, ""Climb to that hillock, pass that bank, and by the time you reach the other side, I shall have raised the birds." But there were so many hillocks and banks to climb and pass, that, at length, I began to be weary...she dived into a hollow; and before I came in sight of her again, she was two miles nearer Wuthering Heights than her own home" (WH 163). Nelly Dean is a young middle-aged woman who is accustomed to physical labor, and her description of the moors help the reader realize the vastness of the scenery.
The open wildness of the moors seemed to call to Bronte whenever she was away from them. J-- H--, British Literature student at Central Oregon Community College, claims that Bronte left the moors in 1835 but could only stay away for three months. According to Hawes's Seminar A response, Bronte, "missed the wildness of the moors and could not stay away from them." This coincides with Bronte's sister, Charlo...
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...(WH 3). According to Hawes, Bronte needed the seclusion of the moors. It seems she was lonelier away from them than trudging by alone upon them.
Wuthering Heights is a reflection of Emily Bronte's life in many ways. Through fictional setting, characters, and story line she mirrors her own and her family's real life. It is too bad that Emily Bronte died at the young age of thirty-one. She produced this great novel in a short life span and the world will never know what other great works could have come from her life and her pen.
Works Cited
Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000.
Bronte, Emily. Wuthering Heights. Norton Critical ed. 3rd ed. Ed. William M. Sale, Jr., and Richard J. Dunn. New York: W. W. Norton, 1990.
The beginning of the novel starts out with a picture of a peaceful home that is very similar to the Moor House Jane lives in while visiting her cousins. It even states in line 2 that Bronte feels like the place is familiar. There is “marshland stretched for miles” ( ln 1) outside the home like the land of England in Jane Eyre. This common setting is also connecting how much Charlotte Bronte is like her character Jane. Dunn describes Bronte as “passionate [and] assertive” (ln 12) which is much like Jane Eyre’s character. Bronte is also said to not “come back to complain or haunt” (ln 20), and she lives in a “mod...
Relying on her own knowledge of Samuel Johnson’s works, as well as the knowledge of her Victorian readers, Bronte uses ...
Wuthering Heights is a classic in which Emily Bronte presents two opposite settings using the country setting. Country settings are often used as a place of virtue and peace or of ignorance and one of primitivism as believed by many city dwellers. But, in the novel Wuthering Heights, Emily Bronte has used Thrushcross Grange and Wuthering Heights to depict isolation and separation. Wuthering Heights setting is wild, passionate, and strong and Thrushcross Grange and its inhabitants are calm, harshly strict, and refined and these two opposite forces struggle throughout the novel.
Marina Varghese, D. 2012. Stylistic Analysis of Emily Bronte's Wuthering Heights. [e-book] Kerala, India: Journal of Humanities and Social Science. p. 48. [Accessed: 10 Dec 2013].
Wuthering Heights is a timeless classic in which Emily Brontë presents two opposite settings. Wuthering Heights and its occupants are wild, passionate, and strong while Thrushcross Grange and its inhabitants are calm and refined, and these two opposing forces struggle throughout the novel.
The setting is the backbone for a novel it sets the tone and gives the reader a mental image of the time and places the story takes place. The Wuthering Heights Estate in Emily Bronte’s novel “Wuthering Heights” is one of the most important settings in the story. Wuthering Heights sets mood for the scenes taken place in the house, and reflects the life of Heathcliff through its description, furniture, windows, gates, and the vegetation.
Charlotte Bronte uses her Victorian novel Jane Eyre to critique what she believed to be inequalities in the class system, gender and religion. The struggle the protagonist Jane faces to become financially, intellectually and emotionally independent makes the text a classic, as these issues are still confronted by women today. Set in the nineteenth century, Jane Eyre describes a woman’s continuous journey through life in search of acceptance and inner peace. Each of the physical journeys made by the main character, Jane Eyre, have a significant effect on her emotions and cause her to grow and change into the woman she ultimately becomes. Her experiences at Lowood School, Thornfield Hall, Moor house, and Ferndean ingeniously correspond with each stage of Jane’s inner quest and development from an immature child to an intelligent and sophisticated woman. Ten-year-old Jane, orphaned by the death of her parents and uncle, led a discontented life under the care of her aunt, Mrs. Reed.
Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000.
Wuthering Heights. 1847. The. Ed. Richard J. Dunn, Ph.D. 4th ed.
Wuthering Heights, written by Emily Bronte, has 323 pages. The genre of Wuthering Heights is realistic fiction, and it is a romantic novel. The book is available in the school library, but it was bought at Barnes and Nobles. The author’s purpose of writing Wuthering Heights is to describe a twisted and dark romance story. Thus, the author conveys the theme of one of life’s absolute truths: love is pain. In addition, the mood of the book is melancholy and tumultuous. Lastly, the single most important incident of the book is when Heathcliff arrives to Edgar Linton’s residence in the Granges unannounced to see Catherine’s state of health. Heathcliff’s single visit overwhelmed Catherine to the point of death.
Emily Bronte, who never had the benefit of former schooling, wrote Wuthering Heights. Bronte has been declared as a “romantic rebel” because she ignored the repressive conventions of her day and made passion part of the novelistic tradition. Unlike stereotypical novels, Wuthering Heights has no true heroes or villains.
Bloomfield, Dennis. "An Analysis Of The Causes And Effects Of Sickness And Death In Wuthering Heights." Bronte Studies 36.3 (2011): 289-298. Academic Search Complete. Web. 13 Feb. 2014.
Wuthering Heights is a good novel to show that everyone and everything has the ability to change. Almost every character’s appearance or personality altered in some way. Sometimes this metamorphosis is for the better, and other times it is not. Some people can willingly change who they are or how they act while others find a hard time doing so. Novels that express this idea really appeal to the reader because they are relatable and reflect real life.
Bronte's Use of Language and Setting in Wuthering Heights Between pages 15 and 18 there are identifiable ways in which 'Bronte' uses 'language and setting' to establish the characters and create a distinguishable atmosphere. In this essay, themes, genres and styles will be discussed to show how 'Bronte' establishes the characters; there will also be a discussion of the 'gothic' elements which Wuthering Heights contains. Many people would argue that the style of 'Wuthering Heights' is peculiar and complex, the power of Wuthering Heights owes much to its complex narrative structure and to the device of having two conventional people relate a very unconventional tale. Bronte importantly introduces the element of 'the supernatural' into chapter 3 which is an important technique as it grips the reader. Lockwood has come into contact with the ghost of Cathy, who died 18 years before, Some might argue that she is a product of Lockwood's imagination, and it is clear that Bronte has presented these facts in this way so that the reader can make up their own mind on the subject.
Social standing, and moral values were vital elements in Victorian society, and the fundamental doctrine of establishing this ideology, began at home. The home provided a refuge from the rigour, uncertainty, anxiety, and potential violence of the outside world. (P,341) A woman’s role was to provide a safe, stable, and well-organised environment for their husbands and families. Writers, Poets and Novelists were predominantly male, and women writers were not encouraged or taken seriously. Emily Bronte challenged this stereotype and in 1847, Wuthering Heights, was first published under the pseudonym of Ellis Bell. Despite this being an period of social change, both home and abroad, with industrialization, and the suffragette movement, the novel with its cynical plot, and tumultuous passion, caused controversy, with some critics, labelling it ‘coarse, immoral, and brutal.’ Wuthering Heights, is the story of domesticity, obsession, and divided passion between the two intertwined homes of the Earnshaw’s at the rugged farmhouse Wuthering Heights, and the Linton family of the more genteel Thrushcross Grange. This essay will discuss how the language and narrative voices established a structural pattern of the novel, and how these differing voices had a dramatic effect on the interpretation of the overall story.