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Critical view of scarlet letter
Critical view of scarlet letter
Critical view of scarlet letter
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During the nineteenth century, Nathaniel Hawthorne graced America with The Scarlet Letter. Out of all of his works, the commended author’s most enduring and well-known novel is The Scarlet Letter. The narrative was set in the 1600s around the same time as the historical Salem Witch Trials. Over the years, this classic story has been reviewed by numerous essayists. Nathaniel Hawthorne’s most popular novel reflects the injustice of the Salem Witch Trials and received notable analyses from major literary critics.
Born on July 4, 1804, in Salem, Massachusetts, Nathaniel Hawthorne was the son of Nathaniel and Elizabeth Manning Hathorne (Pennell 1). Finding the harshness of his strict Puritan ancestors to be unsettling, Hawthorne later decided to add the “w” to his name to separate him from his predecessors (Leone 11, 12). In 1808, Hawthorne’s father dies of yellow fever while at sea (Pennell 1). Eventually, Hawthorne enrolled into Bowdoin College in Brunswick, Maine, in 1821 and graduated in 1825 (Leone 13, 14). In 1828, Hawthorne published his first novel Fanshawe, but the book received unfortunate reviews. Thinking he had failed miserably, Hawthorne sought to destroy all copies he could find. Starting in 1830, Hawthorne began having several short stories and sketches published in magazines and periodicals (Pennell 3). In the future, during the spring of 1838, Hawthorne met Sophia Peabody. Similar to Hawthorne, Sophia suffered from her fair share of illnesses and possessed enthusiastic artistic abilities and interests. Towards the end of that year, they were privately betrothed (Leone 16). Hawthorne found a job as a salt and coal measurer at the Boston Custom House in 1839. For the following years, Hawthorne’s everyday work exhausted...
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...ater appreciate and learn several lessons from its theme and historical content. Overall, the novel is valued by many writers and will continue to be inspirational to all throughout the many generations to come.
Works Cited
Blumberg, Jess. “A Brief History of the Salem Witch Trials.” Smithsonian.com. 24 Oct. 2007.
Web. 7 Apr. 2014.
James, Henry. “Flaws in The Scarlet Letter.” Readings on The Scarlet Letter. Ed. Bruno Leone.
San Diego: Greenhaven, 1998. 26-31. Print.
Leone, Bruno, ed. Readings on The Scarlet Letter. San Diego: Greenhaven, 1998. 26. Print.
Pennell, Melissa McFarland. Student Companion to Nathaniel Hawthorne. Westport:
Greenwood, 1999. Print.
“Salem Witch Trials: 1692-1693.” Global Events: Milestone Events Throughout History. Ed.
Jennifer Stock. Vol. 6: North America. Farmington Hills, MI: Gale, 2013. World History in Context. Web. 2 Apr. 2014.
A. The Scarlet Letter. Enriched Classic ed. of the book. New York City: Simon & Schuster, 2004.
Griswold, Rufus Wilmot. "The Scarlet Letter." The Library of Literary Criticism of English and American Authors. Ed. Charles Wells Moulton. Gloucester, Massachusetts: Peter Smith Publishing, 1989. 341-371.
Griswold, Rufus Wilmot. "The Scarlet Letter." The Library of Literary Criticism of English and American Authors. Ed. Charles Wells Moulton. Gloucester, Massachusetts: Peter Smith Publishing, 1959. 341-371.
In the novel The Scarlet Letter by Nathaniel Hawthorne, Hawthorne portrays a society filled with betrayel, secrecie, and sinners. The people of society do not show their true colors and hide their true intentions. Dimmsdale, Chillingsworth and Hester all have fallen to sin, however they all believe they are not the worse sinner and try to seek justice for themselves.
Gerber, John C. "Form and Content in The Scarlet Letter." The Scarlet Letter: A Norton Critical Edition. Eds. Seymour Gross, Sculley Bradley, Richmond Croom Beatty, and E. Hudson Long. New York: W.W. Norton and Co., 1988.
Normally when most people think of vampires, they envision a deathly, pale creature with fangs. But Thomas Foster seems to think differently, who argues that it is not necessary for a vampire to embody a stereotypical vampire. Surprisingly enough, even humans can be these types of monsters. From Foster 's perspective, being a vampire not only includes an individual 's aesthetics, but also their actions, personality, intent, and overall representation of personal identity. The classic novel, The Scarlet Letter by Nathaniel Hawthorne, presents an excellent example of this occurrence, where the character Roger Chillingworth meets the criteria of a vampiric figure, based on Thomas Foster 's ideas of vampirism, found in his book How to Read Literature Like a Professor.
“A bloody scourge…rigorously, and until his knees trembled beneath him, as an act of penance.” (Hawthorne, 141) In the Scarlet Letter, by Nathaniel Hawthorne, Minister Dimmesdale starved himself, whipped himself, and tortured himself to get rid of the guilt caused by his sin with Hester Prynne. Hawthorne describes the minister’s guilt as the evil that anchored him down and shows how Dimmesdale tortures himself but can never get rid of it. His guilt came from many things. First was his guilt for committing the crime with Hester Prynne. Second is his guilt for not being with her at the time that she was put upon the scaffold. Last was his guilt from not revealing himself to his own daughter and from having to stay out of her life due to fear of being shamed by the community. Hawthorne’s views on guilt and Dimmesdale are mostly that his guilt controlled his life completely until the very end when the power of the sin and guilt took over to the point where he couldn’t control himself.
Hawthorne, Nathaniel. “The Scarlet Letter”. American Literature: Volume One. Ed. William E. Cain. New York: Pearson, 2004. 809-813. Print
Griswold, Rufus Wilmot. "The Scarlet Letter." The Library of Literary Criticism of English and American Authors. Ed. Charles Wells Moulton. Gloucester, Massachusetts: Peter Smith Publishing, 1959. 341-371.
Reid, Bethany. "Narrative of the Captivity and Redemption of Roger Prynne: Rereading The Scarlet Letter." Studies in the Novel 33.3 (Fall 2001): 247-267. Rpt. in Nineteenth-Century Literature Criticism. Ed. Jessica Bomarito and Russel Whitaker. Vol. 158. Detroit: Gale, 2006. Literature Resources from Gale. Web. 3 Feb. 2012.
Hawthorne, Nathaniel. "The Scarlet Letter." Nathaniel Hawthorne's Tales. Ed. James McIntosh. New York: Norton, 1987.
Thomas Hobbs and John Locke have two very opposing viewpoints on human nature. Locke believes that human nature is innately good; Hobbs thinks that human nature knows right from wrong, but is naturally evil and that no man is entirely “good”. Nathaniel Hawthorne, author of the classic novel The Scarlet Letter, believes that every man is innately good and Hawthorne shows that everyone has a natural good side by Hester’s complex character, Chillingworth’s actions and Dimmesdale’s selfless personality.
Nathaniel Hawthorne uses his novel, The Scarlet Letter to critique the Puritan faith. In developing his story of the adulteress Hester Prynne, he uses both religious and natural imagery to show his disdain for the Puritan religion. The Scarlet Letter is a vivid portrayal of his utter dislike for the Puritans and everything that they stand for. Hawthorne is in complete disagreement with them and makes it clear throughout the book.
Sewall, Richard B. "The Scarlet Letter: Criticism." Novels for Students. Ed. Diane Telgen. Vol. 1. Detroit: Gale, 2001. 319-27.
The Scarlet Letter is a blend of realism, symbolism, and allegory. Nathaniel Hawthorne uses historical settings for this fictional novel and even gives historical background information for the inspiration of the story of Hester Prynne in the introduction of The Scarlet Letter, ‘The Custom-House’. The psychological exploration of the characters and the author’s use of realistic dialogue only add to the realism of the novel. The most obvious symbol of the novel is the actual scarlet letter ‘A’ that Hester wears on her chest every day, but Hawthorne also uses Hester’s daughter Pearl and their surroundings as symbols as well. Allegory is present as well in The Scarlet Letter and is created through the character types of several characters in the novel.