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“It was John Kerouac…who several years ago…said ‘You know, this really is a beat generation…” (Moran and Gannon). The Beat Generation or also known as, “Beats” is a name that was used to characterize the leaders of the movement in the 1950’s that sailed through the American culture post World War II as a balance to the suburban conformity and organization - man model that controlled that time period (Moran and Gannon). The Beat Generation was a different kind of group that went against the norms of society. Their culture expressed the rejection of received standards and materialism, innovations in styles, alternative sexualities, experimentation with drugs, an interest in Eastern religion, and explicit representation of the human condition. The Beat Generation which included Jack Kerouac, William Burroughs, and Allen Ginsberg, embraced originality and individuality in the way people thought and acted during that time period and it still has its effect in today’s world.
The themes of the Beat Generation helped to pave the way for today’s society which included disillusionment, social nonconformity, and spontaneity. Disillusionment is considered to be the main theme of the movement and “…it was the reason for the split from mainstream society that the Beats had originally desired” (Beat Movement). In that period, some people didn’t like the idea of the lifestyle that was considered normal; the traditional spouse, having two kids, and a white picket fence (Beat Movement). These people that didn’t like the idea were disillusioned from postwar contentment which led to them to starting a protest against the social norms that to them were considered more of social control than a style of living. Another known theme of the Beat Genera...
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... Ginsberg became popular quite quickly after that reading and in 1956 Howl & Other Poems was published. He then died on April 5th, 1997 in New York of a heart attack while dealing with liver cancer. These writers along with others still have the ability to influence those of today’s society.
To conclude, the Beat Generation was one of the most influential literary movements. It has embraced originality and individuality in the way people thought and acted during that time period and it still has its effect in today’s world. With Ginsberg’s Howl, the idea of what was considered adequate literature was expanded incredibly. They helped to abolish censorship through literature and the Beats pushed discussions of ecology and environmentalism into the mainstream (O’Hagan). The Beats paved way for American society to express themselves in any manner that they wish to.
The "Poet of the New Violence" On the Poetry of Allen Ginsberg. Ed. Lewis Hyde. Ann Arbor: University of Michigan Press, 1984. 29-31.
Firstly, the group of friends and writers most commonly known as the Beats evolved dramatically in focal points such as Greenwich Village and Columbia University, and subsequently spread their political and cultural views to a wider audience. The three Beat figureheads William S. Burroughs, Allen Ginsberg and Jack Kerouac each perceived an agenda within American society to clamp down on those who were in some way different from the accepted ‘norm’, and in response deliberately flirted with the un-American practices of Buddhism, drug use, homosexuality and the avant-garde. Ginsberg courted danger by lending a voice to the homosexual subculture that had been marginalised by repressive social traditions and cultural patterns within the United States.
1. The sociocultural history of rock & roll during the 1950s created a metamorphosis of teenage mannerisms against the older generation. Shumway (118) emphasizes how the rock & roll periodization represses the nature of normal convention illustrated in “Blackboard Jungle”; through the deviant nature of boys against adults. The boys are malicious towards each other, sneering at one another just as Vince Everett did in “Jailhouse Rock”. While the post-war generation tried to discipline the baby boomers into their known demeanor, the recalcitrant teens rebelled against all means of adult intervention. Similarly Szatmary (50) expressed the generation gap between the baby-boomer and their parents fueled the fear of delinquency in their children. Shumway (125) refers to “Blackboard Jungle” to reiterate the essence of the song “Rock around the Clock” to define the conception of foreseen dangers of youth and the behaviors associated with rock & roll as a transformative cultural practice. In reference to the integration between African Americans and whites during the rock and roll era thr...
Music can be traced back into human history to prehistoric eras. To this day archeologists uncover fragments of ancient instruments as well as tablets with carved lyrics buried alongside prominent leaders and highly influential people. This serves as a testament to the importance and power of music, as well as its influence in society. Over its many years of existence, music’s powerful invocation of feelings has allowed it to evolve and serve many purposes, one being inspiring change. American journalist and author Hunter S. Thompson once said, “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel.” This fuel is the very things that powers the influence of Rock ‘n’ Roll on American society, that author Glenn C. Altschuler writes about in his book, “All Shook Up – How Rock ‘n’ Roll Changed America.” Between 1945 and 1965 Rock ‘n’ Roll transformed American society and culture by helping to ease racial integration and launch a sexual revolution while most importantly developing an intergenerational identity.
with the current state of life in America. This minority consisted of average people looking for something more in their lives than the common American Dream of suburbia and satisfaction, and was centralized primarily in Greenwich Village, New York. "Beats" or "Beatniks", as they were called, became words that took on a near literal meaning. In Allen Ginsberg's Deliberate Prose, it is stated that " the original street usage meant exhausted, at the bottom of the world, looking up or out, sleeplessness, wide-eyed, perceptive" (Ginsberg 237), or beat. It was the Beat philosophy to question and criticize life than merely be content with it. Allen Ginsberg once again expresses beautifully what it meant to be part of the 1950s counter-culture by saying "It's weird enough to be in this human form so temporarily, without huge gangs of people, whole societies, trying to pretend that t...
Tytell, John. "The Beat Generation and the Continuing American Revolution". American Scholar 42 (1973): 308-317.
...the Beats" in the late fifties and early sixties, paving the way for a more accepting American society and the tolerance of alternative lifestyles we enjoy today.
In 1961, previous to the outbreak of Occupy Wall Street, Greenwich Village’s Washington Square Park was filled with three–thousand young beatnik protestors. Playing instruments and singing folk music symbolized the starvation that these young folks wanted of freedom and equality for America. Protestors demonstrated mixed cultures, individualistic beliefs that went against the status quo of America after the post-war years. The Beatnik Riot involved young traditional Americans fighting not just for the musical crisis of that time, but for the social, racial, and cultural segregations that were brought on by the years of war. Acting as a catalytic reaction, the Beatnik Riot put in motion a new modernized America.
America was built on rebellion. This was no different for the Beat Generation whom took Americans in the 20th century, into a new way of life. Middle class free spirited people who questioned the practices of everyday lifestyle and mainstream culture, the beats lived in disillusionment with society. The fifties being a time of conservative family morals encouraged the bohemian nature of the beats for their want to experience more. The nature of this rejection is expected but, why? And how does such rebellion begin to take place, what forms does it take, and does such rebellion provide a lasting change?
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
Music is an art form and source of power. Many forms of music reflect culture and society, as well as, containing political content and social message. Music as social change has been highlighted throughout the 20th century. In the 1960s the United States saw political and socially oriented folk music discussing the Vietnam War and other social issues. In Jamaica during the 1970s and 1980s reggae developed out of the Ghetto’s of Trench town and expressed the social unrest of the poor and the need to over-through the oppressors. The 1980’s brought the newest development in social and political music, the emergence of hip-hop and rap. This urban musical art form that was developed in New York City has now taken over the mainstream, but originated as an empowering art form for urban youth and emerging working class.
"Burn, burn, burn," says Kerouac, and that is what the Beats were all about. From the all-night, smoke-filled jazz clubs of the Lower East Side of Manhattan, to the trendy bars of San Francisco, the artists known as the ‘Beats’ were interested in one thing, and only one thing: living. To them, life was a series of adventures to be lived. Going from one high to the next, in search of that thing that will, in the end, transform them into that "blue centerlight" about which everyone says "Awww!" But a few questions must be addressed regarding the Beats. Was theirs the correct choice? Was the fun they had worth the pain that they caused, and the pain that they had to endure? And ultimately, what impact did the Beats have on society as a whole, and was that impact, is that impact, positive or negative? Jack Kerouac, the most prominent of all Beat poets, and the gang hanging out at the famous 115th Street apartment helped to mold two generations of young Americans, and have made a permanent impression on the landscape of American culture through their literature, and most of all, through their lives, and their desire to live. This is the contribution of the Beats: a legacy of s...
Weinreich, Regina. "The Beat Generation Is Now About Everything." College Literature 27.1 (2000): 263-268. MLA International Bibliography. Web. 27 Apr. 2014.
The Beat Generation was an influence on the American society during the twentieth century on how they portrayed the way of the American dream through performing arts. It all began in the 1950’s where a bunch of writers got together to right about how much they resented the postwar society (Sterritt, 1). It was right after War World II had past and the postwar age was very unsettling for the beat writers. It was turning into a conservative lifestyle and the beats wanted a way of showing that there writings would make an impact of what and how they thought of society and postwar. They too, like many others were effected greatly by the war and wanted a way of rebelling towards all the pain they went through during the war. This began the introduction of the Beat Generation.
The Beat Generation established the rebellious lifestyle that most young Americans desired at the