In the last couple of years, the media has exploited different cultures under a veil of entertainment. As time went by it went by many names, In A Resurgence of ‘Redneck’ Geoff Nunberg says, “Many of these names are forgotten now, and others were regional nicknames like tarheels, buckeeyes and hoosiers.” Although the name has change over time from “half breeds” to “white trash” the names still have the same connotations and culture is still around. In the last sixty years a huge hit on television has been southern culture, in particular “white trash” culture. Two famous TV shows for their white trash counterparts, are Honey Boo Boo and The Beverly Hillbillys. The two shows different in many ways also share a lot in common, from their mockery of shouthern poor white to the shift …show more content…
In Honey Boo Boo there is not a laugh track but the show shares the same concept. After Mama June or Honey Boo Boo would say a signature like, “A dolla make me Holla” the audience would know to laugh. Both of the TV shows also share southern slang such as “aint”, and “yall’. The main contrast between the two shows would be how far the humor went. In Beverly Hillbillys it is a lighthearted show about a silly family from the south. The show though making fun of the family still portrays them as a kind and loving family. The show still makes the “hillbillys” seem human. The latter can be said for Honey Boo Bo. In this show it is more of a mockery of not just the family, but “white trash” as a whole. In the episode” This Is My Crazy Family” the family goes to the “Summer Redneck Games”. In the episode the camera zooms in on induvial in the crowd after certain comments were made. For example, in the episode Mama June describes a certain type of white trash as “broke down”, the camera then zooms in on a few heavy set women to “help” prove her point. This showcase of the “white trash” is far different from the funny and more bearable Beverly Hillbillies because with Honey Boo Boo it
Film Historian Donald Bogle, the author of “Toms, Coons, Mulattoes, Mammies, & Bucks: An Interpretive History of Blacks in American Films,” offers compelling and informative examples of various stereotypes of African-Americans performers. He emphasizes on historical characteristics of gifted black actors/entertainers; renovating their roles to disseminate specific representations that are significant to the economics and history of America’s shifting environmental circumstances.
Omi claims that media and popular culture are two of the main culprits for the dissemination of a segregation ideology through music, movies and TV shows (Omi 114). According to Omi, media has the “ability to reflect the dominant racial ideology” and to “shape that ideology in first place” (Omi 115). These two sentences imply that Omi is not just blaming on media, but also on white people, who dominate communications and provide a better image of themselves in order to maintain the status of dominant culture. Moreover, Omi uses the concept of “representation” to claim that even the popular culture, which was supposed to be created by the people, brings segregating ideology on itself and do not contribute to the celebration of cultural diversity (Omi 120). Omi explains this belief of “representation” as a tool of segregation when stating that jokes and songs “reinforce stereotypes and rationalize the existing relations of social inequality” (Omi 121). Media and popular culture are outsiders, meaning that are not racist themselves, but according to Omi they are the main incentive to
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
Nous sommes Acadiens. (We are Acadians.) Some outsiders see us as a quaint, virtuous people, spending a great deal of time singing, dancing, praying, and visiting? (Conrad, 1978, p.14). Others see us as independent and unsophisticated. We see ourselves as fun-loving, carefree, happy, proud people who have a great love for our culture. The Acadians were French settlers of eastern Canada who were exiled from their land in the 1750?s. The Acadians are known to have settled in the southern bayou lands of Louisiana around that time. The Acadiana people acquired their nickname, ?Cajuns,? from those people who could not pronounce Acadians correctly. Due to the opinion that Cajuns were ?different?, they lived close together and became isolated from others in Louisiana. They have since developed their own distinct characteristics which make them unique and unlike no others in the bayou state. Family, music, housing, food, marriages, and ?traiteurs? were all a part of the simple but challenging lifestyle of the Cajuns.
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
"Race and Ethnicity in Entertainment." Issues & Controversies On File: n. pag. Issues & Controversies.
Southern hospitality is the best in the world. People that live in the South are very nice and are always willing to help another person in any way they can. If someone is from out of town and needs directions to a certain place southerners will make sure he or she knows how to get there before he or she leaves them. Southerners are very polite. Every time we pass someone on the rode, we are going to wave at him or her. Towns in the South have fewer people and everyone knows everyone. The people in the South are nicer than anywhere else in the United States.
Woll, Allen L and Randall M Miller. Ethnic and Racial Images in American Film and Television: Historical Essays and Bibliography. n.d. Print.
According to Poverty & Prejudice: Media and Race, co-authored by Yurii Horton, Raagen Price, and Eric Brown, the media sets the tone for the morals, values and images of our culture. Many whites in American society, some of whom have never encoun...
With the turn of the century, society and technology evolved and so did the minstrel shows. The introduction of the television gave the shows a new platform to broadcast their content to more american audiences. While not as harsh as the shows in the 19th century’s shows, the modern minstrel shows were “vestiges of their racial stereotyping and performances aesthetics persisted for decades in various performance mediums. ” (7). The show 's popularity forged a strong foundation for careers in the entertainment industry for African Americans. African Americans often could find great success in pursuing musical, or comedic careers following the minstrel shows. And as the shows finally died out, this underlying principle stayed true as the United States progressed. The minstrel shows facilitated African Americans into many forms of the entertainment as various performers. The shows play a major role in developing the comedic basis for African American entertainers even today. As referred to in the modern day , “Black Comedy” is extremely favored by the populus. Famous black comedian Dave Chappelle, once played a role as a “racial pixie”. Chappelle performed as a oddly dressed pixie on the shoulders of African Americans and sang, danced, and encouraged the individual to given into the stereotypes of society (4). Perhaps what disturbed Chappelle the most was the
1) The representation of African American’s in television has increased greatly since the early 1950’s. Through the years that television has progressed, the view of ethnic and racial groups have improved. From their beginnings as stereotypical roles to primary characters in television, the representation of African Americans have transformed in almost every genre in television. Tracing the development of African Americans through television history helps us to understand the different ways a group of people are represented and how that representation changes as the years go by.
The world of television can either completely hit or miss the mark when it comes to providing its audience a diverse cast/actors. "Girls" is a new HBO show about young, prosperous, and white New Yorkers in their twenties struggling to find their footing in the post-collegiate world. It is a poor example of representation of race, but the show in itself cannot be held responsible for the whole problem of racial diversity of media and popular culture. There has been a lot of controversy about the show's diversity since the first episode, seeing how it is set in the melting pot of NYC and Brooklyn, yet it is prominently white. The shocking part is that despite its meting pot nature, it is very easy to live a segregated social life in New York City, especially if you are a rich white person. The fact that the show is so white should not come off as unusual, yet it does because this generation is more willing to see that change happen in pop culture. Not everyone sees it that way and pop culture still does not represent races equally or at times even accurately. For example, when show do add in minorities they often make them extremely stereotypical to their race. The recurrence in the lack of realistic representation in the show highlights the “whiteness” of stereotypical roles that overshadows real life representation.
There are many racial stereotypes that many people are familiar with but would see it as inappropriate to address due to racial stereotypes being a controversial issue. As mentioned in the movie, Bamboozled, Dunwitty also known as the Vice President of the CNS, a large television network, states “… I want you to create something that people want to see…You know and I know "niggers" set the trend, set the styles. This is a golden opportunity now. These idiots have to be led to the water.” Which expresses how much the media cares more about the people viewing their shows instead of what the show is really about. Since many media outlets care more about receiving views from their audiences they usually don’t think about what kind of shows they are projecting to the public as long as they are getting views.
Since television came into existence, it has evolved into a useful tool to spread ideas, both social and political, and has had a great effect on the generations growing up with these heavily influential shows. To these younger generations, television has taken the role of a teacher, with the task of creating a social construction by which many of us base our personal beliefs and judgments on. This power allows television shows take the opportunity to address problems in a manner that many audiences can take to heart. Many television shows present controversial topics in a comical matter, in some ways to soften the blow of hard-hitting reality at the same time bringing attention to the issue being addressed. In the television show, Everybody Hates Chris, season one, episode four entitled “Everybody Hates Sausage”, the stereotypes that continue to fuel racism are examined in a satirical motif, and class is presented in a comical way, but carries serious undertones which present a somewhat realistic view of the different social strata within the United States.
One of the greatest exports of American culture is American media. American media is one of the most widely distributed and consumed cultural forms from the United States. This means that not only do Americans consume large quantities of their own media, but many other countries in the world consume American media, too. People in other countries will not interpret or understand the media in precisely the same ways that Americans will and do, nonetheless, many aspects of American culture and American reality are communicated to numerous viewers as part of the content in the media. The media is an important tool in the discussion of race, class, and gender in America. It takes a savvy viewer to discriminate between and understand what media accurately represents reality, what media does not, or which aspects of experience are fictionalized, and which elements ...