Nathaniel Hawthorne’s short stories pose numerous questions about science, the opposition between scientists and Nature, and the roles of women in relation to science and scientists, most notably in “Rappaccini’s Daughter,” “The Birthmark,” and “The Artist of the Beautiful.” In these stories, one might argue that the women—Beatrice, Georgiana, and Annie, respectively—act as foils, disrupting the scientific progress of the male scientist—Giacomo Rappaccini, Aylmer, and Owen Warland, respectively. However, another way of looking at these stories and the women within them is to see these women not merely as foils but as Muses, from whom the scientists take inspiration in their efforts to control of overcome Nature. Similar to the Muses of Greek and Roman mythology, these three women fuel scientific fires, but instead of being praised and valued by scientists, these women are often abused by scientists in various and misogynistic ways. By closely examining these three short stories and the relationships between the Muses and the …show more content…
Giacomo’s garden, like Eden, has lush greenery, has borders which keep separate the inside and outside worlds, and has its own version of Adam and Eve, who are, as Oliver Evans argues, Beatrice and Giovanni, respectively (186). Despite similarities to the original, perfect Eden, what makes Giacomo’s garden an inverse-Eden is that it is Fallen, and its Fallen state is revealed through the poisonous nature of Beatrice and the plants within. Giacomo’s garden is also like an inverse-Eden because Beatrice is Adam—for she was created by Giacomo, who appears to be playing the role of God—and Giovanni is Eve, whom Giacomo (God) finds so his Beatrice can have a mate. This gender-reversal of “Adam” and “Eve,” in addition to the poisonous plants make Giacomo’s garden like, but also not exactly like,
In the short story, “The Birthmark” Nathaniel Hawthorne uses the characters, foreshadowing, symbolism, and other rhetorical devices to alert people of the consequences of man having the power to control and alter nature. Additionally, through his skillful usage of diction, Hawthorne warns of the effects of seeking perfection through science. In “The Birthmark”, Aylmer, a man devoted entirely to science, marries Georgiana, a beautiful young woman with a single imperfection. Georgiana’s imperfection bears the resemblance of a tiny crimson hand and is visible on her left cheek. The birthmark becomes the object of Aylmer’s obsession and he resolves to use his scientific prowess to correct “what Nature left imperfect in her fairest work.” He succeeds in removing the birthmark; however, he unfortunately causes his wife’s death in the process. Through “The Birthmark”, Hawthorne suggests that nothing paradisiacal can exist on this earth, and that being imperfect is just part of being human.
In Nathaniel Hawthorne’s short story “The Birth-Mark,” Aylmer, a married scientist, believes himself to be above nature. Acting on these beliefs, he prepares
Rossiter, Margaret W. (1982). Women Scientists in America: Struggles and Strategies to 1940. Baltimore: The Johns Hopkins University Press
“The Birthmark” and “My Last Duchess” are two very different works, from two completely different genres. “The Birthmark” is a short story written by Nathaniel Hawthorne, and “My Last Duchess” is a poem written by Robert Browning. Although, these are two different genres, they have very similar themes and parallels. These works explore the problems with power and control in marriages at two different time periods and places and shows what it can drive a man to do. “The Birthmark” has a lot of symbolism, imagery and allegory. This story is about a pretty normal newlywed couple, Aylmer and Georgiana. “Such a union accordingly took place, and was attended with truly remarkable consequences and a deeply impressive moral. (2)” This quote is very interesting because the word “union” means many things. From one perspective it can mean the marriage between Aylmer and Georgiana, and on the other hand it could refer to the union of Aylmer’s love for Georgiana and science. Aylmer is thoroughly devoted to his career in science, and he was recently married to Georgiana so he is just getting to know what being married is like. The birthmark is the conflict in their marriage and in the story, Aylmer isn’t into Georgiana’s birthmark and he requests for her to allow him to remove it. He soon realizes that taking off the birthmark isn’t as simple as it seems because it is interwoven into Georgiana’s face. Georgiana then allows Aylmer to remove the birthmark, even though she knows he isn’t a successful scientist. The liquid that Aylmer has Georgiana drink slowly kills her, and Aylmer is shown to be a complete fool. The actual birthmark itself is the main symbol used throughout the story. “My Last Duchess” is a poem about a Duke who showing someone ...
Stoehr, Taylor. Hawthorne's Mad Scientists. Hamden: Shoe String Press, 1978. Weinstein, Cindy. "The Invisible Hand Made Visible: 'The Birthmark'." Nineteenth Century Literature 48 (1993): 44-73.
In Nathanial Hawthorne’s “The Birth-Mark,” Aylmer, a crazed, “mad-scientist,” seeks to remove the scarlet handprint birthmark from his wife, Georgiana’s cheek. From the opening of the work, the third person narrator describes Aylmer’s obsession with science and the adverse effects it has had on his social life. Aylmer is tied up in this battle within himself and with his assigned association between the natural and the spiritual world. He wishes to have as much control over these colliding worlds as possible, granting himself god-like power and control in the process. In the art of manipulating nature through science, Aylmer believes he is able to alter the spiritual aspects of the natural as well. Aylmer’s focus on spirituality is Hawthorne’s way of commenting on mankind’s fixation on sin and redemption.
The birthmark is a compelling story of one man’s obsession with his scientific ability to produce perfection. Aylmer, a scientist, is married to a Georgiana who is a very beautiful woman. Not long after getting married Georgiana’s birthmark, which is in the shape of a tiny handprint on her check, really begins to bother Aylmer. He sees it as a flaw in an other wise perfect woman. Georgiana knows that her birthmark disgusts him and, having grown up not bother at all by it, begins to hate it herself. He asks if she has ever considered having it removed. This is not something she has considered since other people in her life, especially men, have always seen it as a “charm”. Aylmer being an amazing scientist almost sees himself as god and feels that he has the power to remove this imperfection. Georgiana, bothered by her husband’s reaction to her birthmark, agrees to let him try to rid her of it. She is taken to his laboratory and he immediately begins to experiment. After she finds Aylmer’s book of experiments, which all end in failure, she for the first time, has some doubt about how this will work and confronts him. He reassures her and begins to try a multitude of methods, with the help of his assistant Aminadab, which do not work. At one point, there are several experiments going on and he even refers to himself as a “sorcerer” (Hawthorne 232). Finally, he produces a potion, which she drinks, and the birthmark begins to disappear! Slowly though, even as the experiment is working, Georgiana is fading away. He finds that ultimately, the birthmark was connected to her very soul and in his trying to act god like he actually kills her. Really this short story just proves that science has its limits and no man should try to act like G...
with a mortal frame” (Hawthorne 354). By tracing the tipping scales of perfection vs. dissatisfaction, readers of “The Birthmark” witness the slow demise of Georgiana and Aylmer, and gain important insight into human nature.
It is hard to say that one is human and perfect at the same time. Human beings are not capable of achieving perfection; if that would be so, humans would stop being humans. By nature the human race is full of flaws, some appearing as early as in the womb. From defects in the body, to defects in the mind, to the mistakes that one makes in quotidian life, it is impossible to deny that human imperfection exists. To try to manipulate humans into perfection is not only impossible, but it takes away the very essence of being a human being. The short story “The Birthmark” by Nathaniel Hawthorn, illustrates this teaching through the character of Aylmer, an ambitious and devoted scientist who is appalled by his wife Georgiana’s birthmark, believing it to be a perceivable sign of her human flaws and eagerly waits to remove it from her cheek. This story raises riveting questions such as, what is humanity all about, can human beings ever achieve perfection through science, is Hawthorn attacking science or a wider issue, and more significantly, should science take the place of God. Through the use of symbolism in “The Birthmark”, Hawthorn indirectly implies that imperfection is an essential part of being human and that science should not interfere; thus he is hinting his personal views toward science and its limitations over nature.
Nathaniel Hawthorne’s “The Birthmark”, is the story of a crazed scientist whose strive for perfection not only leads to the death of his beautiful wife, but the attempt of man to have power over nature. It follows the story of Aylmer and his obsession with removing the birthmark off his beautiful wife, Georgiana. “His unnatural fixation to his wife’s birthmark even consumes him in his sleep as he dreams of cutting it off much like scraping an apple off its skin.” (Snodgrass 29). This narrative explores the themes of perfection, and the conflict between science and the natural world.
The advancement of industrialism, economic growth, science and medicine, and wars all donated to the contributions of many writers during the Romantic Movement. This is true of Nathaniel Hawthorne’s, short story, “The Birthmark”. The obsession with perfection is just as evident today; as it was back in the 18th and 19th centuries. The detrimental effects of amplifying science and romance are clearly defined between the relationships of Aylmer, his wife Georgiana, and Aminadab -his assistant in his lab. Romantic literature puts a higher significance on the value of intuition and imagination instead of fixating on objective reasoning.
The story’s tone is one of romantic controversy, a dilemma at a high level of existence. The scientist’s love for his craft competes very intensively with his newfound love for his wife. It is also very psychological, strictly dealing with the raw mind of its subjects as if the ominous narrator told the story from inside their mind, rather than observe it from the outside. He describes the processes that one may take to reach a certain degree of knowledge and to find the elixir of life, which is described in this story as the ultimate goal of the scientific community. Also, the narrator is very opinionated about events in the story.
Every relationship is different. Weather one may be in a relationship with a boy, or just a friend, it is different. Even though they are different, the characters in “The Birthmark” by Nathaniel Hawthorne and “IND AFF” by Fay Weldon are in similar relationships. That is, the male is dominant over the female, and the woman thinks the man is her knight in shining armor. In the beginning of “IND AFF” the unnamed woman thinks her professor, Peter, who she is having an affair with, is her ticket to creating a good thesis and higher standings. Similarly, in “The Birthmark,” Georgiana thinks her husband is her ticket to flawless beauty because he tells her he will remove her birthmark. Obviously, this is not how relationships operate in today’s society. These two relationships compare and contrast with each other as well as with relationships in today’s day-and-age.
Nathaniel Hawthorne’s 1843 short story entitled “The Birth-Mark” is, at face value, a traditionally formatted Hawthorne story; it is a textbook example of his recurrent theme of the unpardonable sin as committed by the primary character, Aylmer, the repercussions of which result in the untimely death of his wife, Georgiana. However, there seems to be an underlying theme to the story that adds a layer to Hawthorne’s common theme of the unpardonable sin; when Aylmer attempts to reconcile his intellectual prowess with his love for his wife, his efforts turn into an obsession with perfecting his wife’s single physical flaw and her consequent death. This tragedy occurs within the confines of traditional gender
Nathaniel Hawthorne did not do much explaining when it came to the characters involved in "The Birthmark". He did not portray the main characters: Aylmer, Georgiana, and Ambidab as human beings, but rather as symbols. While analyzing the story "The Birthmark", I have achieved some great insight of the author 's articulate writing style; especially, his style of making characters have symbolic meaning. In this story, Hawthorne uses his characters to symbolize specific things. In this ambiguous, short story, the three characters each symbolize Science, Beauty, and Nature. Each character represents an unusual force that has equally worked against each other.