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The Warring States period was a time of inner turmoil and widespread chaos in China, in which independent rebel warlords seized land and power in the absence of a centralized authority. There existed a desperate need for a solution to effectively stop the interregional conflicts and establish order in China, and in pursuit of that goal arose the Hundred Schools of Thought. The three primary schools that were conceived during this ideological flourishing were Confucianism, Taoism, and Legalism. The principal tenets of Confucianism were illustrated in the Four Books (Great Learning, Doctrine of the Mean, Analects, and Mencius), classic texts that were selected by the scholar Zhuxi in the Song dynasty to provide a summary of Confucianism. Completing the traditional Confucian canon were the Five Classics (Classic of Poetry or Book of Songs, Book of Documents, Book of Rites, I Ching or Book of Changes, and Spring and Autumn Annals), which during the Former Han Dynasty comprised the state-sponsored curriculum.
The Book of Songs is a collection of 305 poems, commonly said to have been selectively chosen and edited by Confucius out of an assortment of over 3,000. Through its unique diversity of content, its novel stylistic structure, and its extraordinarily simple yet surprisingly powerful themes, the Book of Songs captivated the interest of Chinese scholars and permanently changed the perception and expression of Chinese poetry, and later, through cultural interaction with the West, became one of the world’s golden standards of classic literature.
According to tradition, when selecting poems to include in the classic, Confucius only chose “songs that best exemplified his ideas about statecraft and harmonious human relations”. The B...
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...na: The Essential
Reference to China, Its History and Culture, 39-40. New York, NY:
Roundtable Press, 1999.
Sellmann, James D. "The Book of Poetry." In Great Literature of the Eastern
World: The Major Works of Prose, Poetry, and Drama from China, India,
Japan, Korea and the Middle East, edited by Ian P. McGreal, 3-6. New York,
NY: HarperCollins, 1996.
"The Book of Odes." In The Columbia Book of Chinese Poetry: From Early Times to the Thirteenth Century, 15-43. Translated by Watson Burton. New York, NY:
Columbia University Press, 1984.
Wu, Joseph S. "Confucius (Kongfuzi/K'ung Fu-Tzu)." In Great Thinkers of the
Eastern World: The Major Thinkers and the Philosophical and Religious
Classics of China, India, Japan, Korea, and the World of Islam, edited by
Ian P. McGreal, 3-8. New York, NY: HarperCollins, 1995.
To begin, Confucianism is a system of philosophical and ethical teachings founded by Confucius. Confucianism was the code of ethics accepted as the certified religion of most of the immense empires in the territory since the Han Dynasty. Confucianism provided an outline of ethical and religious beliefs that most of the Chinese expanded to make other religions such as Daoism and Legalism. To expand, Confucianism was founded by Confucius and his beliefs on the political and social order of China. Confucius believed that everything would fall into place if children had respect for their parents and if the rulers were honest. In Confucianism, specific roles were followed by each person in the family. The head of the family, the father, was the one primarily in control and then it was the oldest son that was next in line. Confucius had the belief that a ruler has to be everything he wants
The Confucian method of directing the challenging demands and characters we play in a community is to make equilibrium between them and “find the single gentle
Although still adopting a traditional literary form, the poetry writing can be regarded as an example of the heterogeneity and border-crossing of cultural-scape in globalization period. Those poems were produced under the brunt of the international mobility that is propelled by the capitalist globalization, but precisely and paradoxically, in a suspending situation caused by national regulation, a “state of exception” of this mobility. The juxtaposition of the frustration on foreign life and the flare of nationalist emotion (with the rhetoric emulating ancient barbarian-expelling heroes), may imply a paradoxical consequence in globalization: the international mobility undergirding the national awareness instead of undermining it. Following this thread, the publication of this kind of poetry in 1930s, the oblivion of it after war, and the subsequent re-discovery, recognition, and research of it can be all taken as symptomatic traces of the localization, articulation, and transformation of national consciousness (both as “Chinese” and “American”) in the continuous globalization. Needless to say, those poems are deeply flawed in terms of aesthetics due to the rather poor literacy of their authors. It would be invoking to put these poems beside those “high art” works also produced in globalization context, such as the works on the Eiffel Tower and the London fog by Huang Zunxian (黄遵宪), a late Qin intellectual caught in between the East and the West, the
...ery and veiled political references in Bei Dao’s poem, “Notes from the City of the Sun”, are used to exemplify the struggles of the people during the Cultural Revolution.
Literature shows us the changes of our society from time to time. It also gives us an idea about people, culture, politics, gender traditions, as well as an overall view of previous civilizations. As a part of literature, poetry introduces us to different cultures with different perspectives. Ancient Egypt and ancient China may differ in terms of culture, politics, economic stability, tradition, or even in religious belief. However, in poetry, especially in love lyrics both Egyptian and Chinese poems portray common area of describing women, social attitudes toward love, sexuality and the existence of romance or selfishness in relationships. . If we look at the Egyptian poem “My god, my Lotus” and the Chinese poem “Fishhawk”, we will see both poems have similarities in describing relationships. Also, they have the similarity of imagining the lovers and their expression of love toward each other. However, both poems have some significant differences in terms of representing female sexuality, gender disparity and the display of love.
10. "Book of Poetry : Minor Odes of the Kingdom : Decade Of Bei Shan : Bei Shan 2 - Chinese Text Project." Chinese Text Project. N.p., n.d. Web.
The poets integrated ?metaphysical conceits? as focal parts of these poems. Along with these, they used effective language as a basis for their convincing arguments, they included subjects of periodical importance (e.g. ?courtship? and ?religion?), and use very clever structures that are manipulated in order to make the poem read in the desired way. The very clear indication of the theme in question was strongly aided by the way in which the personas portrayed the emotions they felt and the way they showed their attitudes towards the subject. Considering all these factors, the poets made critical arguments to the mistresses in order to alter their views, thus changing their minds, on denying the poets the sex that they desired so strongly.
Confucianism is a religious philosophy formed by the Chinese philosopher Kung-fu-Tsu. This philosophy came out of need during the warring states period of Chinese history. K'ung-fu-Tsu was a teacher at the hundred schools. His prime concern was the improvement of society. Confucianism has no gods, and the only written history of this religion is in the Analects, a collection of his responses to his disciple's questions. K'ung-fu-Tsu believed that the improvement of society was the responsibility of the ruler and that the quality of government depended on the ruler's moral character. This new way meant concern for others and adherance to the golden rule. Confucianism has had a greater and longer lasting influence on China than that of any other religious philosophy.
During the Tang Dynasty, Li Po and Tu Fu have reigned the literary world with their poetry. Their writing techniques and themes in their poetry allow them to stand out amongst other poets at the time. With the unique aspects and images these poets write about, they distinguish the similarities between themselves and contain different intensities in their poetry. While Li Po has a more relaxed tone to his poetry, Tu Fu deals with the serious aspects of life such as war, poverty, and suffering.
Ferguson, Margaret W., Salter, Mary J., and Stallworthy, Jon. The Norton Anthology of Poetry. fifth ed. N.p.: W.W. Norton, 2005. 2120-2121. 2 Print.
Performances of folksongs ranging from the elites to the peasants give insight into individuals’ lives and experiences. In both Michael Nylan’s chapter on the Odes and in Chen Kaige’s 1984 film, Yellow Earth, the importance of the rhetoric of folksongs is emphasized as a body of knowledge and teachings that represents the culture’s accepted norms, ranging from themes of knowledge, pleasure, and human integration. The combination of lyrics with music was believed to be a “spontaneous expression of public sentiment” used by rulers to gauge the “welfare of the common people” (Nylan 79). Therefore, the significance of the Odes collection as an accurate reflection of historical events and emotions parallels with the role of folksongs used to convey the impoverished sentiments of the villagers of a feudal Shanbei in Yellow Earth. While Yellow Earth masks the roles of folksongs under the guise of traumatic experiences, these folksongs are used to promote individual and social empowerment, working in tandem with the functions of the more sophisticated folksongs in the Odes.
Hoobler, Dorothy, and Thomas Hoobler. Confucianism. 3rd ed. New York: Chelsea House Publishers, 2009. Print.
Analects, a compilation of Confucius’ teachings, is greatly recognized as a work of utmost importance and influence in the Chinese culture. The book conveys Confucius’ beliefs on a wide variety of topics, including propriety, education, family relations, and government in efforts to enhance social order.
Confucius’s counsel and guidance recorded in The Analects instilled wisdom when they were first recorded and continue to provide a thought provoking analysis of life and the checkpoints that guide it. The Master’s commentary on restraint, diligence, decency, and citizenship are well intended and relevant. Politics and the role of government also come under scrutiny as Confucius offers his insights in bettering the organization of power. His proverb-like admonitions use clear examples of everyday life allowing them to be understood and easily digested. Confucius’s own eagerness and willingness to share goodness he experienced makes it easier to apply and practice in one’s own life.
Confucian culture, also known as Confucianism, was founded by Confucius during the Spring and Autumn Period, which was developed gradually after the Han Dynasty with benevolence as the core. Since the Han Dynasty, Confucianism was the official ideology and the basis of mainstream ideology in the vast majority of historical periods of China, and it also influenced many southeast Asian countries in history. After a variety of shocks, Confucianism was still the core values of China's social public, and represented the Chinese culture and national tradition in the world (Littlejohn, 2010). In the contemporary society, the Confucian culture in China increasingly spread, at the same time, its modern value is excavated by many countries in the world, and its international influence is also growing with the rise of China.