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Synopsis of the book Thief
Hitler's actions leading to ww2
Hitler's actions leading to ww2
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Markus Zusak wrote a book called The Book Thief. The narrator is death. Liesel, the main character, steals books. Her fist stolen book is at the grave of her little brother who died on the way to Molching Germany where their foster parents were waiting. She learns to read and begins to steal books, because its world war two and they have no money. That, and sometimes it feels good to steal from the people who stole from you. Liesel’s story is powerful, even in the darkness of such a power as Nazi Germany. Even though Liesel is a fictional character in a fictional book, there is value in reading literature such as this. And here’s why:
Learning is what humans are made to do. And there are three main types of learning that we fall into: visual, aural, and kinesthetic. The Book Thief employs all three. In the visual aspect, the book is vivid in its colors. Colors are what death distracts himself with after all. Death really doesn’t like his job, but with skies of red, white, and black, of milk and of Jews, death is a bit eased. Rudy Steiner is the lover boy in the
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story; “Bony legs, sharp teeth, gangly blue eyes, and hair the color of lemons” are how he is introduced at ten years old. The images in the book attach words to things you never would have thought of, such as gangly blue eyes and a sky the color of milk. Those words can sculpt what you hear as you read too, like when Liesel is in the neighbor basement hearing the faint wail of air raid sirens. She calms the sounds of babies crying for sleep, children bickering for room, parents begging for quiet, breath taking murmurs of fear. She quiets them all by handing them words, words from a stolen book. Words that form a story everyone escapes to in the darkest time of the night. Those images expand our view of places and sound. Even though we may have never been in that situation, we can feel the tension, and hear the chaos, and know the deafening silence. Those sounds have action to them. With the basement scene, only a slight shuffle occurs while Liesel reads. But men above ground run for cover as planes fly nearby and anti-aircraft canons try to take out the threat to their people. These actions make us feel like we are sitting there with them. Again, I’ve never been there, but I know what it’s like to sit with those people. We can feel that reading has an effect on us while reading, but does anything actually change? Science says there is. A group in Italy was studying how a monkey’s brain works while doing an action. And during a break, one scientist grabbed a banana for himself. When he did, the parts of the monkeys brain that where active earlier fired up again. They found, by accident, that when we see someone doing something, whether it dancing, climbing, or playing an instrument, our brains act as if we were doing it ourselves. A group at Cambridge has found that the same thing happens when we read as well. This effect is empathy. Something that Simon Baron-Cohen at Cambridge University knows well. He is an expert on autism which he says is the inability to have empathy. So when Rudy runs and falls in the mud, we automatically feel like we just ran and fell in the mud with him. That empathy carries into other things as well. Like a love for someone, or a hatred for someone. From studying psychology, I know that by giving something a meaning, we remember it much better. Also by repeating an action, a muscle memory is made. So when I read The Book Thief, my empathy forces me to practice those same feeling that Liesel has for people, such as the love for her foster parents, the hatred for the shopkeeper, the soukerl/soumench relationship with Rudy, and the fear of the Nazis. Having practiced those feelings I carry them through my own life with real people and real experiences. That means I can have a better understanding for the real people around me, and live a better life. Reading The Book Thief is a huge maturity benefit, but only if you have reached a certain point already. On one hand, The Book Thief relies on you knowing a little about world war two and Nazi Germany. It also expects you to know a little about children and pre-teen years, as well as some small details about gambling and numbers. But on the other hand, it is easy to read. Its wording flows well, and there aren’t a ton of fancy words you have to look up. One of the things the book addresses though, is words and what they are and what they mean and what power they have.
One of the books Liesel steals (or is given to her, depending on how you look at it) is a dictionary. From that point on there are little words and they’re definitions interjected into the story. A major word Liesel deals with is communism. It’s a word she hears from officials and Nazi die-hards. It’s a word connected to her mother. Sometimes a word’s power is messed with, such as the curse words or Rosa Hubermann. In the beginning of the book these words are powerful, an abomination almost. But by the end of the book, they have nearly no meaning at all. Even the children are throwing them around without a care. This demonstration of word power can make us look at what our own words can mean and precipitate. The book thief is very good at presenting words, and that is why it is a good
read. I have found that a lot of adults focus on teaching children or making life easier after school. But I think that there needs to be a continued learning even as old men and women. The book thief is definitely a book that anyone of any age can enjoy and learn from. Because of my personal experience in reading the book, and looking at the power of words, I know that The Book Thief is a book that everyone should read at some point in their life. Markus Zusak has a great finesse with words, and it is shown through this book. So let’s take some of his words, shall we?
Part One: The first book that Liesel “stole” was The Grave Digger's Handbook. This is ironic because it was the day that her brother died and it was the last time she saw her mother. Himmel Street is ironic because Himmel= Heaven and Himmel Street did
In The Book Thief, author Markus Zusak tells the tragic story of Liesel Meminger and her experiences in 1939 Nazi Germany. Zuzak incorporates compelling literary devices such as toe curling foreshadowing, personification, and vivid imagery in the form of simile and metaphors to grasp the readers’ interest. Zusak’s use of various literary devices helps to deepen the text and morals of the story, and makes the dramatic historical novel nearly impossible to put down.
The novel The Book Thief is a book about a young girl by the name of Liesel Meminger. Observing the life of this young girl is not easy as this is the time of Hitler’s reign in Germany. In a short period of time, this girl faces many difficulties. More than any child should ever have to encounter. She has to deal with being abandoned by her mother, the death of her younger brother, and relocation to another part of Germany. Immediately when Liesel arrives to Molching, her life is forever changed. She is forced to live with two strangers, now her new mama and papa. Liesel faces much abuse both at school and at home. At school she is made fun of for her illiteracy and at home, mama speaks very rudely to her calling her a swine and other insults.
In the novel The Book Thief, setting and point of view affect the theme and book a lot. The point of view of this novel is third person omniscient and a little bit of second and first person when the narrator talks about himself or to the reader. The setting of the story is Nazi Germany and it is based on a young girl named Liesel Meminger and what her life was like during this time. Her story is told by the narrator, death. Mark Zusak, the author, uses setting and point of view to express the theme of the novel because there was so much death happening, Liesel encountered him so many times, causing him to be able to tell her story; without this setting and the narrator, the theme story would have been different.
Have you ever thought that Death is a person and not a thing? Well in the book The Book Thief by Markus Zusak Death is the narrator and tells the story. In this book, there is a girl named Liesel. Liesel is going to live with her foster parents, while she was traveling with her mom and her brother, her brother died. He was buried and near his grave was a book. It’s name was “The Grave Digger’s Handbook”. This was the first book she stole, and she only continues from here. She lives on Himmel Street and which she meet kids and she has to show her worth. That is not the important part. In the end of The Book Thief by Markus Zusak, it ends up really ironic. There are multiple ironic things in the book, it is practically filled with ironic and
Words, so simple, yet are the most powerful ways of communication. The weight of words is one of most impactful themes in Markus Zusak’s The Book Thief, and is felt throughout the entire novel. The Book Thief is a story that takes place during World War II, and follows the Hubermann family and friendships as the Narrator: Death follows them through their journey of Germany in 1939. Hans Hubermann is one of the greatest supporters of words right next to the Book Thief herself, Liesel Meminger. Words are emphasized through stolen books, spoken conversations, and thoughts of the characters. Hans Hubermann backs Liesel’s desire to read through many long nights, protects Max Vandenburg while in hiding, and consistently stands up against the dehumanization
First the colors. Then the humans. That’s usually how I see things. Or at least, how I try. *** HERE IS A SMALL FACT ***
“I am haunted by humans” (Zusak 550). The Book Thief by Markus Zusak is about the horrors of World War II. Liesel and her family help out an old friend by hiding a Jew. Liesel also steals her first book when she at her brother’s funeral. Liesel Meminger’s remarkable actions like feeling good when she steals a book and her family hiding a Jew help demonstrate why Death is “haunted by humans”.
In 2005, Markus Zusak composed one of the most influential novels of modern day literature. His story is known as The Book Thief, a novel told from the perspective of Death. His role is to narrate the life of Liesel Meminger as a young girl growing up in Nazi Germany. Death begins the story at the burial of her brother in 1939, just one of many tragic events that will occur in her life, she is then given away by her mother, and has to grow up in the care of another family. For Liesel, this change catalyzes a quest to understand the power of words.
The central aspiration of any literary work is to captivate the reader and immerse them in the vastness of their imagination. An author is able to establish a deeper connection between the reader and the text through the incorporation of various literary elements. Markus Zusak, author of The Book Thief, uses many aspects of literature to shape the novel and exquisitely portray the events of the story. The imaginative and unique use of elements such as irony, foreshadowing, and point of view certainly contribute to the grandeur of this book.
We watch death explore the beauty and ugliness of the human race in Markus Zusak’s book The Book Thief. We watch as Liesel, Hans, and Rosa do everything they can to help out a group of people who were treated with such disrespect during this time period. This group, the Jews, were beaten for taking food that was given to them, and when they died no one would even care. But, these few people gave them food, a place to hide, a sense of belonging, and and a reason to live. They have to work day and night, and do everything they can. Even though people aren’t so beautiful at all times, there is still hope. As we have learned in this book that even when 99 percent of humans aren’t so marvelous there is still that one percent that is to delightful that it would touch anyones heart.
Everyone is obviously different, but the personal qualities of a person and external situations that are occurring in the world around them can create similarities between people who have vast differences. In The Book Thief, by Markus Zusak, this idea is very clearly shown through the lives of Liesel and Max. Although they come from vastly different backgrounds, the situations around them and their personal qualities reveal similarities between their lives. In The Book Thief, Max and Liesel’s lives have much in common, such as their love of literature and the impact on their lives as a result of Nazi persecution. However, they also differ in many aspects of their lives such as the degree of freedom that they were able to exercise and their attitudes toward life.
In The Book Thief, by Markus Zusak, beauty and brutality is seen in many of the characters. Rudy, Liesel, and Rosa display examples of beauty and brutality often without realizing what exactly they are doing, because it is a part of their human nature. Zusak not only uses his characters, but also the setting of the novel in Nazi Germany to allude to his theme of the beauty and brutality of human nature. The time in which the novel is set, during World War II, displays great examples of beauty and brutality, such as the mistreatment of the Jews. As a result of this time period, the characters have to go through troubling times, which reveals their beautiful and brutal nature in certain circumstances. Zusak uses his characters and their experiences to demonstrate the theme of the beauty and brutality of human nature in the novel.
The main character Liesel, known as “the book thief” is who Death is looking over. Liesel, her mother, and brother are on a train to Munich. On the train ride her brother dies. She and her mother get off the train to bury him. The first book Liesel steals is from the gravediggers. They continue the journey to a town called Molching, where Liesel will be raised by foster parents, Hans and Rosa Hubermann. Liesel adjusts to her new home life. Hans teaches Liesel how to read. The war is escalating in Germany. The town holds a book-burning to celebrate Hitler’s birthday. That’s when Liesel steals another book from the flames. Liesel’s job is to deliver laundry to the Hermann family. The Hermanns’ have a library full of books. Liesel is allowed to read them in the study. Meanwhile, a German-Jew named Max needs help, so he seeks out the Hubermanns. Max hides in the basement, so he is safe from the Nazis. Liesel begins stealing books from the Hermanns. The Nazis parade the Jews through the town of Molching on their way to the concentration camp for everyone to see. Liesel is given a blank notebook to write her own story. One night the neighborhood is bombed. Hans, Rosa, and the rest of the neighborhood is killed. Rescue workers find Liesel under the rubble. She leaves behind her finished book, called The Book Thief. Death, who has been watching, rescues the book. Liesel ends up living with the mayor
Liesel Meminger, from The Book Thief by Markus Zusak, is no stranger to both glowing beauty and stunning brutality. This tumultuous upbringing is because she was raised by foster parents in World War II Germany when stable living conditions were scarce. The narrator of this novel, Death, is ever-present throughout her life, beginning at age nine when she tragically loses her brother but is also pursued by the light-hearted event of finding a new family. The following excerpt explains her sad-to-happy pattern: “Perhaps the only good to come out of these nightmares was that it brought Hans Hubermann, her new papa, into the room, to soothe her, to love her” (Zusak, 36). This pattern of losing loved ones and being reimbursed with happiness is omnipresent