“The Boarding House”, by James Joyce, from the mouth of Joyce himself, is part of a saga of short stories, called Dubliners, which assumes an authoritarian perspective on the conditions of the people of Dublin, Ireland. This story is one of several magnifications of the social problems which plighted Dublin. (Dettmar, pgh. 15) As far as “The Boarding House” is concerned, Joyce evidently focuses on the issue of the problematic role of fathers in Dublin, and to say that Joyce was trying to convey their qualitative corruption of children in an attempt to bring their important in the family to attention. He does this through appeals to emotion and cold writing. Joyce also implements what are coincidentally psychologically backed principles of human behavior to lecture the reader on real eventualities in society. The arguments here are derived using an integral form of induction, and observation, rather than pure speculation.
To be most clear, the arguments here have a strict ethical basis which is derived from the techniques of professional literary critics and those professed in the field of english literature. These sages of literature have taught me, and through their example, the rules of interpreting literature. It has been learned that if one is to understand the message of a story correctly, it must be something which is prevalent throughout the story; something that comes and goes with little participation in the plot can be taken as something merely to move the story along as much as it can be a medium of intellectual expression of the real world. Any proper analysis for theme must treat text as a Freud-Jungian representation of the artists opinions and sentiments, as if it were the dream of the writer, where each charact...
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...realistic principals, and science has quite the archive of knowledge on human behavior, and that is to imply that Jack and Polly Mooney were emotionally contagioned by the father, which is backed by psychology.
As to why I believe that the actions of the Mooney children were consequential to the behavior and feelings of their father, one absolutely must accept that the emotions of human beings are prevalently in exchange (Hatfield, Rapson, and Le, 1-15), which is evident in “The Boarding House”, where we see Jack Mooney in the same violent rage that his father experienced at least once. There is also the misanthropic desire for rebellion which is evident in both children; Polly does not want to behave like a good girl, and she sings provocative songs about herself, while Jack likes to stand out, like Polly, and practices the use of vulgarity. (Arp and Johnson, 414).
...olent incidences contrast in specific details and their fathers personas, both children lose their innocence and gain the experience and knowledge to question life and make logical decisions.
Phil did not grow up with his father, his father out of nowhere just abandoned him. Where Phil never did hear about him ever again. In his book, The Brief and Frightening Reign of Phil, George Saunders maintains that “Then he remembered the dark days after his father left, when suddenly there was more room to get the refrigerator open but no reason to open it, since there was never anything inside. Why had Dad left? Phil knew very well why”( Saunders 105). Saunders’s point is that Phil’s dad had left him and he never saw him after the day he had left but Phil did know the reason why he had decided to leave him. In this case, phil knew exactly for why his father left him. Another reason for why Phil does not like the Inner Hornerites is because he blames them for why his dad left him because the Inner Hornerites Humiliating his dad. Whereas, in a real life situation kids are getting abandoned by their parents, leaving them with nothing but for them to take care of themselves. Three children in the city of Englewood in Chicago were left alone by their parents. In David Cera’s view “The officers were doing a wellness check last month in the Englewood neighborhood when they found the three children -- ages 1, 2 and 7 -- now known as the ‘Englewood angels.’ The girls had been left alone in an abandoned house” (N.p).
Willie resembled his father both physically and emotionally, this resemblance helps further the label that Willie receives. In support of this statement, on page 142, Butterfield provides the reader with a psychiatrist's observa...
This theory is not only credible in literature, to discuss the intentions of an author, but is also effectively used in film, to discuss the intentions of a director. One benefit of this theory is that it can help with many literary problems. For example, Freudian critics not only “stress distinction between the conscious and the unconscious”, but also uncover “the unconscious motives of characters” as well as see “an embodiment of classic psychoanalytic conditions” within literary works (Barry 101). By drawing connections between concepts in the text, we are able to further enrich our understanding of the work and, if we plan to discuss it with others, are able to yield a meaningful, coherent interpretation of the
“Dubliners” by James Joyce was first published in 1914. It is a collection of short stories, which takes place in the same general area and time frame, moving from one individual’s story to the next. Boysen in “The Necropolis of Love: James Joyce’s Dubliners” discuses the way the citizens of Dublin are caught in this never ending misery because of the lack of love- mainly instituted by the “criminalization of sensual love” from the church- and the economic stress, and struggle to survive. Zack Brown goes through the individual short stories, pointing out their references to paralysis, as well as a few other themes in “Joyce’s Prophylactic Paralysis: Exposure in “Dubliners.”” “James Joyce’s usage of Diction in Representation of Irish Society in Dubliners” by Daronkolaee discuses the background knowledge of the culture and particular details of the city that enhance the understanding of the reader and enforce the ideas presented by Boysen and broken down by Brown. These analytical articles help support the idea that Joyce uses
The movie begins with the family and parenting styles concept of child development by introducing the audience to the main character James and his parents. James lives in a two-parent household with his authoritative parents who are providing him with warmth, love, and encouragement (Levine & Munsch, pp. 521-522). This concept of parenting styles is shown as the movie begins and James is seen spending time with his parents. Then suddenly, James’ world changes and he is abandoned as a result of his parents being killed. This causes James to become orphaned and forced to live with his authoritarian aunts, Spiker and Sponge. Aunt Spiker and Aunt Sponge are very controlling towards James and expect him to obey their rules without allowing him to express his feelings. This authoritarian behavior is seen throughout the movie. Aunt Spiker and Aunt Sponge are also uninvolved, neglectful, and abusive, using verbal and physical punishment on James when they feel it’s necessary, which is also seen throughout the movie (Levine & Munsch, p. 522). These behaviors cause James to develop lower self-esteem, show less intellectual curiosity, and feel lonely and afraid, which are typical outcomes of an authoritarian parenting approach (Levine & Munsch, pp. 521-523). Although James’ aunts’ authoritative parenting style has an effect on his emotional and social behaviors, it is his parents authoritative parenting that plays a...
In Dubliners, James Joyce tells short stories of individuals struggling with life, in the city of Dublin. “It is a long road that has no turning” (Irish Proverb). Many individuals fight the battle and continue on the road. However, some give up and get left behind. Those who continue to fight the battle, often deal with constant struggle and suffering. A reoccurring theme, in which Joyce places strong emphasis on, is the constant struggle of fulfilling responsibilities. These responsibilities include; work, family and social expectations. Joyce writes about these themes because characters often feel trapped and yearn to escape from these responsibilities. In “The Little Cloud”, “Counterparts”, and “The Dead” characters are often trapped in unhappy living situations, often leading to a desire of escape from reality and daily responsibilities.
Works Cited: Benstock, Bernard. Critical Essays on James Joyce. G.K. Hall & Co. Boston, Massachusetts: 1985. Joyce, James. Dubliners.
Although there are numerous approaches employed in understanding literature, the psychoanalytic interpretation most significantly attempts to utilize the symbolic mysteries of a work. In exclusive contrast to the formal approach, which focuses entirely on the wording, the fascinating aspect of the psychoanalytic investigation is that it searches for a purpose beyond that which is strictly in the text. By insinuating the existence of innate and hidden motives, it allows for a broad range of abstract and creative possibilities. When applied to Perrault's, "Little Red Riding Hood," it appropriately suggests evidence toward underlying sexual motivations and tensions. Additionally, this analysis unfolds a constant interplay between forces of the human psyche.
A collection of short stories published in 1907, Dubliners, by James Joyce, revolves around the everyday lives of ordinary citizens in Dublin, Ireland (Freidrich 166). According to Joyce himself, his intention was to "write a chapter of the moral history of [his] country and [he] chose Dublin for the scene because the city seemed to [b]e the centre of paralysis" (Friedrich 166). True to his goal, each of the fifteen stories are tales of disappointment, darkness, captivity, frustration, and flaw. The book is divided into four sections: childhood, adolescence, maturity, and public life (Levin 159). The structure of the book shows that gradually, citizens become trapped in Dublin society (Stone 140). The stories portray Joyce's feeling that Dublin is the epitome of paralysis and all of the citizens are victims (Levin 159). Although each story from Dubliners is a unique and separate depiction, they all have similarities with each other. In addition, because the first three stories -- The Sisters, An Encounter, and Araby parallel each other in many ways, they can be seen as a set in and of themselves. The purpose of this essay is to explore one particular similarity in order to prove that the childhood stories can be seen as specific section of Dubliners. By examining the characters of Father Flynn in The Sisters, Father Butler in An Encounter, and Mangan's sister in Araby, I will demonstrate that the idea of being held captive by religion is felt by the protagonist of each story. In this paper, I argue that because religion played such a significant role in the lives of the middle class, it was something that many citizens felt was suffocating and from which it was impossible to get away. Each of the three childhood stories uses religion to keep the protagonist captive. In The Sisters, Father Flynn plays an important role in making the narrator feel like a prisoner. Mr. Cotter's comment that "… a young lad [should] run about and play with young lads of his own age…" suggests that the narrator has spent a great deal of time with the priest. Even in death, the boy can not free himself from the presence of Father Flynn (Stone 169) as is illustrated in the following passage: "But the grey face still followed me. It murmured; and I understood that it desired to confess something.
... of stories Dubliners, James Joyce leads the reader to the conclusion that the Catholic Church took the role of a governing body, and that modernist movement was inhibited by the outdated ideas of the Catholic Church. The story “The Boarding House” provides the reader with excellent examples of a priest who overextended his role in society, and it has been shown that such an occurrence has negative effects of the society as a whole. The Catholic church as a burdensome entity is very well shown in Joyce’s’ the “The sisters”. The story also provides us with a good explanation of the social connotations of religion within the modernist movement. In the stories of Dubliners the legal system is replaced by the institute of religion, and it is the presence and social context of the Catholic Church which prevents the Irish community from advancement.
Reader-Response theories propose that works of literature exist in a mutual relationship between the reader and author. The meaning that a reader extracts from a text is a simultaneous result of both the author’s intent, and the reader’s interpretation of it (Roberts, 149). With this theory, there is an inherent subjectivity associated with the analysis of any work of literatur. An author may have a specific meaning to the story but another person can read the story and create his or her own interpretation that is just as meaningful as the author’s original ideas. Put another way, meani...
In conclusion, I would say that the power of literature is connoted exactly in this unparalleled symbolic order of language that can never produce or pin down a definite meaning but nevertheless passes on "the desire and curse of meaning”. It is what the transcendent signification of the text that leaves the reader always anticipating and curious and at the same time delighted from the pleasure this play of the authors brings to her/him. On the other hand there is always this uncanny component of meaning that cannot be clarified or rationalized but nevertheless is an intrinsic part to our reading experience.
In Joyce’s stories “Eveline”, “Counterparts” and the “Dead”, the theme of escape and responsibility is represented by the characters desire to flee their lives. These stories symbolize Joyce’s interpretation of life in Ireland. With careful analysis it can be inferred that the miserable situations portrayed in these stories can be directly tied into how readers may view life in Ireland. Like the characters in Dubliners people desired a better life for themselves in and out of Ireland. The themes common to these stories show an appreciation to opportunity and success in the world. The themes of escape and responsibility present in a readers mind a looking glass for viewing life and society.
James Joyce is widely considered to be one of the best authors of the 20th century. One of James Joyce’s most celebrated short stories is “Eveline.” This short story explores the theme of order and hazard and takes a critical look at life in Dublin, Ireland, in the early 20th century. Furthermore, the themes that underlie “Eveline” were not only relevant for the time the story was written, but are just as relevant today. The major theme explored in “Eveline” is the idea of order and hazard.