Unlike many Hollywood films, The Apostle’s complex plot is captured with simple videography. This stylistic choice creates a more authentic, tangible representation of the setting that is elemental to both the film and Sonny’s character. The film also utilizes a “documentary-like evocation of the South” through its combined use of actors and non-actors for the worship scenes (Feaster). Duvall’s choice to film relatively long worship scenes (as compared to shorter worship scenes in comparable Hollywood films) and to zoom in on the faces of congregation members during these services also creates a more intimate connection to Pentecostalism. With these shots and authentic representations of Pentecostal worship, viewers absorb every detail of the …show more content…
Sonny adopts the rhythmic, electric style of preaching that he grew up listening to and incorporates the style in his own sermons as a preacher, and later, an apostle. Throughout the film, Sonny is in a constant state of stimulation and high energy. Whether he is giving a sermon, talking to God, or interacting with his family, Sonny’s vigor and lust never wavers. This robustness, combined with the post-Civil War model for manhood of “Christian mastery over others and a right to violently protect those from external threats” explains Sonny’s immoral actions, despite being a “man of God” (Friend xii). Sonny exerts his dominance by attacking his wife’s lover, Horace, with a baseball bat. Sonny’s actions dance on the fine line between evangelical morality and “enjoying the pleases of male culture” (Friend xix). Sonny is a “dependent on God or Christ,” yet he still “[exercises] care or responsibility over women and children” (Friend 37). This “care” manifests itself as protecting his family from Horace (who Sonny refers to as a “puny-assed youth minister”). While Sonny recognizes that murder is a sin, (after all, he goes on a pilgrimage for redemption) the alpha-male culture he grew up and his energetic personality (that was cultivated through Pentecostalism) overcame rational, moral thought. Before I dug deeper into evangelical,
In Sonny’s Blues, James Baldwin makes biblical themes a crucial part in this short story by comparing biblical themes to scenes from the story. There were many ways that biblical themes were present in Sonny’s Blues as James Baldwin made references from the bible such as the Biblical story of Cain and Abel, the story of “The Probable Son” and the book of Isaiah, which talks about the Cup of Trembling. His comparisons are supported by James Tackach’s The Biblical Foundation of James Baldwin’s “Sonny’s Blues”. Baldwin’s message about redemption is that anyone who has sinned or hasn’t lived up to their promises can still be redeemed. All of the references mentioned to support the biblical themes all tie up to redemption.
From the first lines of the story the reader gets the impression that Sonny’s brother tries to block out, ignore the truth about his brother and his troubles. The reaction the character has to the newspaper article about Sonny was: “It was not to be believed and I kept telling myself that” (Baldwin 292). At this stage his relations with the younger brother remind of the way a teacher walks across the playground full of potentially troubled kids “though he or she couldn’t wait to get out of that courtyard, to get those boys out of their sight and off their minds” (Baldwin 293). Having some suspicions concerning Sonny’s ...
" Sonny had been wild, but not crazy, he had always been a good boy and had never turned hard or evil or disrespectful the way the kids did and still do in Harlem."…His face had been bright and open, there was a lot of copper in it; and he had wonderfully direct brown eyes, and a great gentleness and privacy…." (66).
Sonny’s Blues written by James Baldwin appears to suggest that family and faith are important aspects in someone’s life and that each person has a different way of dealing with their own demons. The author writes with an expressive purpose and narrative pattern to convey his message and by analyzing the main characters, the point of view of the narration, the conflict in the story and the literary devices Baldwin utilizes throughout his tale, his central idea can be better understood.
Throughout the story, the narrator learns how important it is to Sonny for him to care and listen to him. Sonny is vulnerable and in a state where he is getting into trouble with drugs and alcohol perhaps because he feels as though no one cares enough to help him. The narrator lives his life as a teacher while Sonny spends his days using drugs hoping someday to pursue his dreams of music. Both characters end up in a place they are meant to be; acting as family and leaning on each other for support, which is the true importance of an older brother.
James Baldwin’s short story, “Sonny’s Blues,” is the authors most studied and critically analyzed piece of literature. The majority of these analyses focus on the obvious themes of the book such as jazz music, the unnamed narrator, or the rift that divides Sonny and his brother. Little critique has ever gone into the biblical and religious themes that run throughout the story of “Sonny’s Blues.” Furthermore, it is even more astonishing that there is little critique given Baldwin has such a strong history with the world of Christianity.
As "Sonny's Blues" opens, the narrator tells of his discovery that his younger brother has been arrested for selling and using heroin. Both brothers grew up in Harlem, a neighborhood rife with poverty and despair. Though the narrator teaches school in Harlem, he distances himself emotionally from the people who live there and their struggles and is somewhat judgmental and superior. He loves his brother but is distanced from him as well and judgmental of his life and decisions. Though Sonny needs for his brother to understand what he is trying to communicate to him and why he makes the choices he makes, the narrator cannot or will not hear what Sonny is trying to convey. In distancing himself from the pain of upbringing and his surroundings, he has insulated himself from the ability to develop an understanding of his brother's motivations and instead, his disapproval of Sonny's choice to become a musician and his choices regarding the direction of his life in general is apparent. Before her death, his mother spoke with him regarding his responsibilities to Sonny, telling him, "You got to hold on to your brother...and don't let him fall, no matter what it looks like is happening to him and no matter how evil you get with him...you may not be able to stop nothing from happening. But you got to let him know you're there" (87) His unwillingness to really hear and understand what his brother is trying to tell him is an example of a character failing to act in good faith.
With the narrator having a responsibility to take care of his brother, he consistently forces the fact that he wants his brother to be well off and not care about his passion in music. The older they got, the more they drove away from each other because of the fact the narrator becomes overly protective with Sonny, and uses a “tough love” strategy though it does not making any positive effect. After they took some time apart, they both realized they cannot emotionally make it in this world without one
Conflict is opposition between two forces, and it may be external or internal,” (Barker). There are two styles of external conflict that can be examined within the plot of “Sonny’s Blues”. The first of these is character versus society. This is the outer layer of the external conflict observed between Sonny and the society, which his life is out casted from. The meat and potatoes of the external conflict however, is character versus character. Sonny lives a lifestyle that his brother seems to be incapable of understanding. The internal conflict lies within the narrator. It is his struggle to understand his brother that drives the plot. The climax occurs when Sonny and the narrator argue in the apartment. The argument stems from the narrators complete inability to understand Sonny’s drug usage and life as a musician, and Sonny’s feeling of abandonment and inability to make his brother understand him. This conflict appears to come to a resolve at the resolution as the narrator orders Sonny a drink following hearing Sonny perform for the first time. It appears as though this is the moment when the narrator begins to understand, perhaps for the first time, his brother the
Several passages found throughout "Sonny's Blues" indicate that as a whole, the neighborhood of Harlem is in the turmoil of a battle between good and evil. The narrator describes Sonny's close encounters with the evil manifested in drugs and crime, as well as his assertive attempts at distancing himself from the darker side. The streets and communities of Harlem are described as being a harsh environment which claims the lives of many who have struggled against the constant enticement of emotional escape through drugs, and financial escape through crime. Sonny's parents, just like the others in Harlem, have attempted to distance their children from the dark sides of their community, but inevitably, they are all aware that one day each child will face a decisionb for the first time. Each child will eventually join the ranks of all the other members of society fighting a war against evil at the personal level so cleanly brought to life by James Baldwin. Amongst all the chaos, the reader is introduced to Sonny's special secret weapon against the pressures of life: Jazz. Baldwin presents jazz as being a two-edged sword capable of expressing emotions like no other method, but also a presenting grave danger to each individual who bears it. Throughout the the story, the reader follows Sonny's past and present skirmishes with evil, his triumphs, and his defeats. By using metaphorical factors such as drugs and jazz in a war-symbolizing setting, Baldwin has put the focus of good and evil to work at the heart of "Sonny's Blues."
After discovering what has happened to Sonny, the narrator makes it seem as if he does not care and does not want interference in the life he has worked so hard to create. This is proven when the narrator discusses what has happened to Sonny with one of his brother’s friends. As shown through this quote, the narrator is not concerned about what has happened to his brother and believes it is not his responsibili...
Though racial and sexual issues seem to continuously serve a main purpose in James Baldwin’s writings, oppression can be described as a useful theme in both “Sonny’s Blues and Going to Meet the Man”( Murphy 6). In “Sonny’s Blues” we meet the narrator, Sonny’s brother who runs into one of Sonny’s old friends who begins conversing with Sonny’s brother about Sonny’s recent arrest. Sonny’s old friend tells the narrator that he “can’t much help Sonny no more” which upsets him because it makes him realize how much he had given up on trying to help his brother. Sonny was suffering from drug abuse, and was in desperate need of a savior. After the
Although, he did what he felt was right at the time. During the time of their mother dying, he was a newlywed and was also getting his career together in the army. After their mother’s death, the narrator was soon returning to his station, leaving Sonny stay with his wife, Isabel and her family. Sonny always had dreams of becoming a jazz musician, but because of the era they were in and being the older brother, the narrator wanted better for Sonny. Sonny was stuck on being a jazz musician and wasn’t letting anything stop him. The living arrangements he had with Isabel and her family wore thin,
James Baldwin's short story "Sonny's Blues" highlights the struggle because community involvement and individual identity. Baldwin's "leading theme - the discovery of identity - is nowhere presented more successfully than in the short story 'Sonny's Blues" (Reilly 56). Individuals breeds isolation and even persecution by the collective, dominant community. This conflict is illustrated in three ways. First, the story presents the alienation of Sonny from his brother, the unnamed narrator. Second, Sonny's legal problems suggest that independence can cause the individual to break society's legal conventions. Finally, the text draws heavily from biblical influences. Sonny returns to his family just like the prodigal son, after facing substantial trials and being humiliated. The story's allusion to the parable of the prodigal son reflects Baldwin's profound personal interest in Christianity and the bible.
Film Analysis of All That Heaven Allows Chosen sequence: Golden Rain Tree/Cary's bedroom scene. Before the emergence of 'auteur theory' the director Douglas Sirk was a renowned exponent of classical Hollywood narrative, particularly in the genre of romantic melodrama, of which his film All That Heaven Allows is a classic example. However, he is now regarded as a master of mise-en-scene, one of the few tools left to a director working within the constraints of the Hollywood studio/institutional system who is now thought to have been highly critical of American mainstream culture and society in this prosperous era. 1, 2 The 'Golden Rain Tree' sequence occurs early on in the film after the opening panoramic, establishing shot - showing the scene of the action, a small middle-class New England town in autumn. The main protagonists are soon introduced of which the prime causal agent is an unsettled woman, Cary Scott (Jane Wyman), in keeping with romantic melodrama.