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Dilemmas in war creative writing
An Article on War poetry
An Article on War poetry
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Recommended: Dilemmas in war creative writing
The government often romanticizes war, giving the illusion that it is part of a heroic tale. However, within the last century, new war tactics show the devastation of war, emphasized by the modernist movement. Okinawa: The Bloodiest Battle of All by William Manchester is an essay speaking of the scars that war leaves and how flawed the fairy tale of war is, using several literary terms to support his thesis. Manchester writes his essay in first person perspective to make the essay more personal and to improve his pathos. He uses imagery to paint horrifying pictures, such as his description of when he fell during battle. “Hours later, corpsmen found me still breathing, though blind and deaf, with my back and chest a junkyard of iron fragments,
including... four pieces shrapnel too close to the heart to be removed” (Manchester). While the image of a man lying flat on his back, waiting for death seems powerful, the fact that he utilizes first person perspective makes the audience sympathize with him. People tend to get emotionally attached to a work of literature in first person perspective because they feel as if the events are happening to them. Manchester structures the essay into 5 main sections: the battle to secure Sugar Loaf Hill, the reminiscence of an american war parade, a history of the evolution of war, Manchester’s personal experience during the battle of Okinawa, and a satire of the misguided heroism and machismo of war. Each section juxtaposes the prior and the latter, showing the different aspects of war while still connecting them. For example, the horrors of the marine siege of Sugar Loaf Hill contrasts the happy and patriotic atmosphere of the war parade, yet that parade is the glory the marines fought for. William Manchester wrote his essay using imagery, fist person perspective, and juxtaposition to show the apathetic common citizen how war really works.
Much of what is considered modern Japan has been fundamentally shaped by its involvement in various wars throughout history. In particular, the events of World War II led to radical changes in Japanese society, both politically and socially. While much focus has been placed on the broad, overarching impacts of war on Japan, it is through careful inspection of literature and art that we can understand war’s impact on the lives of everyday people. The Go Masters, the first collaborative film between China and Japan post-WWII, and “Turtleback Tombs,” a short story by Okinawan author Oshiro Tatsuhiro, both give insight to how war can fundamentally change how a place is perceived, on both an abstract and concrete level.
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
O’Brien, Tim. “How To Tell a True War Story.” The Compact Bedford Introduction to Literature. Ed. Michael Meyer. Boston: Bedford St. Martins, 2003. p. 420-429.
Tim O’Brien states in his novel The Things They Carried, “The truths are contradictory. It can be argued, for instance, that war is grotesque. But in truth war is also beauty. For all its horror, you can’t help but gape at the awful majesty of combat” (77). This profound statement captures not only his perspective of war from his experience in Vietnam but a collective truth about war across the ages. It is not called the art of combat without reason: this truth transcends time and can be found in the art produced and poetry written during the years of World War I. George Trakl creates beautiful images of the war in his poem “Grodek” but juxtaposes them with the harsh realities of war. Paul Nash, a World War I artist, invokes similar images in his paintings We are Making a New World and The Ypres Salient at Night. Guilaume Apollinaire’s writes about the beautiful atrocity that is war in his poem “Gala.”
Julianna Claire, an award winning poet once said, “War makes men act like fools, and makes fools pretend to be brave.” War is a very difficult and dangerous game. There must be a just cause to fight for, supporters on either side of the war, and clear plan on what the war ought to look like. Though, as much as countries plan their strategies and perfect their tactics, war never seems to go how people think it should. War creates heartache, makes countries question their governments, and changes the lives of the soldiers who fight in them. One such story that address the damages of war, is Ambush, by Tim O’Brien (1946). In this short story, Tim O’Brien tells a story of a young man fighting in Vietnam who kills a member of the Vietnam army. Robin Silbergleid, a neurosurgeon in Seattle, Washington, who minored in
I selected Ralph Ellison’s short story “Battle Royal”, as this assessment illuminates the struggles of both race as well as issues oppression within society, in which many must continue to endure. The narrator, a young black teenager has attended an event absent of both law and order as a guest speaker only to be severed up as just another entrée for the prominent group of southern white ringmasters to feast upon. Subsequently, he now realizes “that it was on the occasion of a smoker, and I was told that since I was to be there anyway I might as well take part in the battle royal to be fought by some of my schoolmates as part of the entertainment.” Forced to fight for a right to speak, the young man is in the midst of an alcohol induced and cigar smoke filled circus of violence and sexual misconduct, which is fueled of force intimidation. Many of the symbols used in this story resonances of both race and inequality within a regime lacking integrity, where one is neither protected nor served fairly. Moreover, it is with this view of hopelessness, despair as well as mistrusts that offer a seed of change in society, in which the invisible becomes the visible.
...c, and Patty Campbell. War Is…Soldiers, Survivors, and Storytellers Talk About War. Cambridge: Candlewick, 2008. Print.
Facing hardships, problems, or obstacles shouldn’t discourage one from completing their task or job. Many of authors usually put their characters through tough complications to show the reader that no matter what happens; anyone could pull through. In the short story, “The Most Dangerous Game” by Richard Connel, the main character Mr. Rainsford gets stranded on an eerie island with a bad reputation. He meets General Zaroff and gets thrown into a huge hunting game, where his life is on the line. In the end, he wins the game and will continue to hunt animals, but not people, as the general once did. He will continue to hunt because one, hunting means everything to him. Two, he will not continue the general’s crazy ways, and resort back to the legal and non-dangerous to other humans sport. Third, he feels powerful when he becomes the hunter and not the hunted. Giving up hunting would be like giving up his life, so just because of a minor block he had to overcome, he will not give up hunting.
A true war story is never moral. It does not instruct, nor encourage virtue, nor suggest models of proper human behavior, nor restrain ...
In struggles of powers stretching worldwide, nobody wins. Death hunts all sides equally and cooly, whether axis or ally. This is, of course, is in reference to not just all wars, but more specifically the second World War, the War after the War to End All Wars, the cleanup on what the Great War swept under the rug. The second World War not only tore open the scars left by the first, but gave rise to a slew of new ones on the next generation; these scars being even more gruesome than before due to unfortunate advancements in war. Randall Jarrell in his poem “The Death of the Ball Turret Gunner” uses tone, and the tone’s subsequent change, diction, and imagery to show the atrocities of war even more so than the most cruel words
War Is a Force That Gives Us Meaning, written by the talented author Chris Hedges, gives us provoking thoughts that are somewhat painful to read but at the same time are quite personal confessions. Chris Hedges, a talented journalist to say the least, brings nearly 15 years of being a foreign correspondent to this book and subjectively concludes how all of his world experiences tie together. Throughout his book, he unifies themes present in all wars he experienced first hand. The most important themes I was able to draw from this book were, war skews reality, dominates culture, seduces society with its heroic attributes, distorts memory, and supports a cause, and allures us by a constant battle between death and love.
Trapp, James. The art of war: a new translation. New York: Chartwell Books, 2012. Print.
This type of writing interests me because it was used as a tool to open people’s eyes to the brutality of war. In a way it protested and spoke up against this injustice and most importantly gave a voice to the people who became the biggest victims of war – the soldiers themselves.
	The pounding of shells, the mines, the death traps, the massive, blind destruction, the acrid stench of rotting flesh, the communal graves, the charred bodies, and the fear. These are the images of war. War has changed over the centuries from battles of legions of ironclad soldiers enveloped in glimmering armor fighting for what they believe to senseless acts of guerrilla warfare against those too coward to be draft-dodgers. Those who were there, who experienced the terror first hand were deeply effected and changed forever. In their retinas, images of blood and gore are burned for the rest of their life.
Lois R. Robley remarks that “the horrors of war cannot be imagined by those of us who have not witnessed it. It is perhaps up to the poets, the writers, the movie directors, and the photojournalists to distill and recapture the images that remind us of the traumatic influence of war. Perhaps only then can we extinguish the need to be reminded and ready for war related PTSD.”