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The pressure to change has been pivotal in the history of mankind; ‘adapt or die’ was the motto of the early humans, and for good reason. Change is the reason we are bipedal, why we make shelters, why we cook our food; because it’s better, it helps us to survive, to live just long enough to pass on our genes. This unquenchable, insatiable desire to adapt and evolve has driven the human race for millennium and will continue to do so until ignore it and, well, die. The pressure to change surrounds us, it influences our every decision whether it is to create something new, or fix what was broken; as illustrated by the Aeneid and the History of Rome. In the Aeneid, Aeneas is driven for miles in the quest of a new home for the Trojans, a new …show more content…
In the History of Rome, however, the Romans are led by a different desire, not to create a new home, but to fix their once powerful civilization. Despite their subtle differences, both in the route they take and what they sacrifice to get there, they are identical in their goal, to change for the better.
The Aeneid is an excellent example of the pressure of change since it exhibits a multitude of different changes; from location changes, Troy to Lavinia, to personal characteristic changes in Aeneas. After being out-witted by the Greeks and their city, Ilium, destroyed; the Trojans are forced to change to ensure the survival of their civilization and culture, for that they turn to Aeneas. Aeneas is tasked by, his father, Ascanuis, and his mother, Venus; to travel across the Mediterranean Sea to the land of Italy, where he is to found their new home. Initially, Aeneas is hesitant and shows disdain for the role the Fate has found him, he yells out to the heavens, “tell me why the Queen of Heaven was so aggrieved, her godhead so offended, that she forced a man of faultless devotion to endure so much hardship” (Aen. 1.12-15). This outrage, despite absolute belief in the Gods and undying patriotism, is in direct contrast to pride and sacrifice
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For over 400 years after Aeneas first planted his flag and founded his city, ‘Rome’ was ruled by the Alban Kings, which ran as natural monarchy, at least as Livy depicts; here the first Romans, Romulus and Remus, are born. Born out of wedlock, the twins were exiled from the city as infants, where a she-wolf nurtured them until they learn of the royal blood that flows through them. “Seized by the desire [for kingship]…the ancestral evil”, the brothers opt to found their own city, from which they will rule (Liv. 1.6). Though rather than the monarchy that exiled them, their city will not only have a king, but a plethora of senators; who are to advise the king in the matters of the people. Despite Romulus’ revolutionary approach to leadership, the city was empty, and in an attempt to increase the population Romulus offered asylum to anyone; “they came without distinction, slaves and freemen alike” (Liv. 1.8). This move founds the city on a standard of equality between freemen and ex-slaves. While, in this case the pressure to change was driven by the current of desire; later change is driven in the pursuit of freedom. Livy, writes, later, of a time much closer to his own; the formation of Rome
From ages past, the actions of conquerors, kings and tyrants had brought the Roman Republic to a stance that opposed any idea of a singular leader, of a single man that held total power over the entirety of the state. Their rejection of the various ruthless Etruscan rulers that had previously dictated them brought the Republic to existence in 509 BC , and as a republic their prominence throughout the provinces of the world exponentially expanded. Throughout these years, the traditions of the Romans changed to varying degrees, most noticeably as a result of the cultural influence that its subject nations had upon the republic, as well as the ever-changing nature of Roman society in relation to then-current events. However, it was not until the rise of Augustus, the first of a long line of succeeding emperors, that many core aspects of the Republic were greatly changed. These were collectively known as the “Augustan Reforms”, and consisted of largely a variety of revisions to the social, religious, political, legal and administrative aspects of the republic’s infrastructure. Through Augustus, who revelled in the old traditional ways of the past, the immoral, unrestraint society that Rome was gradually falling to being was converted to a society where infidelities and corruption was harshly looked upon and judged. The Roman historian Suetonius states, “He corrected many ill practices, which, to the detriment of the public, had either survived the licentious habits of the late civil wars, or else originated in the long peace” . Through Augustus and his reforms, the Republic was transformed into an Empire, and through this transformation, Rome experienced one of its greatest and stabl...
In The Aeneid there are rich implemented principles such as fate, discipline, and competition which greatly influenced the Roman empire causing it’s rise from obedience to the principles as well as it’s fall from disobedience. Virgil lived during the dawn of the rising sRoman empire, and his book was a catalyst to the greatness that grew within the nation. The Aeneid focused around the principle that fate’s power and dominance overrule human life, which in turn would bring indolence or proactivity depending on the individual’s capacity. Although fate can easily be ripped down as a belief it did many great things for the Romans whether it is real or not. Unfortunately the themes of deceit and trickery also crept into the book’s contents, which
Virgil lived in a time that went through many changes. He was born in 70 BCE to a peasant family in Northern Italy. After the civil war, Augustus became Emperor of the Roman Emperor and wanted to preserve Roman values and tradition. Virgil also wanted to see Rome rebuild after the civil war and to be a thriving city again. Virgil had always wanted to write a great epic like The Odyssey or The Iliad. He wanted to write a national epic similar to what The Odyssey had become for the Greeks. Since Virgil was a client of Caesar Augustus, he had sworn loyalty to him, both in day to day life and in all political aspects. In return,Caesar Augustus would give “kindness” to Virgil, such as enough financial stability for him to continue his poetry and
Vergil, in his work, The Aeneid, uses many rhetorical devices, word order and meter to add details to the meaning if the text. One of the rhetorical devices he uses is a simile (Ac-mulcet 1.148-153). Just before this passage, the winds overturned the sea causing Aeneas and his comrades to be close to death, in the simile the action of the sea is compared to a riot of a peasant crowd in which weapons fly from the enraged people. The venerable man who comes who calms the crowd with his words is compared to Neptune calming the sea. Also, the way in which the crowd falls silent is related to the crashing and stillness of the sea. Vergil keeps a consistent meter throughout all his books of the Aeneid and the same is held through in this passage.
This gives the readers a clue that what is to happen in the upcoming text is a
Livy’s The Rise of Rome serves as the ultimate catalogue of Roman history, elaborating on the accomplishments of each king and set of consuls through the ages of its vast empire. In the first five books, Livy lays the groundwork for the history of Rome and sets forth a model for all of Rome to follow. For him, the “special and salutary benefit of the study of history is to behold evidence of every sort of behaviour set forth as on a splendid memorial; from it you may select for yourself and for your country what to emulate, from it what to avoid, whether basely begun or basely concluded.” (Livy 4). Livy, however, denies the general populace the right to make the same sort of conclusions that he made in constructing his histories. His biased representation of Romulus and Tarquin Superbus, two icons of Roman history, give the readers a definite model of what a Roman should be, instead of allowing them to come to their own conclusion.
Odysseus’ journey is one that features much emotional pain. Pain for being away from his home, wife and son, but in Aeneas’ journey he is a warrior, and he goes through physical pain. Unlike Odysseus, Aeneas begins his journey after the Greeks have burned his home to the ground. He does not have the pleasure of long comfortable “holdups” Odysseus has and he also has to deal with his father dying—the ultimate blow.
Rome, even at its beginnings, proved to be a force to be reckoned with. It’s rapid growth and accumulation of power and repeated victories over powerful neighbors set Rome in a position of great authority and influence. As the leader of early Rome, Romulus’ effective command of his men and governance of his people provided the foundation for the building of a great city. Livy emphasizes Romulus’ possible divine origins and strong ties to deities as a validation and reinforcement of his ability to rule. A nation’s sole defense cannot be just bricks and mortar, it requires an army and a will and Romulus was able to successfully take action against the aggressors when action was needed.
It is clear when reading the Aeneid that Virgil was familiar with the earlier works of Homer, The Iliad and The Odyssey. Virgil, more than just being aware of these earlier works, uses themes and ideas from these poems in his own. Far more than just copying scenes and ideas, Virgil expands and alters these themes to better tell his story, unique from the Greek originals he is drawing from. Virgil reveals what qualities he regards as heroic through the juxtaposition of Aeneas’ character and the negative aspects of the underworld. By looking at which qualities are esteemed and derided respectively, we can identify the qualities that Virgil would like to emphasize positively to his readers. Also, we can argue that Virgil is indeed trying to convey a particular set or morals to those readers. Beyond the underworld, it is possible to clearly identify these traits in the other sections of the poem where Virgil is borrowing and making his own alterations. Using these distinctions we can very clearly derive Virgil's morality from the poem, and see where Virgil's ideal characters veer away from the Greek ideal that came before.
In Titus Livius’, The Early History of Rome, Livy takes on the task of documenting Rome’s early history and some of the famous individuals who help contribute to the ‘greatness’ of Rome. Livy dedicates an entire portion of his writing to describe the reigns of the first seven kings of Rome; all who influence the formation and governance of Rome in some way. However, of the seven kings in early Roman history, King Romulus and King Numa Pompilius achieved godlike worship and high esteem from their fellow Romans. While both highly important and respected figures in Rome’s history, the personalities and achievements of King Romulus and King Numa Pompilius are complete opposites of one another. Despite the differences found in each king and of their rule over Rome, both Romulus and Numa Pompilius have a tremendous influence in the prosperity and expansion of Rome in its early days.
The roles of Aneas and Turnus are reversed as the Aeneid progresses. The erasure of Aneas' free will accounts for his triumph and success. Time and time again, Aneas' courage, loyalty, and will are tested in the Aeneid. Through seemingly endless journeys by sea, through love left to wither, and through war and death, Aneas exhibits his anchored principals and his unwavering character. "Of arms I sing and the hero, destiny's exile... Who in the grip of immortal powers was pounded By land and sea to sate the implacable hatred of Juno; who suffered bitterly in his battles As he strove for the site of his city, and safe harboring For his Gods in Latium" (Virgil 7).
In many ways, judging and comparing Vigil’s Aeneid and Ovid’s Metamorphoses is inevitable because each of the writers lived at roughly the same time in history, both sought to create a historical work that would endure long past their mortal existences, and while each man was ultimately successful in their endeavors, they achieved their desired goals in vastly different ways. That being said, the epic poem by Ovid is superior because unlike Virgil, whose epic poem utilized a character centered narrative steeped in historical inferences and a theme that celebrated the moral virtues of Greek and Roman society, Ovid defied tradition by creating an intricate narrative that looked
I believe that the ending of the Aeneid shows that Aeneas is very heroic. According to Webster’s New Dictionary, “a man of distinguished bravery” and “admired for his exploits.” Aeneas is very brave when he fights Turnus, especially because it is known that the gods are on his side. He successfully killed Turnus, which is an achievement that calls for admiration.
When discussing the fate of Aeneas, a thought provoking question is posed that is commonly debated. If Aeneas is commanded by fate, does he have free will? It is important to approach this question with a solid understand of fate. There are two common sides to the debate of whether Aeneas had free will or not. One view believes Aeneas had no choice but to follow his destiny because he was commanded by fate, and prophesied to found the race that will one day build Rome. The other side states Aeneas did indeed have free will, and even though his fate was set, room is available within his fate for events to change. One can argue Aeneas makes some of his own choices, but no particular detail of his life is untouched. Destiny determines that the Trojans will found a city in Italy, but it does not stipulate how that will happen. This is where room is left for free will. After much research and considering the views of many commentators and the proof they showed, the answer can simply be found by going back to the text of The Aeneid.
... attempts they do just the opposite. With Venus’ many interventions, Aeneas is prevented from making mistakes and is guided to his fate, from not killing Helen [book 2] to leaving behind the old and the weak for Italy [book 4] . He is shown enough times to be the puppet of their play: from obeying the will of the gods while enduring the wrath of other gods, all this in order to set the wheels in motion for the far off future Roman race. However, there are also times when he is also shown to be exerting his won free will. For example, in book 12, killing Turnus when he is begging for mercy, something not heroic and which Susanna Braund debates the positive and negative aspect of in her essay on Virgil and the Meaning of the Aeneid [1.17-18]. nonetheless, this act demonstrates that even the gods and the fates require his cooperation to fulfil his destiny.