The Capitoline Wolf, known in Italian as Lupa Capitolina, is a sculpture of a female wolf suckling twin infants, inspired by the legend of the founding of Rome. According to Roman myths, when the abandoned twins of Romulus and Remus were cast into the Tiber River, they were rescued by a wolf who nurtured them until a herdsman found and raised them (Noble). It’s also believed that Romulus and Remus that they were the start of the Roman civilization, comparable to the niche our founding fathers fulfill for us, with the wolf representing the foundation for you. The wolf was adored by Italian leader Benito Mussolini, who cast himself as the founder of the "New Rome" during World War II (The Foreign Policies of Hitler and Mussolini). These key points …show more content…
He stated, “I never trust the children of the wolf, because they are wild animals. Cunning is the greatest talent for taking advantage of the sweat of other”. The children he was referencing were the descendants of Romulus and Remus; therefore, suggesting Rome being a location filled with wild people that cannot be trusted. However, Rome is not the only civilization who believes wolves are not wild fiends, but rather trustworthy companions. Native American traditionally considered them as a good sign, a protector, strong, courageous, mysterious (Lake-Thom). Native Americans have often held timber wolves in the highest esteem in their culture. In truth, they are many times seen as a sacred animal and featured significantly in ancient songs, dances and stories that have been handed down for generations. Their role in artwork and other cultural items of Native American life was a given and often revered and welcomed. In Christianity, the wolf is represented as a symbol of greed, lust, evil, destructiveness. This may be where Antonio got his perception of wolves because on page 76 of the novel he states he advises his students to read Christ stopped at …show more content…
Therefore, Antonio sets the rest of the mood of the novel by changing the focus from just immigration to internally as well (North versus South). He uses something empowering to the Roman people against them, comparable to racism. He enforces the point that even fellow Italians possess distaste between each other and compartmentalize misconstrued labels on them. This novel presents different viewpoints of life in Italy and how each one has reasoning’s for the ideas of other people with none, except for Amedeo, ready to conform together and help each other. The novel’s purpose is to allow for new Cornell students to see culture from different points of view and to understand
The wolf girls struggle to reconcile this new way of life with the way they were raised and push back against this forced assimilation. While this story is fantasy based it can be interpreted as historical criticism in regards to the wars between European settlers and American Indians. Aliken to the wolves, Native Americans have a unique culture that is carefully intertwined with nature. In the late 19th and 20th centuries Native American children were forcibly taken from their homes and forced to assimilate to a white American world within Catholic schools. “St. Lucy’s Home for Girls Raised by Wolves” is symbolic with the assimilation of the werewolf girls into human culture of how Catholic boarding schools and the American Government forced
The points that will be discussed to do with the novel I have read called ‘Looking for Alibrandi’ written by Lina Marchetta, will involve me talking about how Josephine Alibrandi being the child of a single mother, Australian, female and being Italian which effects Josephine in all those points. I will be writing about how she copes being a bastard child in an Italian culture and how Josephine’s relationship with her dad is. I will talk about how Josephine being Italian and Australian effects her and why it effects her and I will talk about how Josephine copes being female in an Italian culture and how it effects her personally.
Pietro DiDonato’s Christ in Concrete is a powerful narrative of the struggles and culture of New York’s Italian immigrant laborers in the early twentieth century. Jerre Mangione and Ben Morreale, in their historical work La Storia, state that "Never before or since has the aggravation of the Italian immigrant been more bluntly expressed by a novelist" (368). A central component of this "aggravation", both for DiDonato as an author and for his protagonist Paul, is the struggle to reconcile traditional religious beliefs and customs with the failure of that very same faith to provide any tangible improvement in the immigrants’ lives. Through Paul’s experience, we observe the Catholic institutions lose influence and effectiveness as Capitalist ones, manifest in Job, take their place. While doing this, DiDonato also illustrates essential aspects of Italian (specifically southern) Catholicism and the pressures placed upon it by the American environment.
The story unfolds with the increasing limitations on the rights of Jewish people in Italy. Mussolini 's racial laws are beginning to take force on the rights of the Jewish people. Prohibitions such as no servants, no library
Amelio exhibits the stereotypical opposition between the north and the south through the voyage. The film begins in the housing projects of suburban Milan and ending in Gela on the southeast coast of Italy. There is an untold tale that takes place before the beginning and that is the parent’s trek on the “path of hope” (Marcus 158). This is the expedition of Sicilian immigrants looking for a better life in the industrial centers of Milan. The family’s life in Milan before the arrest is a saga of disappointment, alienation, and
The reality of this book hit the people of New York right between the eyes. Riis was once ascribed the label of lower class society, but worked his way up the ladder of success and entered into a higher class among humanity. Riis tried to write this book with pure objectivity but given his background and emotional connection to the tenement dwellers it was hard to keep that objectivity throughout his book. The references he uses to describe some of the immigrant live-ins were negative and very much stereotypical. For example on page 92 when he’s referring to Italians and their ability to speak, English. “Unlike the German, who begins learning English the day he lands as a matter of duty, or the Polish Jew, who takes it up as soon as he is able as an investment, the Italian learns slowly, if at all.” By referring to Italians in such a way gives, the effect that he holds a personal grudge against them. He makes it seem like they have personally offended him by not knowing the English language, when in reality I don’t think he cares at all about what they have to say or what they think about him. He feels that if they (Italians or any of the minority groups) come to the United States they should be well briefed enough know the basic communication needs of his language or don’t come at all because your wasting his time and frankly just being a pain in the ass.
The first paragraph evokes the normal and typical structure of the Italian-American immigrant family in this era. In the Vitale family, everyone has their own role. The father, Giovanni Vitale, has the duty of working long hours to provide for his family. The mother, Lisa, has the role of a homemaker, making dinner for the family, and takin...
of the wolves and finds that they are more than the savage and merciless hunters
...rthy Italian has his redeeming traits” (Reading 11, p. 2). These better traits are their honesty, hotheadedness, faithful wives and devoted mothers, and lastly happy and lighthearted. As for being lighthearted, Riis compared the Italian to a child in that there is no social filter, which can come off as rude. Although there are mixed feelings towards the Italians as a whole, Riis felt that they are preferable to Germans and other immigrants because they can be taken advantage of. He feels pity and sympathy for them. The comparison to a child connects to an image of the children of the Gilded Age (Slideshow 7:33). In this image the child is depicted to be serious and not to to what a child is usually thought to be. If an immigrant is like a child, then Americans must teach them to become a responsible American and educate them to progress, known as progressivism.
The history behind the extirpation of the grey wolf in the United States dates back to the very first European settlers that colonized eastern North America in the late 16th century. The killing of gray wolves was done primarily out of fear in an attempt to protect livestock, and, in some cases, to protect human life within the colonies. As more settlers expanded West, the practice of killing wolves was considerably increased to protect livestock that included cows, pigs, and chickens. As waves of European settlers expanded westward, they began to deplete the deer, moose, and elk populations. The gray wolves food source continual depletion gave rise to wolf populations actively targeting the settler’s livestock, causing great financial loss. The fiscal loss of livestock became such an issue to wealthy ranchers and settlers that they began to offer cash rewards for wolf pelts. This practice gave birth to a lucrative cottage industry of professional hunters and trappers. As the wolves began to move further West, and into Wyoming, they began to diminish the elk and moose population. To respond to this threat, Congress approved funding in 1914, to eliminate the native gray wolves from
The sculpture, Capitoline Wolf with Romulus and Remus, depicts a female wolf with twin infant boys suckling from her. The bronze sculpture depict...
The peasants in the deprived, southern area of Italy and the island of Sicily had little hope of upgrading their lives. Many diseases and natural disasters spread through the area. On top of this, Italy's crumbling government was in no state to come to its people's aid. Word that life in America was soon spreading across the land, and more and more Italians found it difficult to resist the thought of a new and more prosperous life. Italian immigrants began piling in to Ellis Island in New York to take their first steps on U.S. soil in search for a new beginning (The Library of Congress, 2004).
“Chi la dura la vince.” This soft-spoken Italian proverb sums up the series of events that Italian immigrants endured on their journey in America. Between 1880 and 1920, more than four million Italian-Americans immigrated to the United States of America in hopes of temporarily escaping Southern Italy’s impoverished and overpopulated society. Once in America, these new Italian-American citizens started ‘Little Italys’ or ethnic enclaves of Italians. Some Little Italies were even large enough to support a full economic structure of their own, providing a plethora of job opportunities. These ‘small’ Italian communities shielded themselves from general stereotypes and provided a sense of belonging which helped Italians establish their roots. America’s attitude toward these new Italian-American citizens can be summed up in part by Congressman James McClintic, a Democrat Oklahoman: "I say the class of immigrants [Italians] coming to the shores of the United States at this time are not the kind of people we want as citizens in this country." Inplace of responding by aggressive human nature, America’s new Italian citizens viewed this as an opportunity to enrich family and community bonds. As for Italian traditions, they struggled to be accustomed between the two Italian generations as the already ‘Americanized’ Italian children clashed with their parents, which resulted in altered traditions. One major example is Italian-American food which chain restaurants have come to paint as a type of restaurant that specializes in spaghetti with meatballs, pizza, and has red checked tablecloths.
This somber conclusion to the film seems to be an expression of hopelessness for Italy's future. By 1948, the country had gone through a series of tumultuous historical events, caused by the inadequacy of its political and economic system. The disillusionment of its citizens with the system and in fact with the very concept of their nation was taken to its limits by yet another failure to achieve true social change after World War II. The transformismo of the Christian Democrats and the attendismo of the Communists offered no hope for Italians, appearing as just another stage in the country's endless cycle of political and social failure.
When Italian immigrants came to America, many were not welcomed in the communities of the Germans and Irish. The neighborhoods that the Itali...