Esther Greenwood, the protagonist of The Bell Jar by Silvia Plath, is cast under the spell of her own depression and the story of being released from the spell follows the structure of one of the 7 plot types Christopher Booker created. These 7 plot archetypes include the Quest, Voyage and Return, Comedy, Tragedy, Overcoming the Monster, Rags to Riches, and lastly the archetype of Rebirth. The novel The Bell Jar is classified as the Rebirth plot, in accordance with the 5 stages that make up said archetype: The Falling Stage, Recession Stage, Imprisonment Stage, Nightmare Stage, and The Rebirth Stage. Readers follow Esther as she pulls herself through the stages, through the falling, the rising, and the falling once more, until she reaches the goal of being freed from the spell of her depression and has been reborn.
The first stage of the Rebirth archetype is the “Falling Stage”. According to TvTropes.com, this stage is the beginning of the story when the protagonist first falls under the evil spell. In The Bell Jar, Esther’s spell, which is her depression, is cast during her time in New York while on a scholarship. She doesn’t want to spend time with any of the other girls on the scholarship, go to parties, or even leave the hotel room she stays in. The only person who can reach her is her friend Doreen who eventually stops seeing Esther because of her boyfriend. Although she chooses to be alone, Esther does not enjoy the solitude. Esther describes her lonesomeness like being at the center of a tornado. She says, “I felt very still and empty, the way the eye of a tornado must feel, moving dully along in the middle of the surrounding hullabaloo,” (Plath 7). Another factor that builds Esther’s imprisonment is that she refuses to r...
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... her leave the hospital and regain a sense of normality. With this new sense of hope, acceptance of the bell jar’s eternal presence, and guidance from Dr. Nolan, Esther is released from her spell and the depression will remain at bay from the Rebirth Stage and beyond.
Once again, the plot structure of The Bell Jar by Silvia Plath has 5 stages that make up the Rebirth Archetype: The Falling Stage, Recession Stage, Imprisonment Stage, Nightmare Stage, and The Rebirth Stage. In these stages, Esther falls under the wicked spell of her depression and after times of utter despair and anguish, was finally set free by her helping hand, Dr. Nolan. With these tragedies and triumphs, Esther grew from a person falling to one that is climbing and will continue to climb even with the everlasting pressure of the bell jar.
Works Cited
The Bell Jar by Silvia Plath
TvTropes.com
Plath uses metaphors to describe the protagonists entrapment, suffocation and torture. Bill Gibson (2000) clearly defines the purpose of the metaphorical bell jar, stating that the “bell jar is a entrapment, and a way of placing one on a display of sorts, behind a glass”. Hence, Plath uses the bell jar to describe how she feels- an object, to be stared and looked upon. - mom low ideas of mental illness- So plath uses the imagery of the bell jar to convey the suffocation and isolation that is felt by all women. Also, the unlimited expectations that society creates for women and esther’s failure to achieve the expectations leads to her sorrow and disillusionment. Hence, esther
Throughout the span of the book, Esther Greenwood slowly descends into madness. The first sign is her uncertainty with her future. Though she dreams of going to graduate school or traveling to Europe, Esther realizes that she doesn’t know what she wants to do; a discovery as shocking as meeting “some nondescript person” who “introduces himself as your real father” (Plath 32). Later when she’s at the UN, she realizes that she will lose all of her abilities once she leaves college, as she believes that the only skills she has is winning scholarships. She compares her current place in life as that of a fig tree, wanting all life paths given to her yet not taking any of them. Later, Esther goes to a country club where she has a rough encounter with Marco, a Peruvian man who attempts to rape her. Regardless of this instance, she continues to wear his blood afterwards viewing it “like a relic of a
...which were dead in mothers’ belly, were placed in the bottle. To Esther, this image always linked to abnormal growth, suffocation and death: “The air of the bell jar wadded round me and I couldn’t sir” (p.178). The latter part in the novel, Esther experienced a serious of symbolic events, and she began all over again and was ready to new life. However, what waited for her was still the contradiction that the society put on women, and the value of women could not be totally reflected as before. It could be predicted that in such society-value was distorted like the bell jar, Esther would be probable to fall into the “crisis of roles” and lost the courage for living again. The novel did not describe Esther’s “new born”, anyhow, the “new born” of the author-Sylvia Plath did not last for a long time.
In Sylvia Plath's novel The Bell Jar, Esther Greenwood seems incapable of healthy relationships with other women. She is trapped in a patriarchal society with rigid expectations of womanhood. The cost of transgressing social norms is isolation, institutionalization and a lost identity as woman. The struggle for an individual identity under this regime is enough to drive a person to the verge of suicide. Given the oppressive system under which she must operate, Esther Greenwood's problems with women stem from her conflict between individuality and conformity.
Sylvia Plath wrote the semi autobiographical novel, The Bell Jar, in which the main character, Esther, struggles with depression as she attempts to make herself known as a writer in the 1950’s. She is getting the opportunity to apprentice under a well-known fashion magazine editor, but still cannot find true happiness. She crumbles under her depression due to feeling that she doesn’t fit in, and eventually ends up being put into a mental hospital undergoing electroshock therapy. Still, she describes the depth of her depression as “Wherever I sat - on the deck of a ship or at a street a cafe in Paris or Bangkok - I would be sitting under the same glass bell jar, stewing in my own sour air” (Plath 178). The pressure to assimilate to society’s standards from her mother, friends, and romantic interests, almost pushes her over the edge and causes her to attempt suicide multiple times throughout her life. Buddy Willard, Esther’s boyfriend at a time, asks her to marry him repeatedly in which she declines. Her mother tries to get her to marry and makes her go to therapy eventually, which leads to the mental hospital. Esther resents the way of settling down and making a family, as well as going out and partying all night. She just wants to work to become a journalist or publisher. Though, part of her longs for these other lives that she imagines livings, if she were a different person or if different things happened in her life. That’s how Elly Higgenbottom came about. Elly is Esther when Esther doesn’t want to be herself to new people. Esther’s story portrays the role of women in society in the 1950’s through Esther’s family and friends pushing her to conform to the gender roles of the time.
In the end of the novel, Esther at last, comes to terms with reality. She has got to stop living her life according to what others expect of her. She needs to start living her life for “her”. After Joan commits suicide, Esther believes that unless she turns her life around, she will also commit suicide. Esther saw so much of herself in Joan, that when Joan ended her life she was frightened that she would follow in her footsteps, due to the fact that she had throughout the entire novel. Once Joan was gone, Esther was truly free. The part of Joan that was reflected in Esther vanished. The “bell jar” that had been suffocating her was finally lifted.
The Bell Jar continues to inspire and enlighten its readers for it portrays a captivating descent into mental illness. This great work of literature accomplishes the goal of providing a “difficult pleasure” as it demonstrates how any problem, significant or trivial, can affect an individual at the deepest and most personal level. In Harold Bloom’s words, The Bell Jar, like any great novel throughout history, allows us to “Read deeply, not to believe, not to accept, not to contradict, but to learn to share in that one nature that writes and reads.”
While in pursuit of a career in writing or poetry in New York City, she is diagnosed with severe, manic depression, which marks the beginning of the descent of the bell jar. After her internship ends, she attempts to commit suicide multiple times. The bell jar already begins to control her, symbolizing a tyrant in her mind. She feels horrified of what she is slowly turning ...
At the end of the novel, Esther finally see’s a light at the end of the tunnel. She finally realizes that there is hope for her to become healthy again. Once Esther realizes that she will not always feel as bad as she does, she also comes to the conclusion that all the negativity and questioning in her life have made her into the person she has become. Esther finally realizes what her true identity is and she is okay with who she has become.
After finding out that she didn’t get into a summer creative writing course everything goes downhill for her and her suicidal depression comes out. She is forced to go to a Dr. Gordon and he proposes that she does shock therapy. But he botches the electroshock therapy and causes her depression to worsen. After Esther tries to take her life with sleeping pills she is taken to a psychiatric institution, she has a new doctor, Dr. Nolan. While at the institution, Esther goes through a electroshock and insulin therapy sessions and it is successful this tume. Also while at the institution she meets an old ex of her ex, Joan. They slowly make an acquaintance with each other. Later on, while Esther is getting better Joan takes her own life. The Bell Jar ends roughly a year later, with Esther going into her exit interview to see if she is ready to leave the
It is perhaps her over-analysis of situations that causes the manifestations of her psyche; she consistently volleys between multiple possibilities, searching for the most fruitful option. The novel's theme is consistently shown as a mental battle of Esther versus herself, a direct result of her mental illness.
Life is full of endless amounts of beautiful encounters for every character in the novel The Bell Jar by Sylvia Plath, except for Esther. She suffers from a severe and complex mental illness that impacts her life greatly. Although it is clear that Esther suffers strongly from depression in the novel, Sylvia Plath chooses to tell her life abstractly through countless symbols and ironies to prove that Esther depression completely consumes her. Everything that Esther sees is through a lens of depression, which scews her outlook on life.
Esther’s psychological transformation from a perfectly healthy person ends up suffering from depression. Her influences around her have negatively shown Esther a negative path to take. The events during the 1950s such as the Rosenbergs executions have only made the transformation even powerful. Sylvia Plath’s life could be compared to the Bell Jar because she was in the same situation as Esther. Freud’s theory of psychoanalysis and psycho dynamic has addressed depression through the main character Esther.
...es these primitive standards, she becomes melancholy because she does not attune into the gender roles of women, which particularly focus on marriage, maternity, and domesticity. Like other nineteen year old women, Esther has many goals and ambitions in her life. Nevertheless, Esther is disparaged by society’s blunt roles created for women. Although she experiences a tremendous psychological journey, she is able to liberate herself from society’s suffocating constraints. Esther is an excellent inspiration for women who are also currently battling with society’s degrading stereotypes. She is a persistent woman who perseveres to accomplish more than being a stay at home mother. Thus, Esther is a voice for women who are trying to abolish the airless conformism that is prevalent in 1950’s society.
On the eve of her freedom from the asylum, Esther laments, “I had hoped, at my departure, I would feel sure and knowledgeable about everything that lay ahead- after all, I had been ‘analyzed.’ Instead, all I could see were question marks” (243). The novel is left open-ended, with a slightly optimistic tone but no details to help the reader fully understand the final step of her healing process. Esther desired to be free of social conventions and double standards, but consistently imposed them upon herself and on the people around her. Her evolution in understanding never reaches a satisfying conclusion, and the reader is also left with nothing but question marks.