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Essay on victorian literature
Essay on victorian literature
Essay on victorian literature
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The 19th Century Novel
A Novel is defined as a long story about fictitious characters,
written in prose as opposed to poetry. Novels were first written in
the 18th Century so by the 19th Century, the novel, often in
serialised form was an established form of entertainment which was
also helped by the increased adult literacy rate over the whole of the
1800s. The idea of the novel had changed from being purely for the
amusement of women to being available to a wider audience, covering a
wider variety of issues. It was also over this century that it began
to be increasingly acceptable, if not usual to write novels with an
underlying moral tone, particularly towards social standards among the
lower classes. Another theme of many 19th Century novels was the
creation and depiction of strong and great female characters, many
through the new generation of female writers.
Walter Scott, born in Scotland in 1771 was famous for his escapist
literature such as ‘Waverley’ (1814) and ‘Ivanhoe’ (1819), both of
these escapist in their setting further back in the past (1745 and
Norman Times respectively). Scott had been a poet until he turned to
novel writing having been outsold by Lord Byron's poetry. ‘Ivanhoe’, a
historical romance is credited as being meticulously researched and
seemed to make the novel genre acceptable for men. He attracted a wide
range of people through setting it in Scotland and delving into the
past, capturing early Victorian’s imaginations with his eight hundred
year old characters, seeking refuge in the past and firing their
imaginations. ‘Ivanhoe’ famously sold ten thousand copies within its
first two weeks and led to a gothic revival, most famously Sir Charles
Barry’s Houses of Parliament i...
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...long struggle. Both ‘Jude
the Obscure’ and ‘Tess of the D’Urbervilles’ were highly criticised at
his time of writing, the brutality of his stories shocking the
Victorian Public. However, he remains popular due to the strength of
his stories and characters.
Beyond the six authors that I have touched upon, the 19th Century
literature collection is vast, many surviving and others falling into
obscurity. Although the early 20th Century writers felt revolutionary
in their casting off of the old Victorian novel style, I feel that the
19th Century Novelists were equally revolutionary in what they did for
the novel. They created similar novel genres to what exists today and
entertained and often shocked an uptight century. They introduced the
art of observance and intricacy to the novel form and have formed the
basis for the inspiration of novelists ever since.
The Signalman and The Red Room are well known examples of nineteenth century ghost stories How effectively do the authors of “The Red Room” and “The Signalman” create a sense of suspense in the story "The Signalman" and "The Red Room" are well known examples of nineteenth century ghost stories. The Signalman by Charles Dickens was written in 1865, which was the time of developing literacy. This short story was presented in three parts as it was previously in a periodical form; this technique was also used to create suspense and therefore leaves the reader at a cliff hanger after each episode, which in turn motivates the reader to read on. There were many rumors about this story as many people suggested that Dickens wrote this story as a remembrance of the day he was involved in a railway accident which killed ten people. Furthermore, He was writing in the Victorian times, when there was a massive change in technology as new inventions were created, e.g. the Train.
London: n.p., 1998. Print. fourth Bloomfield, Morton W. New Literary History. Winter ed. N.p.:
Society continually places specific and often restrictive standards on the female gender. While modern women have overcome many unfair prejudices, late nineteenth- and early twentieth-century women were forced to deal with a less than understanding culture. Different people had various ways of voicing their opinions concerning gender inequalities, including expressing themselves through literature. By writing a fictional story, authors like Charlotte Perkins Gilman and Henry James were given the opportunity to let readers understand and develop their own ideas on such a serious topic.
Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford University Press, 1990. Print.
Ringe, Donald A. American Gothic: Imagination and Reason in Nineteenth-Century Fiction. Lexington KY: The University Press of Kentucky, 1982.
The impact that these two individuals have had on our society has shaped our world to be a better and more fascinating place. They presented to us new concepts of writing along with, intricate ways to communicate their ideas with their audience. Edgar Allan Poe’s Gothic style of writing established a whole new view of how literature was viewed and received the attention from readers across the world. Mark Twain had a very light-hearted approach when he wrote his humoristic masterpieces. These authors left an enormous impression in the literary world that is still prevalent in literature today.
Marder, Daniel. Exiles at Home: A Story of Literature in Nineteenth Century America. Lanham: University Press of America, Inc., 1984.
During the nineteenth century, Nathaniel Hawthorne graced America with The Scarlet Letter. Out of all of his works, the commended author’s most enduring and well-known novel is The Scarlet Letter. The narrative was set in the 1600s around the same time as the historical Salem Witch Trials. Over the years, this classic story has been reviewed by numerous essayists. Nathaniel Hawthorne’s most popular novel reflects the injustice of the Salem Witch Trials and received notable analyses from major literary critics.
Harris, Laurie Lanzen. Nineteenth-Century Literature Criticism, Vol. 3 (Nineteenth Century Literature Criticism). Vol. 3. Belmont: Thomson Gale, 1983. Print.
One attribute of Modernist writing is Experimentation. This called for using new techniques and disregarding the old. Previous writing was often even considered "stereotyped and inadequate" (Holcombe and Torres). Modern writers thrived on originality and honesty to themselves and their tenets. They wrote of things that had never been advanced before and their subjects were far from those of the past eras. It could be observed that the Modernist writing completely contradicted its predecessors. The past was rejected with vigor and...
Criticism on the Gothic novel has been plentiful, yet such work tends to view the Gothic novel within the constraints of genre rather than investigating its wider influence in the nineteenth century. “Gothic Archives” will track this influence, arguing that the Gothic novel indicates changing attitudes toward reading, and especially toward reading history, in the nineteenth century. Gothic novels such as Melmoth the Wanderer (1820), and the meta-Gothic of The Antiquary (1816) presume that authentic historical experience is difficult, if not impossible, to represent accurately, emphasizing in their plots the misunderstandings that result from attempts to read and write historical experience. It follows that the Gothic novel typically stages scenes of reading that delve into (often fictional) archival sources. Thus Gothic novels always situate authentic historical knowledge within the archive, requiring characters to excavate obscure source material such as letters, books, portraits, wills, and the like in order to discover what the Gothic construes as historical truth. In so doing, the Gothic novel proffers a historically oriented epistemology of reading, founded upon the affective possibilities of history writing, which challenges the considerations of truth and accuracy that inform traditional historiography.
Austen was a recondite writer with a new inside perspective with an outside view on life in the early 19th century. Born on December 16, 1775, Austen was a curious child given the unseal luxury of an education. Her father was a part of the gentry class and raised a family of ten, but was not well off by any means (Grochowski). Sense and Sensibility, written by Jane Austen, tells a dramatic story of three sisters and their emotional journey where they encounter love and betrayal. Because Jane Austen was raised in a liberal family and received a comprehensive education, her dramatic analysis of societal behavior in Sense and Sensibility was comparable to the hidden truths of social and class distinctions in 18th and 19th century Europe.
"The Norton Anthology of English Literature: The 20th Century: Review: Summary." The Norton Anthology of English Literature: The 20th Century: Review: Summary. W.W. Norton and Company, n.d. Web. 17 Mar. 2014.
"And the lady of the house was seen only as she appears in each room, according to the nature of the lord of the room. None saw the whole of her, none but herself. For the light which she was was both her mirror and her body. None could tell the whole of her, none but herself" (Laura Riding qtd. by Gilbert & Gubar, 3).
Chapman, Raymond. The Victorian Debate: English Literature and Society, 1832-1901. New York: Basic Books, Inc., Publishers, 1968.